One summer she goes into the field as usual
stopping for a bit at the pool where she often
looks at herself, to see
if she detects any changes. She sees
the same person, the horrible mantle
of daughterliness still clinging to her.

The sun seems, in the water, very close.
That's my uncle spying again, she thinks—
everything in nature is in some way her relative.
I am never alone, she thinks,
turning the thought into a prayer.
Then death appears, like the answer to a prayer.

No one understands anymore
how beautiful he was. But Persephone remembers.
Also that he embraced her, right there,
with her uncle watching. She remembers
sunlight flashing on his bare arms.

This is the last moment she remembers clearly.
Then the dark god bore her away.

She also remembers, less clearly,
the chilling insight that from this moment
she couldn't live without him again.

The girl who disappears from the pool
will never return. A woman will return,
looking for the girl she was.

She stands by the pool saying, from time to time,
I was abducted, but it sounds
wrong to her, nothing like what she felt.
Then she says, I was not abducted.
Then she says, I offered myself, I wanted
to escape my body. Even, sometimes,
I willed this. But ignorance

cannot will knowledge. Ignorance
wills something imagined, which it believes exists.

All the different nouns—
she says them in rotation.
Death, husband, god, stranger.
Everything sounds so simple, so conventional.
I must have been, she thinks, a simple girl.

She can't remember herself as that person
but she keeps thinking the pool will remember
and explain to her the meaning of her prayer
so she can understand
whether it was answered or not.

"The Myth of Innocence" from Averno by Louise Glück. Copyright © 2006 by Louise Glück. Reprinted by permission of Farrar, Straus and Giroux, LLC.

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

From The Poems of Dylan Thomas, published by New Directions. Copyright © 1952, 1953 Dylan Thomas. Copyright © 1937, 1945, 1955, 1962, 1966, 1967 the Trustees for the Copyrights of Dylan Thomas. Copyright © 1938, 1939, 1943, 1946, 1971 New Directions Publishing Corp. Used with permission.

Unfolded out of the folds of the woman man comes unfolded, and is always to come unfolded,   
Unfolded only out of the superbest woman of the earth is to come the superbest man of the earth,   
Unfolded out of the friendliest woman is to come the friendliest man,   
Unfolded only out of the perfect body of a woman can a man be form’d of perfect body, 
Unfolded only out of the inimitable poem of the woman can come the poems of man, (only thence have my poems come;)
Unfolded out of the strong and arrogant woman I love, only thence can appear the strong and arrogant man I love,   
Unfolded by brawny embraces from the well-muscled woman I love, only thence come the brawny embraces of the man;   
Unfolded out of the folds of the woman’s brain come all the folds of the man’s brain, duly obedient,
Unfolded out of the justice of the woman all justice is unfolded,
Unfolded out of the sympathy of the woman is all sympathy;
A man is a great thing upon the earth and through eternity, but every jot of the greatness of man is unfolded out of woman;
First the man is shaped in the woman, he can then be shaped in himself.

This poem is in the public domain.

I believe in you my soul, the other I am must not abase itself to you,
And you must not be abased to the other.

Loafe with me on the grass,  loose the stop from your throat,
Not words, not music or rhyme I want, not custom or lecture, not even the best,
Only the lull I like, the hum of your valvèd voice.

I mind how once we lay such a transparent summer morning, 
How you settled your head athwart my hips and gently turn'd over upon me,
And parted the shirt from my bosom-bone, and plunged your tongue to my bare-stript heart,
And reach'd till you felt my beard, and reach'd till you held my feet.

Swiftly arose and spread around me the peace and knowledge that pass all the argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers,  and the women my sisters and lovers,
And that a kelson of the creation is love,
And limitless are leaves stiff or drooping in the fields,
And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap'd stones, elder, mullein and poke-weed.

This poem is in the public domain.