So much on the verge
of flame.
In a hot
wind anything
is tinder: paper, sage

feverish with bees,
your auburn
hair, my hand
that glows with a thought.
Sunset

or sleepless dawn,
nothing is sure
but what’s already burned—
water that’s ash, steel
that has flowed and cooled,

though in the core
of a star, they too
would fuse and rage,
and even volcanic
glass and char,

and the cold seas,
and even    
what we once were
might burn again—
or in the heart.

Copyright © 2016 by James Richardson. Originally published in Poem-a-Day on May 10, 2016, by the Academy of American Poets.

Remember the sky that you were born under,
know each of the star’s stories.
Remember the moon, know who she is.
Remember the sun’s birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother’s, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.

“Remember.” Copyright © 1983 by Joy Harjo from She Had Some Horses by Joy Harjo. Used by permission of W. W. Norton & Company, Inc.

That Bruegel painting
of hunters returning
in winter, the filmmakers
go nuts for it. A sad rabbit
on a stick & more. It’s like
really in there, tonally—
a male, disappointed
group trudge towards
a more lighthearted
communal flurry, women
and children full of fire
upholding weird roofs
doing the real work.

A moment ago I moved
something (not particularly
large) to the other side
of the table and felt
so old and immense
and in control. Like a truck
crunching on its path.
I project white onto the
floorboards. And isn’t
this music from that ballet
that always makes us?
Indistinguishable
from a folktale-pink shock

of pure quartz through the wall.
Give me one irregular mark
for my thigh to pit the year
against. 16th century sound
gets all over the daybed
and you relocate your teeth
to the opposite nipple.
My thought in that moment
it’s a brutal cave.
Brightest bird, tailfeather,
increasing gray line, fail me
my distant mountain.

Copyright © 2016 by Emily Skillings. Originally published in Poem-a-Day on October 11, 2016, by the Academy of American Poets.