The person you are trying

is not accepting. Is not

at this time. Please

again. The person

you are trying is not

in service. Please check

that you have. This

is your call. Your

person is not accepting.

Your person is this

number. You have

not correctly. Your person

is a recording. Again later

at this time. Not accepting.

Copyright © 2020 by Martha Collins. Originally published in Poem-a-Day on May 12, 2020 by the Academy of American Poets.

The whirring internal machine, its gears
grinding not to a halt but to a pace that emits
a low hum, a steady and almost imperceptible
hum: the Greeks would not have seen it this way.

Simply put, it was a result of black bile,
the small fruit of the gall bladder perched
under the liver somehow over-ripened
and then becoming fetid. So the ancients

would have us believe. But the overly-emotional
and contrarian Romans saw it as a kind of mourning
for one’s self. I trust the ancients but I have never 
given any of this credence because I cannot understand

how one does this, mourn one’s self.
Down by the shoreline—the Pacific 
wrestling with far more important 
philosophical issues—I recall the English notion

of it being a wistfulness, something John Donne
wore successfully as a fashion statement.
But how does one wear wistfulness well
unless one is a true believer? 

The humors within me are unbalanced, 
and I doubt they were ever really in balance
to begin with, ever in that rare but beautiful
thing the scientists call equilibrium.

My gall bladder squeezes and wrenches, 
or so I imagine. I am wistful and morose
and I am certain black bile is streaming 
through my body as I walk beside this seashore.

The small birds scrambling away from the advancing 
surf; the sun climbing overhead shortening shadows; 
the sound of the waves hushing the cries of gulls: 
I have no idea where any of this ends up.

To be balanced, to be without either
peaks or troughs: do tell me what that is like…
This contemplating, this mulling over, often leads 
to a moment a few weeks from now,

the one in which everything suddenly shines
with clarity, where my fingers race to put down 
the words, my fingers so quick on the keyboard 
it will seem like a god-damned miracle.

Copyright © 2020 by C. Dale Young. Originally published in Poem-a-Day on October 13, 2020, by the Academy of American Poets.

Ask me about the time
my brother ran towards the sun
arms outstretched. His shadow chased him
from corner store to church
where he offered himself in pieces.

Ask me about the time
my brother disappeared. At 16,
tossed his heartstrings over telephone wire,
dangling for all the rez dogs to feed on.
Bit by bit. The world took chunks of
my brother’s flesh.

Ask me about the first time
we drowned in history. 8 years old
during communion we ate the body of Christ
with palms wide open, not expecting wine to be
poured into our mouths. The bitterness
buried itself in my tongue and my brother
never quite lost his thirst for blood or vanishing
for more days than a shadow could hold.

Ask me if I’ve ever had to use
bottle caps as breadcrumbs to help
my brother find his way back home.
He never could tell the taste between
a scar and its wounding, an angel or demon.

Ask me if I can still hear his
exhaled prayers: I am still waiting to be found.
To be found, tell me why there is nothing
more holy than becoming a ghost.

Copyright © 2020 by Tanaya Winder. Originally published in Poem-a-Day on November 17, 2020, by the Academy of American Poets.

1

I lay down
the acidification
of the ocean
with a sly smile.

Unstoppable
beats fiery impact
every time.

*

But the sweet yellow
shoulders of the road—

the up and up
into same blossom.

I'd like to hold these
in reserve.

2

“Protect your identity”
says Mileage.com
three times today
as if it knew something.

I may want to fly cheap,
cruise in luxury,
buy a walk-in-tub
and burial insurance.

*

I may want to lie still
and think about my choices.

Copyright @ 2014 by Rae Armantrout. Used with permission of the author. This poem appeared in Poem-a-Day on May 27, 2014.

Pause here at the flower stand—mums
and gladiolas, purple carnations

dark as my heart. We are engaged
in a war, and I want to drag home

any distraction I can carry. Tonight
children will wake to bouquets of fire

that will take their breath away. Still,
I think of my life. The way you hold me,

sometimes, you could choke me.
There is no way to protect myself,

except by some brilliant defense. I want
the black iris with their sabered blooms.

I want the flame throwers: the peonies,
the sunflowers. I will cut down the beautiful ones

and let their nectared sweetness bleed
into the careless air. This is not the world

I'd hoped it could be. It is horrible,
the way we carry on. Last night, you catalogued

our arsenal. You taught me devastation
is a goal we announce in a celebration

of shrapnel. Our bombs shower
in anticipation of their marks. You said this

is to assure damage will be widely distributed.
What gruesome genius invents our brutal hearts?

When you touch me I am a stalk of green panic
and desire. Wait here while I decide which

of these sprigs of blossoming heartbreak I can afford
to bring into my home. Tonight dreams will erupt

in chaotic buds of flame. This is the world we have
arranged. It is horrible, this way we carry on.

Copyright © 2014 by Camille Dungy. Reprinted from Split This Rock’s The Quarry: A Social Justice Poetry Database.

You know I know what I’m doing.
I’m always with you.

I’m watching these lines get to you.
This is how we’re close.

We can’t have knowing looks
(we’re both as good as dead)

so we have these knowing lines,
typing till the clock says stop.

And if in the course of struggle
a foot slips and we fall,

what does that matter?
I won’t come back to you

when the song is over.
I will not want you

or your unsuitable house and lot.
Expect to miss me, though—

expect ice and snow, rain and hail.
To be embarrassed. To be changed.

To write the year on a check
and be one hundred years off.

To let it go
when I express displeasure.

To let my anger go. Just drop it. Just take it
as you drop it.

Just take it
and go.

Copyright © 2020 by Jacqueline Waters. Originally published in Poem-a-Day on December 31, 2020, by the Academy of American Poets.

I refuse to choose
between lynch rope and gang rape
the blues is the blues!
my skin and my sex: Deep dues
I have no wish to escape

I refuse to lose
the flame of my single space
this safety I choose
between your fist and my face
between my gender and race

All black and blue news
withers the heart of my hand
and leads to abuse
no one needs to understand:
suicide wipes out the clues

Big-Time-Juicy-Fruit!
Celebrity-Rich-Hero
Rollin out the Rolls!
Proud cheatin on your (Black) wife
Loud beatin on your (white) wife

Real slime open mouth
police officer-true-creep
evil-and-uncouth
fixin to burn black people
killin the song of our sleep

Neither one of you
gets any play in my day
I know what you do
your money your guns your say
so against my pepper spray

Okay! laugh away!
I hear you and I accuse
you both: I refuse
to choose: All black and blue news
means that I hurt and I lose.

From The Essential June Jordan, edited by Jan Heller Levi and Christoph Keller. © 2021 June M. Jordan Literary Estate and Copper Canyon Press. Used by permission. www.junejordan.com 

 

My therapist has approved my drinking of three whiskeys per night,
her eyes forbearing, knowing well the ruthlessness of night.

The sun having fled as a father might flee, my cousin fathered
a narrow terror while he robbed, with a pistol, a fellow citizen one night.

The encouraging lies of a mother are greatly underpaid job-keepers;
slovenly kings have dealt much wrong money to generals and knights.

My childhood was a lengthy scene of make believe and disaccord—
my favorite things being rain and watching my mother’s cigarettes ignite.

What of fire, among its timelessness and musculature, is not
more divine when burning past the open gates of night?

Copyright © 2021 by Marcus Jackson. Originally published in Poem-a-Day on February 8, 2021, by the Academy of American Poets.

There is a singer everyone has heard,
Loud, a mid-summer and a mid-wood bird,
Who makes the solid tree trunks sound again.
He says that leaves are old and that for flowers
Mid-summer is to spring as one to ten.
He says the early petal-fall is past
When pear and cherry bloom went down in showers
On sunny days a moment overcast;
And comes that other fall we name the fall.
He says the highway dust is over all.
The bird would cease and be as other birds
But that he knows in singing not to sing.
The question that he frames in all but words
Is what to make of a diminished thing.

This poem is in the public domain.

If you could know the empty ache of loneliness,
          Masked well behind the calm indifferent face
Of us who pass you by in studied hurriedness,
          Intent upon our way, lest in the little space
Of one forgetful moment hungry eyes implore
          You to be kind, to open up your heart a little more,
I’m sure you’d smile a little kindlier, sometimes,
          To those of us you’ve never seen before.

If you could know the eagerness we’d grasp
          The hand you’d give to us in friendliness;
What vast, potential friendship in that clasp
          We’d press, and love you for your gentleness;
If you could know the wide, wide reach
          Of love that simple friendliness could teach,
I’m sure you’d say “Hello, my friend,” sometimes, 
          And now and then extend a hand in friendliness to each.

This poem is in the public domain. Published in Poem-a-Day on March 7, 2021, by the Academy of American Poets.