If my lover were a comet
          Hung in air,
I would braid my leaping body
          In his hair.

Yea, if they buried him ten leagues
          Beneath the loam,
My fingers they would learn to dig
          And I’d plunge home!

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands

What was it I was going to say?
Slipped away probably because
it needn’t be said. At that edge

almost not knowing but second
guessing the gain, loss, or effect
of an otherwise hesitant remark.

Slant of light on a brass box. The way
a passing thought knots the heart.
There’s nothing, nothing to say.

In the wild soft summer darkness 
How many and many a night we two together 
Sat in the park and watched the Hudson 
Wearing her lights like golden spangles 
Glinting on black satin. 
The rail along the curving pathway 
Was low in a happy place to let us cross, 
And down the hill a tree that dripped with bloom 
Sheltered us, 
While your kisses and the flowers, 
Falling, falling, 
Tangled in my hair.... 

The frail white stars moved slowly over the sky. 

And now, far off 
In the fragrant darkness 
The tree is tremulous again with bloom 
For June comes back. 

To-night what girl 
Dreamily before her mirror shakes from her hair 
This year's blossoms, clinging to its coils?

All night our room was outer-walled with rain.
Drops fell and flattened on the tin roof,
And rang like little disks of metal.
Ping!—Ping!—and there was not a pin-point of silence between
    them.
The rain rattled and clashed,
And the slats of the shutters danced and glittered.
But to me the darkness was red-gold and crocus-colored
With your brightness,
And the words you whispered to me
Sprang up and flamed—orange torches against the rain.
Torches against the wall of cool, silver rain!

The little river twittering in the twilight,
The wan, wondering look of the pale sky,
            This is almost bliss.

And everything shut up and gone to sleep,
All the troubles and anxieties and pain
            Gone under the twilight.

Only the twilight now, and the soft “Sh!” of the river
            That will last forever.

And at last I know my love for you is here,
I can see it all, it is whole like the twilight,
It is large, so large, I could not see it before
Because of the little lights and flickers and interruptions,
             Troubles, anxieties, and pains.

             You are the call and I am the answer,
             You are the wish, and I the fulfillment,
             You are the night, and I the day.
                         What else—it is perfect enough,
                         It is perfectly complete,
                         You and I.
Strange, how we suffer in spite of this!

Vast and gray, the sky
is a simulacrum
to all but him whose days
are vast and gray, and—
In the tall, dried grasses
a goat stirs
with nozzle searching the ground.
—my head is in the air
but who am I…?
And amazed my heart leaps
at the thought of love
vast and gray
yearning silently over me.

Her body is not so white as
anemone petals nor so smooth—nor
so remote a thing. It is a field
of the wild carrot taking
the field by force; the grass
does not raise above it.
Here is no question of whiteness,
white as can be, with a purple mole
at the center of each flower.
Each flower is a hand's span
of her whiteness. Wherever
his hand has lain there is
a tiny purple blemish. Each part
is a blossom under his touch
to which the fibres of her being
stem one by one, each to its end,
until the whole field is a
white desire, empty, a single stem,
a cluster, flower by flower,
a pious wish to whiteness gone over—
or nothing.

Though you are in your shining days,
Voices among the crowd
And new friends busy with your praise,
Be not unkind or proud,
But think about old friends the most:
Time’s bitter flood will rise,
Your beauty perish and be lost
For all eyes but these eyes.

these days I speak of myself in the past tense
writing about yesterday knowing tomorrow
is no more than mist crawling toward violet mountains
I think of days when this weather meant you
were not so far away   the light changing
so fast I believe I can see you turning a corner
the rain comes in smelling of pine and moss
a kind of brazen intrusion on the careful seeds of spring
I pay more attention to details these days
saving the most trivial until I sort them for trash
or recycle   a luxury I’ve come to know only recently
you have never been too far from my thoughts
despite the newborn birds and their erratic songs
the way they tilt their heads as if drowsing for the sun
the way they repeat their singular songs
over and over as if wishing for a different outcome