After Duras
"We go back to our house. We are lovers. 
We cannot stop loving each other."

I come to confiscate your love. 
What will you do?

Small shrubs grow in the blackened yard.
Sun, which is yellow, shines in through the windows, now barred.

You were watching me eat. 
Put your tongue in my mouth then retract it.

We were waiting for our recompense.
But everyone knows love is bankrupt.

On the billboard in front of us: breasts.
The empty middles of the mannequins that peered out through the glass. 

Reprehensibly, I mouthed the words: I love you.

Copyright © 2011 by Katy Lederer. Used with permission of the author.

Wild Nights – Wild Nights!
Were I with thee
Wild Nights should be
Our luxury!

Futile – the winds –
To a heart in port –
Done with the compass –
Done with the chart!

Rowing in Eden –
Ah, the sea!
Might I moor – Tonight –
In thee!

This poem is in the public domain.

When I go away from you
The world beats dead 
Like a slackened drum.
I call out for you against the jutted stars
And shout into the ridges of the wind.
Streets coming fast,
One after the other,
Wedge you away from me,
And the lamps of the city prick my eyes
So that I can no longer see your face.
Why should I leave you,
To wound myself upon the sharp edges of the night?

This poem is in the public domain.

Whoever you are, I fear you are walking the walks of dreams,
I fear these supposed realities are to melt from under your feet and hands
Even now your features, joys, speech, house, trade, manners, troubles, follies, costume, crimes, dissipate away from you,
Your true soul and body appear before me,
They stand forth out of affairs, out of commerce, shops, work, farms, clothes, the house, buying, selling, eating, drinking, suffering, dying.

Whoever you are, now I place my hand upon you, that you be my poem,
I whisper with my lips close to your ear,
I have loved many women and men, but I love none better than you.
O I have been dilatory and dumb,
I should have made my way straight to you long ago, 
I should have blabb'd nothing but you, I should have chanted nothing but you.

I will leave all and come and make the hymns of you,
None has understood you, but I understand you, 
None has done justice to you, you have not done justice to yourself
None but has found you imperfect, I only find no imperfection in you,
None but would subordinate you, I only am he who will never consent to subordinate you,
I only am he who places over you no master, owner, better, God, beyond what waits intrinsically in yourself.
   
Painters have painted their swarming groups and the centre-figure of all,
From the head of the centre-figure spreading a nimbus of gold-color'd light,
But I paint myriads of heads, but paint no head without its nimbus of gold-color'd light,
From my hand from the brain of every man and woman it streams, effulgently flowing forever.

O I could sing such grandeurs and glories about you!
You have not known what you are, you have slumber'd upon yourself all your life,
Your eyelids have been the same as closed most of the time,
What you have done returns already in mockeries, 
Your thrift, knowledge, prayers, if they do not return in mockeries, what is their return?)

The mockeries are not you,
Underneath them and within them I see you lurk,
I pursue you where none else has pursued you,
Silence, the desk, the flippant expression, the night, the accustom'd routine, if these conceal you from others or from yourself, they do not conceal you from me,
The shaved face, the unsteady eye, the impure complexion, if these balk others they do not balk me,
The pert apparel, the deform'd attitude, drunkenness, greed, premature death, all these I part aside

There is no endowment in man or woman that is not tallied in you,
There is no virtue, no beauty in man or woman, but as good is in you,
No pluck, no endurance in others, but as good is in you,
No pleasure waiting for others, but an equal pleasure waits for you.

As for me, I give nothing to any one except I give the like carefully to you,
I sing the songs of the glory of none, not God, sooner than I sing the songs of the glory of you.

Whoever you are! claim your own at any hazard! 
These shows of the East and West are tame compared to you, 
These immense meadows, these interminable rivers, you are immense and interminable as they,
These furies, elements, storms, motions of Nature, throes of apparent dissolution, you are he or she who is master or mistress over them,
Master or mistress in your own right over Nature, elements, pain, passion, dissolution.

The hopples fall from your ankles, you find an unfailing sufficiency,
Old or young, male or female, rude, low, rejected by the rest, whatever you are promulges itself,
Through birth, life, death, burial, the means are provided, nothing is scanted,
Through angers, losses, ambition, ignorance, ennui, what you are picks its way.

This poem is in the public domain.

I.

my lover is a woman
& when i hold her
feel her warmth
     i feel good
     feel safe

then—i never think of
my family’s voices
never hear my sisters say
bulldaggers, queers, funny
     come see us, but don’t
     bring your friends
          it’s ok with us,
          but don’t tell mama
          it’d break her heart
never feel my father
turn in his grave
never hear my mother cry
Lord, what kind of child is this?

 

II.

my lover’s hair is blonde
& when it rubs across my face
it feels soft
     feels like a thousand fingers
     touch my skin & hold me
          and i feel good

then—i never think of the little boy
who spat & called me nigger
never think of the policemen
who kicked my body & said crawl
never think of Black bodies
hanging in trees or filled
with bullet holes
never hear my sisters say
white folks hair stinks
don’t trust any of them
never feel my father
turn in his grave
never hear my mother talk
of her backache after scrubbing floors
never hear her cry
Lord, what kind of child is this?

 

III. 

my lover’s eyes are blue
& when she looks at me
i float in a warm lake
     feel my muscles go weak with want
          feel good
          feel safe

then—i never think of the blue
eyes that have glared at me
moved three stools away from me
in a bar
never hear my sisters rage
of syphilitic Black men as
guinea pigs
     rage of sterilized children
          watch them just stop in an
          intersection to scare the old
          white bitch
never feel my father turn
in his grave
never remember my mother
teaching me the yes sirs & ma’ams
to keep me alive
never hear my mother cry
Lord, what kind of child is this?

 

IV.

& when we go to a gay bar
& my people shun me because i crossed
the line
& her people look to see what's
wrong with her
     what defect
     drove her to me

& when we walk the streets
of this city
     forget and touch
     or hold hands
          & the people
          stare, glare, frown, & taunt
               at those queers

i remember
     every word taught me
     every word said to me
     every deed done to me
          & then i hate
i look at my lover
& for an instant
     doubt

then—i hold her hand tighter
     & i can hear my mother cry.
     Lord, what kind of child is this?

“My Lover Is a Woman” by Pat Parker © Anastasia Dunham-Parker-Brady, used with permission.

Whoever you are holding me now in hand,   
Without one thing all will be useless,   
I give you fair warning before you attempt me further,   
I am not what you supposed, but far different.   
   
Who is he that would become my follower? 
Who would sign himself a candidate for my affections?   
   
The way is suspicious, the result uncertain, perhaps destructive,   
You would have to give up all else, I alone would expect to be your sole and exclusive standard,   
Your novitiate would even then be long and exhausting,   
The whole past theory of your life and all conformity to the lives around you would have to be abandon’d, 
Therefore release me now before troubling yourself any further, let go your hand from my shoulders,   
Put me down, and depart on your way.   
   
Or else by stealth in some wood for trial,   
Or back of a rock in the open air,   
(For in any roof’d room of a house I emerge not, nor in company, 
And in libraries I lie as one dumb, a gawk, or unborn, or dead,)   
But just possibly with you on a high hill, first watching lest any person for miles around approach unawares,   
Or possibly with you sailing at sea, or on the beach of the sea or some quiet island,   
Here to put your lips upon mine I permit you,   
With the comrade’s long-dwelling kiss or the new husband’s kiss, 
For I am the new husband and I am the comrade.   
   
Or if you will, thrusting me beneath your clothing,   
Where I may feel the throbs of your heart or rest upon your hip,   
Carry me when you go forth over land or sea;   
For thus merely touching you is enough, is best,
And thus touching you, would I silently sleep and be carried eternally.   
   
But these leaves conning you con at peril,   
For these leaves and me you will not understand,   
They will elude you at first and still more afterward, I will certainly elude you,   
Even while you should think you had unquestionably caught me, behold!
Already you see I have escaped from you.   
   
For it is not for what I have put into it that I have written this book,   
Nor is it by reading it you will acquire it,   
Nor do those know me best who admire me and vauntingly praise me,   
Nor will the candidates for my love (unless at most a very few,) prove victorious,
Nor will my poems do good only, they will do just as much evil, perhaps more,    
For all is useless without that which you may guess at many times and not hit, that which I hinted at;   
Therefore release me and depart on your way.

This poem is in the public domain.