so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens
 

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving
for breakfast

Forgive me
they were delicious
so sweet
and so cold

The apparition of these faces in the crowd;
Petals on a wet, black bough.

I.

        Hear the sledges with the bells—
                 Silver bells!
What a world of merriment their melody foretells!
        How they tinkle, tinkle, tinkle,
           In the icy air of night!
        While the stars that oversprinkle
        All the heavens, seem to twinkle
           With a crystalline delight;
         Keeping time, time, time,
         In a sort of Runic rhyme,
To the tintinabulation that so musically wells
       From the bells, bells, bells, bells,
               Bells, bells, bells—
  From the jingling and the tinkling of the bells.

II.

        Hear the mellow wedding bells,
                 Golden bells!
What a world of happiness their harmony foretells!
        Through the balmy air of night
        How they ring out their delight!
           From the molten-golden notes,
               And all in tune,
           What a liquid ditty floats
    To the turtle-dove that listens, while she gloats
               On the moon!
         Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
               How it swells!
               How it dwells
           On the Future! how it tells
           Of the rapture that impels
         To the swinging and the ringing
           Of the bells, bells, bells,
         Of the bells, bells, bells, bells,
               Bells, bells, bells—
  To the rhyming and the chiming of the bells!

III.

         Hear the loud alarum bells—
                 Brazen bells!
What tale of terror, now, their turbulency tells!
       In the startled ear of night
       How they scream out their affright!
         Too much horrified to speak,
         They can only shriek, shriek,
                  Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire,
            Leaping higher, higher, higher,
            With a desperate desire,
         And a resolute endeavor
         Now—now to sit or never,
       By the side of the pale-faced moon.
            Oh, the bells, bells, bells!
            What a tale their terror tells
                  Of Despair!
       How they clang, and clash, and roar!
       What a horror they outpour
On the bosom of the palpitating air!
       Yet the ear it fully knows,
            By the twanging,
            And the clanging,
         How the danger ebbs and flows;
       Yet the ear distinctly tells,
            In the jangling,
            And the wrangling.
       How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells—
             Of the bells—
     Of the bells, bells, bells, bells,
            Bells, bells, bells—
 In the clamor and the clangor of the bells!

IV.

          Hear the tolling of the bells—
                 Iron bells!
What a world of solemn thought their monody compels!
        In the silence of the night,
        How we shiver with affright
  At the melancholy menace of their tone!
        For every sound that floats
        From the rust within their throats
                 Is a groan.
        And the people—ah, the people—
       They that dwell up in the steeple,
                 All alone,
        And who tolling, tolling, tolling,
          In that muffled monotone,
         Feel a glory in so rolling
          On the human heart a stone—
     They are neither man nor woman—
     They are neither brute nor human—
              They are Ghouls:
        And their king it is who tolls;
        And he rolls, rolls, rolls,
                    Rolls
             A pæan from the bells!
          And his merry bosom swells
             With the pæan of the bells!
          And he dances, and he yells;
          Keeping time, time, time,
          In a sort of Runic rhyme,
             To the pæan of the bells—
               Of the bells:
          Keeping time, time, time,
          In a sort of Runic rhyme,
            To the throbbing of the bells—
          Of the bells, bells, bells—
            To the sobbing of the bells;
          Keeping time, time, time,
            As he knells, knells, knells,
          In a happy Runic rhyme,
            To the rolling of the bells—
          Of the bells, bells, bells—
            To the tolling of the bells,
      Of the bells, bells, bells, bells—
              Bells, bells, bells—
  To the moaning and the groaning of the bells.

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

Thou still unravish’d bride of quietness,
    Thou foster-child of Silence and slow Time,
Sylvan historian, who canst thus express
    A flowery tale more sweetly than our rhyme:
What leaf-fring’d legend haunts about thy shape
    Of deities or mortals, or of both,
        In Tempe or the dales of Arcady?
What men or gods are these? What maidens loth?
    What mad pursuit? What struggle to escape?
        What pipes and timbrels? What wild ecstasy?
 
Heard melodies are sweet, but those unheard
    Are sweeter; therefore, ye soft pipes, play on;
Not to the sensual ear, but, more endear’d,
    Pipe to the spirit ditties of no tone:
Fair youth, beneath the trees, thou canst not leave
    Thy song, nor ever can those trees be bare;
        Bold lover, never, never canst thou kiss,
Though winning near the goal—yet, do not grieve;
    She cannot fade, though thou hast not thy bliss,
        For ever wilt thou love, and she be fair!

Ah, happy, happy boughs! that cannot shed
    Your leaves, nor ever bid the Spring adieu;
And, happy melodist, unwearied,
    For ever piping songs for ever new;
More happy love! more happy, happy love!
    For ever warm and still to be enjoy’d,
        For ever panting, and for ever young;
All breathing human passion far above,
    That leaves a heart high-sorrowful and cloy’d,
        A burning forehead, and a parching tongue.

Who are these coming to the sacrifice?
    To what green altar, O mysterious priest,
Lead’st thou that heifer lowing at the skies,
    And all her silken flanks with garlands drest?
What little town by river or sea shore,
    Or mountain-built with peaceful citadel,
        Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
    Will silent be; and not a soul to tell
        Why thou art desolate, can e’er return.

O Attic shape! Fair attitude! with brede
    Of marble men and maidens overwrought,
With forest branches and the trodden weed;
    Thou, silent form, dost tease us out of thought
As doth eternity: Cold pastoral!
    When old age shall this generation waste,
        Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say’st,
    “Beauty is truth, truth beauty”—that is all
        Ye know on earth, and all ye need to know.

When in disgrace with fortune and men's eyes,
I all alone beweep my outcast state,
And trouble deaf heaven with my bootless cries,
And look upon myself and curse my fate,
wishing me like to one more rich in hope,
Featured like him, like him with friends possessed,
Desiring this man's art, and that man's scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee—and then my state,
Like to the lark at break of day arising
From sullen earth sings hymns at heaven's gate;
    For thy sweet love remembered such wealth brings,
    That then I scorn to change my state with kings.

I've known rivers:
I've known rivers ancient as the world and older than the
     flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
     went down to New Orleans, and I've seen its muddy
     bosom turn all golden in the sunset.

I've known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.

I

Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair, 
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice. 
She dreams a little, and she feels the dark
Encroachment of that old catastrophe, 
As a calm darkens among water-lights. 
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound,
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine, 
Dominion of the blood and sepulchre.

II

Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun, 
In pungent fruit and bright, green wings, or else
In any balm or beauty of the earth, 
Things to be cherished like the thought of heaven?
Divinity must live within herself: 
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights; 
All pleasures and all pains, remembering 
The bough of summer and the winter branch. 
These are the measures destined for her soul. 

III

Jove in the clouds had his inhuman birth. 
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind
He moved among us, as a muttering king,
Magnificent, would move among his hinds, 
Until our blood, commingling, virginal, 
With heaven, brought such requital to desire
The very hinds discerned it, in a star. 
Shall our blood fail? Or shall it come to be 
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now, 
A part of labor and a part of pain, 
And next in glory to enduring love, 
Not this dividing and indifferent blue.

IV

She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?"
There is not any haunt of prophecy, 
Nor any old chimera of the grave, 
Neither the golden underground, nor isle
Melodious, where spirits gat them home, 
Nor visionary south, nor cloudy palm
Remote on heaven's hill, that has endured
As April's green endures; or will endure
Like her remembrance of awakened birds, 
Or her desire for June and evening, tipped
By the consummation of the swallow's wings.

V

She says, "But in contentment I still feel
The need of some imperishable bliss."
Death is the mother of beauty; hence from her, 
Alone, shall come fulfilment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths, 
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness, 
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.

VI

Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky, 
Unchanging, yet so like our perishing earth, 
With rivers like our own that seek for seas
They never find, the same receding shores
That never touch with inarticulate pang?
Why set the pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there, 
The silken weavings of our afternoons, 
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical, 
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.

VII

Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be, 
Naked among them, like a savage source.
Their chant shall be a chant of paradise, 
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice, 
The windy lake wherein their lord delights, 
The trees, like serafin, and echoing hills, 
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feet shall manifest.

VIII

She hears, upon that water without sound, 
A voice that cries, "The tomb in Palestine
Is not the porch of spirits lingering. 
It is the grave of Jesus, where he lay."
We live in an old chaos of the sun, 
Or old dependency of day and night, 
Or island solitude, unsponsored, free, 
Of that wide water, inescapable. 
Deer walk upon our mountains, and the quail 
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky, 
At evening, casual flocks of pigeons make
Ambiguous undulations as they sink, 
Downward to darkness, on extended wings.