You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.
Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I’ve got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?
Does my haughtiness offend you?
Don’t you take it awful hard
’Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?
Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
From And Still I Rise by Maya Angelou. Copyright © 1978 by Maya Angelou. Reprinted by permission of Random House, Inc.
[A Picture from the Life]
Deep in a vale, a stranger now to arms,
Too poor to shine in courts, too proud to beg,
He, who once warred on Saratoga’s plains,
Sits musing o’er his scars, and wooden leg.
Remembering still the toil of former days,
To other hands he sees his earnings paid;—
They share the due reward—he feeds on praise.
Lost in the abyss of want, misfortune’s shade.
Far, far from domes where splendid tapers glare,
‘Tis his from dear bought peace no wealth to win,
Removed alike from courtly cringing ‘squires,
The great-man’s Levee, and the proud man’s grin.
Sold are those arms which once on Britons blaz’d,
When, flushed with conquest, to the charge they came;
That power repell’d, and Freedom’s fabrick rais’d,
She leaves her soldier—famine and a name!
This poem is in the public domain.
Centre of equal daughters, equal sons,
All, all alike endear'd, grown, ungrown, young or old,
Strong, ample, fair, enduring, capable, rich,
Perennial with the Earth, with Freedom, Law and Love,
A grand, sane, towering, seated Mother,
Chair'd in the adamant of Time.
This poem is in the public domain.
Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-Five:
Hardly a man is now alive
Who remembers that famous day and year.
He said to his friend, “If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry-arch
Of the North-Church-tower, as a signal-light,—
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country-folk to be up and to arm.”
Then he said “Good night!” and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war:
A phantom ship, with each mast and spar
Across the moon, like a prison-bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.
Meanwhile, his friend, through alley and street
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers
Marching down to their boats on the shore.
Then he climbed to the tower of the church,
Up the wooden stairs, with stealthy tread,
To the belfry-chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,—
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town,
And the moonlight flowing over all.
Beneath, in the churchyard, lay the dead,
In their night-encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel’s tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, “All is well!”
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,—
A line of black, that bends and floats
On the rising tide, like a bridge of boats.
Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride,
On the opposite shore walked Paul Revere.
Now he patted his horse’s side,
Now gazed on the landscape far and near,
Then impetuous stamped the earth,
And turned and tightened his saddle-girth;
But mostly he watched with eager search
The belfry-tower of the old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry’s height,
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns!
A hurry of hoofs in a village-street,
A shape in the moonlight, a bulk in the dark,
And beneath from the pebbles, in passing, a spark
Struck out by a steed that flies fearless and fleet:
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders, that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the tramp of his steed as he rides.
It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer’s dog,
And felt the damp of the river-fog,
That rises when the sun goes down.
It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, blank and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.
It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadows brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket-ball.
You know the rest. In the books you have read,
How the British Regulars fired and fled,—
How the farmers gave them ball for ball,
From behind each fence and farmyard-wall,
Chasing the red-coats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.
So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,—
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo forevermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.
This poem is in the public domain.
This path our people walked
one hundred two hundred endless years
since the tall grass opened for us
and we breathed the incense that sun on prairie
offers to sky
Peace offering with each breath
each footstep out of woods
to grasslands plotted with history
removal remediation restoration
Peace flag of fringed prairie orchid
green glow within white froth
calling a moth who nightly
seeks the now-rare scent invisible to us
invisible history of this place
where our great-grandfather a boy
beside two priests and 900 warriors
gaze intent in an 1870 photo
his garments white as orchids
Peace flag white banner with red cross
crowned with thorns held by a boy
at the elbow of a priest
beside Ojibwe warriors beside Dakota warriors
Peace offered after smoke and dance
and Ojibwe gifts of elaborate beaded garments
thrown back in refusal
by Dakota Warriors torn with grief
since their brother’s murder
This is the path our people ran
through white flags of prairie plants
Ojibwe calling Dakota back
to sign one last and unbroken treaty
Peace offering with each breath
each footstep out of woods
to grasslands plotted with history
removal remediation restoration
Two Dakota held up as great men
humbled themselves
to an offer of peace
before a long walk south
before our people entered the trail
walking west and north
where you walk now
where we seek the source
the now-rare scent
invisible as history
history the tall grass opens for us
Breathe the incense of sun on prairie
Offer peace to the sky
Copyright © 2016 by Heid E. Erdrich. This poem was commissioned by the Academy of American Poets and funded by a National Endowment for the Arts Imagine Your Parks grant.
[Volunteer of 1861-2, at Washington Park, Brooklyn, assisting the Centenarian.]
Give me your hand old Revolutionary,
The hill-top is nigh, but a few steps, (make room gentlemen,)
Up the path you have follow'd me well, spite of your hundred and extra years,
You can walk old man, though your eyes are almost done,
Your faculties serve you, and presently I must have them serve me.
Rest, while I tell what the crowd around us means,
On the plain below recruits are drilling and exercising,
There is the camp, one regiment departs to-morrow,
Do you hear the officers giving their orders?
Do you hear the clank of the muskets?
Why what comes over you now old man?
Why do you tremble and clutch my hand so convulsively?
The troops are but drilling, they are yet surrounded with smiles,
Around them at hand the well-drest friends and the women,
While splendid and warm the afternoon sun shines down,
Green the midsummer verdure and fresh blows the dallying breeze,
O'er proud and peaceful cities and arm of the sea between.
But drill and parade are over, they march back to quarters,
Only hear that approval of hands! hear what a clapping!
As wending the crowds now part and disperse—but we old man,
Not for nothing have I brought you hither—we must remain,
You to speak in your turn, and I to listen and tell.
The Centenarian
When I clutch'd your hand it was not with terror,
But suddenly pouring about me here on every side,
And below there where the boys were drilling, and up the slopes they ran,
And where tents are pitch'd, and wherever you see south and south- east and south-west,
Over hills, across lowlands, and in the skirts of woods,
And along the shores, in mire (now fill'd over) came again and suddenly raged,
As eighty-five years agone no mere parade receiv'd with applause of friends,
But a battle which I took part in myself—aye, long ago as it is, I took part in it,
Walking then this hilltop, this same ground.
Aye, this is the ground,
My blind eyes even as I speak behold it re-peopled from graves,
The years recede, pavements and stately houses disappear,
Rude forts appear again, the old hoop'd guns are mounted,
I see the lines of rais'd earth stretching from river to bay,
I mark the vista of waters, I mark the uplands and slopes;
Here we lay encamp'd, it was this time in summer also.
As I talk I remember all, I remember the Declaration,
It was read here, the whole army paraded, it was read to us here,
By his staff surrounded the General stood in the middle, he held up his unsheath'd sword,
It glitter'd in the sun in full sight of the army.
Twas a bold act then—the English war-ships had just arrived,
We could watch down the lower bay where they lay at anchor,
And the transports swarming with soldiers.
A few days more and they landed, and then the battle.
Twenty thousand were brought against us,
A veteran force furnish'd with good artillery.
I tell not now the whole of the battle,
But one brigade early in the forenoon order'd forward to engage the red-coats,
Of that brigade I tell, and how steadily it march'd,
And how long and well it stood confronting death.
Who do you think that was marching steadily sternly confronting death?
It was the brigade of the youngest men, two thousand strong,
Rais'd in Virginia and Maryland, and most of them known personally to the General.
Jauntily forward they went with quick step toward Gowanus' waters,
Till of a sudden unlook'd for by defiles through the woods, gain'd at night,
The British advancing, rounding in from the east, fiercely playing their guns,
That brigade of the youngest was cut off and at the enemy's mercy.
The General watch'd them from this hill,
They made repeated desperate attempts to burst their environment,
Then drew close together, very compact, their flag flying in the middle,
But O from the hills how the cannon were thinning and thinning them!
It sickens me yet, that slaughter!
I saw the moisture gather in drops on the face of the General.
I saw how he wrung his hands in anguish.
Meanwhile the British manoeuvr'd to draw us out for a pitch'd battle,
But we dared not trust the chances of a pitch'd battle.
We fought the fight in detachments,
Sallying forth we fought at several points, but in each the luck was against us,
Our foe advancing, steadily getting the best of it, push'd us back to the works on this hill,
Till we turn'd menacing here, and then he left us.
That was the going out of the brigade of the youngest men, two thousand strong,
Few return'd, nearly all remain in Brooklyn.
That and here my General's first battle,
No women looking on nor sunshine to bask in, it did not conclude with applause,
Nobody clapp'd hands here then.
But in darkness in mist on the ground under a chill rain,
Wearied that night we lay foil'd and sullen,
While scornfully laugh'd many an arrogant lord off against us encamp'd,
Quite within hearing, feasting, clinking wineglasses together over their victory.
So dull and damp and another day,
But the night of that, mist lifting, rain ceasing,
Silent as a ghost while they thought they were sure of him, my General retreated.
I saw him at the river-side,
Down by the ferry lit by torches, hastening the embarcation;
My General waited till the soldiers and wounded were all pass'd over,
And then, (it was just ere sunrise,) these eyes rested on him for the last time.
Every one else seem'd fill'd with gloom,
Many no doubt thought of capitulation.
But when my General pass'd me,
As he stood in his boat and look'd toward the coming sun,
I saw something different from capitulation.
Terminus
Enough, the Centenarian's story ends,
The two, the past and present, have interchanged,
I myself as connecter, as chansonnier of a great future, am now speaking.
And is this the ground Washington trod?
And these waters I listlessly daily cross, are these the waters he cross'd,
As resolute in defeat as other generals in their proudest triumphs?
I must copy the story, and send it eastward and westward,
I must preserve that look as it beam'd on you rivers of Brooklyn.
See—as the annual round returns the phantoms return,
It is the 27th of August and the British have landed,
The battle begins and goes against us, behold through the smoke Washington's face,
The brigade of Virginia and Maryland have march'd forth to intercept the enemy,
They are cut off, murderous artillery from the hills plays upon them,
Rank after rank falls, while over them silently droops the flag,
Baptized that day in many a young man's bloody wounds.
In death, defeat, and sisters', mothers' tears.
Ah, hills and slopes of Brooklyn! I perceive you are more valuable than your owners supposed;
In the midst of you stands an encampment very old,
Stands forever the camp of that dead brigade.
This poem is in the public domain.
O say, can you see, by the dawn's early light,
What so proudly we hailed at the twilight’s last gleaming?
Whose broad stripes and bright stars through the perilous fight,
O’er the ramparts we watched were so gallantly streaming;
And the rocket’s red glare, the bombs bursting in air,
Gave proof through the night that our flag was still there;
O say, does that star-spangled banner yet wave
O'er the land of the free, and the home of the brave?
On the shore dimly seen through the mists of the deep,
Where the foe’s haughty host in dread silence reposes,
What is that which the breeze, o’er the towering steep,
As it fitfully blows, now conceals, now discloses?
Now it catches the gleam of the morning’s first beam,
In full glory reflected now shines on the stream;
’Tis the star-spangled banner; O long may it wave
O’er the land of the free, and the home of the brave!
And where is that band who so vauntingly swore
That the havoc of war and the battle’s confusion
A home and a country should leave us no more?
Their blood has washed out their foul footsteps' pollution.
No refuge could save the hireling and slave,
From the terror of flight and the gloom of the grave;
And the star-spangled banner in triumph doth wave
O’er the land of the free, and the home of the brave!
O! thus be it ever, when freemen shall stand
Between their loved homes and the war’s desolation!
Blest with victory and peace, may the heav’n-rescued land,
Praise the power that hath made and preserved us a nation.
Then conquer we must, for our cause it is just.
And this be our motto— “In God is our trust;”
And the star-spangled banner in triumph shall wave
O’er the land of the free, and the home of the brave.
This poem is in the public domain.