little tree
little silent Christmas tree
you are so little
you are more like a flower
who found you in the green forest
and were you very sorry to come away?
see i will comfort you
because you smell so sweetly
i will kiss your cool bark
and hug you safe and tight
just as your mother would,
only don’t be afraid
look the spangles
that sleep all the year in a dark box
dreaming of being taken out and allowed to shine,
the balls the chains red and gold the fluffy threads,
put up your little arms
and i’ll give them all to you to hold.
every finger shall have its ring
and there won’t be a single place dark or unhappy
then when you’re quite dressed
you’ll stand in the window for everyone to see
and how they’ll stare!
oh but you’ll be very proud
and my little sister and i will take hands
and looking up at our beautiful tree
we’ll dance and sing
“Noel Noel”
This poem is in the public domain. Published in Poem-a-Day on December 25, 2018, by the Academy of American Poets.
Wynken, Blynken, and Nod one night
Sailed off in a wooden shoe,—
Sailed on a river of crystal light
Into a sea of dew.
"Where are you going, and what do you wish?"
The old moon asked the three.
"We have come to fish for the herring-fish
That live in this beautiful sea;
Nets of silver and gold have we,"
Said Wynken,
Blynken,
And Nod.
The old moon laughed and sang a song,
As they rocked in the wooden shoe;
And the wind that sped them all night long
Ruffled the waves of dew;
The little stars were the herring-fish
That lived in the beautiful sea.
"Now cast your nets wherever you wish,—
Never afraid are we!"
So cried the stars to the fishermen three,
Wynken,
Blynken,
And Nod.
All night long their nets they threw
To the stars in the twinkling foam,—
Then down from the skies came the wooden shoe,
Bringing the fishermen home:
'Twas all so pretty a sail, it seemed
As if it could not be;
And some folk thought 'twas a dream they'd dreamed
Of sailing that beautiful sea;
But I shall name you the fishermen three:
Wynken,
Blynken,
And Nod.
Wynken and Blynken are two little eyes,
And Nod is a little head,
And the wooden shoe that sailed the skies
Is a wee one's trundle-bed;
So shut your eyes while Mother sings
Of wonderful sights that be,
And you shall see the beautiful things
As you rock in the misty sea
Where the old shoe rocked the fishermen three:—
Wynken,
Blynken,
And Nod.
This poem is in the public domain.
since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world
my blood approves,
and kisses are a better fate
than wisdom
lady i swear by all flowers. Don’t cry
—the best gesture of my brain is less than
your eyelids’ flutter which says
we are for each other: then
laugh, leaning back in my arms
for life’s not a paragraph
And death i think is no parenthesis
This poem is in the public domain. Published in Poem-a-Day on April 16, 2022, by the Academy of American Poets.
And a youth said, Speak to us of Friendship.
And he answered, saying:
Your friend is your needs answered.
He is your field which you sow with love and reap with thanksgiving.
And he is your board and your fireside.
For you come to him with your hunger, and you seek him for peace.
When your friend speaks his mind you fear not the “nay” in your own mind, nor do you withhold the “ay.”
And when he is silent your heart ceases not to listen to his heart;
For without words, in friendship, all thoughts, all desires, all expectations are born and shared, with joy that is unacclaimed.
When you part from your friend, you grieve not;
For that which you love most in him may be clearer in his absence, as the mountain to the climber is clearer from the plain.
And let there be no purpose in friendship save the deepening of the spirit.
For love that seeks aught but the disclosure of its own mystery is not love but a net cast forth: and only the unprofitable is caught.
And let your best be for your friend.
If he must know the ebb of your tide, let him know its flood also.
For what is your friend that you should seek him with hours to kill?
Seek him always with hours to live.
For it is his to fill your need but not your emptiness.
And in the sweetness of friendship let there be laughter, and sharing of pleasures.
For in the dew of little things the heart finds its morning and is refreshed.
From The Prophet (Knopf, 1923). This poem is in the public domain.
Yes, I believe in fairies.
I believe in brownies too.
Yes, I believe in fairies,
Because I know they’re true.
And if you’ll learn to love them,
They’ll come and play with you.
From Black Opals 1, no. 2 (Christmas 1927). This poem is in the public domain.
An endless stretch of blue
Flecked with wee silver lights,
A luminous, laughing ball
Brightening the inky nights.
Little brown babies tucked
Away in fleecy beds
While fleeting, fairy dreams
Dance through their drowsy heads.
From Black Opals 1, No. 2 (Christmas 1927). This poem is in the public domain.
I want to slay all the things just things
That they tell me I must do.
I would drown them all in the tears I weep
When each breathless day is through.
I want to flee to a cool sand dune
On a wind-swept beach where the humming tune
Of the wind, and the waves, and the heart of me
Drams in my ears, and my lips are wet with the tang of the sea.
I want to feel the rain on my cheek,
The thrill that comes from a lark’s long note,
I want to see the sky at dawn thru the lacy green of a willow tree.
I want to look deep in a pool at night, and see the stars
Flash flame like the fire in black opals.
From Black Opals 1, no. 1 (Spring 1927). This poem is in the public domain.
If I could catch the green lantern of the firefly I could see to write you a letter.
This poem is in the public domain.
Dear love, what thing of all the things that be
Is ever worth one thought from you or me,
Save only Love,
Save only Love?
The days so short, the nights so quick to flee,
The world so wide, so deep and dark the sea,
So dark the sea;
So far the suns and every listless star,
Beyond their light—Ah! dear, who knows how far,
Who knows how far?
One thing of all dim things I know is true,
The heart within me knows, and tells it you,
And tells it you.
So blind is life, so long at last is sleep,
And none but Love to bid us laugh or weep,
And none but Love,
And none but Love.
This poem is in the public domain. Published in Poem-a-Day on January 5, 2020, by the Academy of American Poets.
A crimson fire that vanquishes the stars;
A pungent odor from the dusty sage;
A sudden stirring of the huddled herds;
A breaking of the distant table-lands
Through purple mists ascending, and the flare
Of water ditches silver in the light;
A swift, bright lance hurled low across the world;
A sudden sickness for the hills of home.
This poem is in the public domain.
hey music and me only white, hair a flutter of fall leaves circling my perfect line of a nose, no lips, no behind, hey white me and i'm wearing white history but there’s no future in those clothes so i take them off and wake up dancing.
From Next: New Poems by Lucille Clifton. Copyright © 1989 by Lucille Clifton. Reprinted with permission of BOA Editions Ltd.. All rights reserved.
won’t you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.
Lucille Clifton, “won’t you celebrate with me” from Collected Poems of Lucille Clifton. Copyright © 1991 by Lucille Clifton. Reprinted with the permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd., boaeditions.org.
You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise.
Does my sassiness upset you?
Why are you beset with gloom?
’Cause I walk like I’ve got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I’ll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?
Does my haughtiness offend you?
Don’t you take it awful hard
’Cause I laugh like I’ve got gold mines
Diggin’ in my own backyard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I’ll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I’ve got diamonds
At the meeting of my thighs?
Out of the huts of history’s shame
I rise
Up from a past that’s rooted in pain
I rise
I’m a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that’s wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
From And Still I Rise by Maya Angelou. Copyright © 1978 by Maya Angelou. Reprinted by permission of Random House, Inc.
You ask me for a poem about love
in place of a wedding present, trying to save me
money. For three nights I’ve lain
under glow-in-the-dark stars I’ve stuck to the ceiling
over my bed. I’ve listened to the songs
of the galaxy. Well, Carmen, I would rather
give you your third set of steak knives
than tell you what I know. Let me find you
some other, store-bought present. Don’t
make me warn you of stars, how they see us
from that distance as miniature and breakable
from the bride who tops the wedding cake
to the Mary on Pinto dashboards
holding her ripe, red heart in her hands.
Copyright © Beth Ann Fennelly. Used with permission of the author.
Moon that is linking our daughters’
Choices, and still more beginnings,
Threaded alive with our shadows,
These are our bodies’ own voices,
Powers of each of our bodies,
Threading, unbroken, begetting
Flowers from each of our bodies.
These are our spiraling borders
Carrying on your beginnings,
Chaining through shadows to daughters,
Moving beyond our beginnings,
Moon of our daughters, and mothers.
Copyright © 2016 by Annie Finch. Originally published in Poem-a-Day on November 9, 2016, by the Academy of American Poets.
I like the lady horses best,
how they make it all look easy,
like running 40 miles per hour
is as fun as taking a nap, or grass.
I like their lady horse swagger,
after winning. Ears up, girls, ears up!
But mainly, let’s be honest, I like
that they’re ladies. As if this big
dangerous animal is also a part of me,
that somewhere inside the delicate
skin of my body, there pumps
an 8-pound female horse heart,
giant with power, heavy with blood.
Don’t you want to believe it?
Don’t you want to lift my shirt and see
the huge beating genius machine
that thinks, no, it knows,
it’s going to come in first.
From Bright Dead Things (Milkweed Editions, 2015). Copyright © 2015 by Ada Limón. Used with permission from Milkweed Editions, milkweed.org.
Welcome children of the Spring,
In your garbs of green and gold,
Lifting up your sun-crowned heads
On the verdant plain and wold.
As a bright and joyous troop
From the breast of earth ye came
Fair and lovely are your cheeks,
With sun-kisses all aflame.
In the dusty streets and lanes,
Where the lowly children play,
There as gentle friends ye smile,
Making brighter life's highway
Dewdrops and the morning sun,
Weave your garments fair and bright,
And we welcome you to-day
As the children of the light.
Children of the earth and sun.
We are slow to understand
All the richness of the gifts
Flowing from our Father's hand.
This poem is in the public domain.
A Rock, A River, A Tree
Hosts to species long since departed,
Marked the mastodon,
The dinosaur, who left dried tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness
Have lain too long
Face down in ignorance.
Your mouths spilling words
Armed for slaughter.
The Rock cries out to us today, you may stand upon me,
But do not hide your face.
Across the wall of the world,
A River sings a beautiful song. It says,
Come, rest here by my side.
Each of you, a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet today I call you to my riverside,
If you will study war no more. Come,
Clad in peace, and I will sing the songs
The Creator gave to me when I and the
Tree and the rock were one.
Before cynicism was a bloody sear across your
Brow and when you yet knew you still
Knew nothing.
The River sang and sings on.
There is a true yearning to respond to
The singing River and the wise Rock.
So say the Asian, the Hispanic, the Jew
The African, the Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek
The Irish, the Rabbi, the Priest, the Sheik,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the Teacher.
They hear. They all hear
The speaking of the Tree.
They hear the first and last of every Tree
Speak to humankind today. Come to me, here beside the River.
Plant yourself beside the River.
Each of you, descendant of some passed
On traveller, has been paid for.
You, who gave me my first name, you,
Pawnee, Apache, Seneca, you
Cherokee Nation, who rested with me, then
Forced on bloody feet,
Left me to the employment of
Other seekers—desperate for gain,
Starving for gold.
You, the Turk, the Arab, the Swede, the German, the Eskimo, the Scot,
You the Ashanti, the Yoruba, the Kru, bought,
Sold, stolen, arriving on the nightmare
Praying for a dream.
Here, root yourselves beside me.
I am that Tree planted by the River,
Which will not be moved.
I, the Rock, I the River, I the Tree
I am yours—your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain
Cannot be unlived, but if faced
With courage, need not be lived again.
Lift up your eyes upon
This day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands,
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts
Each new hour holds new chances
For a new beginning.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out and upon me, the
Rock, the River, the Tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here, on the pulse of this new day
You may have the grace to look up and out
And into your sister’s eyes, and into
Your brother’s face, your country
And say simply
Very simply
With hope—
Good morning.
"On the Pulse of Morning" from ON THE PULSE OF MORNING by Maya Angelou, copyright © 1993 by Maya Angelou. Used by permission of Random House, an imprint and division of Penguin Random House LLC. All rights reserved.
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
This poem is in the public domain.
1. Caught on a side street in heavy traffic, I said to the cabbie, I should have walked. He replied, I should have been a doctor. 2. When can I get on the 11:33 I ask the guy in the information booth at the Atlantic Avenue Station. When they open the doors, he says. I am home among my people.
From How Charlie Shavers Died and Other Poems by Harvey Shapiro, published by Wesleyan University Press. Copyright © 2001 by Harvey Shapiro. Used with permission. All rights reserved.
When I go up through the mowing field,
The headless aftermath,
Smooth-laid like thatch with the heavy dew,
Half closes the garden path.
And when I come to the garden ground,
The whir of sober birds
Up from the tangle of withered weeds
Is sadder than any words.
A tree beside the wall stands bare,
But a leaf that lingered brown,
Disturbed, I doubt not, by my thought,
Comes softly rattling down.
I end not far from my going forth
By picking the faded blue
Of the last remaining aster flower
To carry again to you.
This poem is in the public domain.