Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more,
They begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl’s wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.

Copyright © 2005 James Wright. From Selected Poems. Reprinted with permission of Farrar, Straus & Giroux.

I've known rivers:
I've known rivers ancient as the world and older than the
     flow of human blood in human veins.

My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young.
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
     went down to New Orleans, and I've seen its muddy
     bosom turn all golden in the sunset.

I've known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.

From The Collected Poems of Langston Hughes, published by Alfred A. Knopf, Inc. Copyright © 1994 the Estate of Langston Hughes. Used with permission.

 

in memory of Joseph Brodsky

Joseph, yes, you know the beat.
Wystan Auden’s metric feet
Marched to it, unstressed and stressed,
Laying William Yeats to rest.

Therefore, Joseph, on this day,
Yeats’s anniversary,
(Double-crossed and death-marched date,
January twenty-eight),

Its measured ways I tread again
Quatrain by constrained quatrain,
Meting grief and reason out
As you said a poem ought.

Trochee, trochee, falling: thus
Grief and metre order us.
Repetition is the rule,
Spins on lines we learnt at school.

Repetition, too, of cold
In the poet and the world,
Dublin Airport locked in frost,
Rigor mortis in your breast.

Ice no axe or book will break,
No Horatian ode unlock,
No poetic foot imprint,
Quatrain shift or couplet dint,

Ice of Archangelic strength,
Ice of this hard two-faced month,
Ice like Dante’s in deep hell
Makes your heart a frozen well.

Pepper vodka you produced
Once in Western Massachusetts
With the reading due to start
Warmed my spirits and my heart

But no vodka, cold or hot,
Aquavit or uisquebaugh
Brings the blood back to your cheeks
Or the colour to your jokes,

Politically incorrect
Jokes involving sex and sect,
Everything against the grain.
Drinking, smoking like a train.

In a train in Finland we
Talked last summer happily,
Swapping manuscripts and quips,
Both of us like cracking whips

Sharpened up and making free,
Heading west for Tampere
(West that meant for you, of course,
Lenin’s train-trip in reverse).

Nevermore that wild speed-read,
Nevermore your tilted head
Like a deck where mind took off
With a mind-flash and a laugh,

Nevermore that rush to pun
Or to hurry through all yon
Jammed enjambments piling up
As you went above the top,

Nose in air, foot to the floor,
Revving English like a car
You hijacked when you robbed its bank
(Russian was your reserve tank).

Worshipped language can’t undo
Damage time has done to you:
Even your peremptory trust
In words alone here bites the dust.

Dust-cakes, still—see Gilgamesh
Feed the dead. So be their guest.
Do again what Auden said
Good poets do: bite, break their bread.

“Audenesque” from Electric Light by Seamus Heaney. Copyright © 2001 by Seamus Heaney.

an essay on assimilation

I am Marilyn Mei Ling Chin
Oh, how I love the resoluteness
of that first person singular
followed by that stalwart indicative
of “be,” without the uncertain i-n-g
of “becoming.”  Of course,
the name had been changed
somewhere between Angel Island and the sea,
when my father the paperson
in the late 1950s
obsessed with a bombshell blond
transliterated “Mei Ling” to “Marilyn.”
And nobody dared question
his initial impulse—for we all know
lust drove men to greatness,
not goodness, not decency.
And there I was, a wayward pink baby,
named after some tragic white woman
swollen with gin and Nembutal.
My mother couldn't pronounce the “r.”
She dubbed me “Numba one female offshoot”
for brevity: henceforth, she will live and die
in sublime ignorance, flanked
by loving children and the “kitchen deity.”
While my father dithers,
a tomcat in Hong Kong trash—
a gambler, a petty thug,
who bought a chain of chopsuey joints
in Piss River, Oregon,
with bootlegged Gucci cash.
Nobody dared question his integrity given
his nice, devout daughters
and his bright, industrious sons
as if filial piety were the standard
by which all earthly men are measured.

*

Oh, how trustworthy our daughters,
how thrifty our sons!
How we've managed to fool the experts
in education, statistic and demography—
We're not very creative but not adverse to rote-learning.
Indeed, they can use us.
But the “Model Minority” is a tease.
We know you are watching now,
so we refuse to give you any!
Oh, bamboo shoots, bamboo shoots!
The further west we go, we'll hit east;
the deeper down we dig, we'll find China.
History has turned its stomach
on a black polluted beach—
where life doesn't hinge
on that red, red wheelbarrow,
but whether or not our new lover
in the final episode of “Santa Barbara”
will lean over a scented candle
and call us a “bitch.”
Oh God, where have we gone wrong?
We have no inner resources!

*

Then, one redolent spring morning
the Great Patriarch Chin
peered down from his kiosk in heaven
and saw that his descendants were ugly.
One had a squarish head and a nose without a bridge
Another's profile—long and knobbed as a gourd.
A third, the sad, brutish one
may never, never marry.
And I, his least favorite—
“not quite boiled, not quite cooked,”
a plump pomfret simmering in my juices—
too listless to fight for my people's destiny.
“To kill without resistance is not slaughter”
says the proverb.  So, I wait for imminent death.
The fact that this death is also metaphorical
is testament to my lethargy.

*

So here lies Marilyn Mei Ling Chin,
married once, twice to so-and-so, a Lee and a Wong,
granddaughter of Jack “the patriarch”
and the brooding Suilin Fong,
daughter of the virtuous Yuet Kuen Wong
and G.G. Chin the infamous,
sister of a dozen, cousin of a million,
survived by everybody and forgotten by all.
She was neither black nor white,
neither cherished nor vanquished,
just another squatter in her own bamboo grove
minding her poetry—
when one day heaven was unmerciful,
and a chasm opened where she stood.
Like the jowls of a mighty white whale,
or the jaws of a metaphysical Godzilla,
it swallowed her whole.
She did not flinch nor writhe,
nor fret about the afterlife,
but stayed!  Solid as wood, happily
a little gnawed, tattered, mesmerized
by all that was lavished upon her
and all that was taken away!

From The Phoenix Gone, The Terrace Empty by Marilyn Chin, published by Milkweed Editions. Copyright © 1994 Marilyn Chin. Used with permission.

The water is one thing, and one thing for miles.
The water is one thing, making this bridge
Built over the water another. Walk it
Early, walk it back when the day goes dim, everyone
Rising just to find a way toward rest again.
We work, start on one side of the day
Like a planet’s only sun, our eyes straight
Until the flame sinks. The flame sinks. Thank God
I’m different. I’ve figured and counted. I’m not crossing
To cross back. I’m set
On something vast. It reaches
Long as the sea. I’m more than a conqueror, bigger
Than bravery. I don’t march. I’m the one who leaps.

From The Tradition. Copyright © 2019 by Jericho Brown. Used with the permission of The Permissions Company, Inc., on behalf of Copper Canyon Press. 

How free and lush the bamboo grows, the bamboo grows and grows
Shoots and morasses, fillies and lassies and shreds and beds and rows
O phloem and pistil, nodes and ovules
The bamboo grows and grows
Her release, her joy, her oil, her toil, her moxie, her terror, her swirl
Dig deeper into soil, deeper into her soul, what do you find in my girl
Thrash of black hair and silken snare, face in the bottom of the world
Bound by ankles, poor deer, poor sow, O delicate hooves and fascicles
Dead doe, dead doe, dead doe
Wrists together, searing red tethers, blood draining from her soles
O choir, O psalm, O soaring fearsome tabernacle
The bamboo grows, the bamboo grows and grows
Through antlers and eyeholes, O sweet soul, O sweet, sweet soul

Thin green tails, purple entrails, the bamboo grows and grows
She flailed and wailed through flimsy veils, through bones and hissing marrow
Nobody to hear her, but wind and chaff, a gasp, then letting go
They loved her, then stoned her, buried her near her ancestors
My mother, my sister, my soul

Shimmering mesh, a brocade sash, hanging on a distant oracle
Springboks dance on shallow mounds, echoes, echoes, echoes

From A Portrait of the Self as Nation: New and Selected Poems. Copyright © 2015 Marilyn Chin. Used by permission of the author.

Then said a rich man, Speak to us of Giving.
     And he answered:
     You give but little when you give of your possessions.
     It is when you give of yourself that you truly give.
     For what are your possessions but things you keep and guard for fear you may need them tomorrow?
     And tomorrow, what shall tomorrow bring to the overprudent dog burying bones in the trackless sand as he follows the pilgrims to the holy city?
     And what is fear of need but need itself?
     Is not dread of thirst when your well is full, the thirst that is unquenchable?

     There are those who give little of the much which they have—and they give it for recognition and their hidden desire makes their gifts unwholesome.
     And there are those who have little and give it all.
     These are the believers in life and the bounty of life, and their coffer is never empty.
     There are those who give with joy, and that joy is their reward.
     And there are those who give with pain, and that pain is their baptism.
     And there are those who give and know not pain in giving, nor do they seek joy, nor give with mindfulness of virtue;
     They give as in yonder valley the myrtle breathes its fragrance into space.
     Through the hands of such as these God speaks, and from behind their eyes. He smiles upon the earth.

     It is well to give when asked, but it is better to give unasked, through understanding;
     And to the open-handed the search for one who shall receive is joy greater than giving.
     And is there aught you would withhold?
     All you have shall some day be given;
     Therefore give now, that the season of giving may be yours and not your inheritors’.

     You often say, “I would give, but only to the deserving.”
     The trees in your orchard say not so, nor the flocks in your pasture.
     They give that they may live, for to withhold is to perish.
     Surely he who is worthy to receive his days and his nights, is worthy of all else from you.
     And he who has deserved to drink from the ocean of life deserves to fill his cup from your little stream.
     And what desert greater shall there be, than that which lies in the courage and the confidence, nay the charity, or receiving?
     And who are you that men should rend their bosom and unveil their pride, that you may see their worth naked and their pride unabashed?
     See first that you yourself deserve to be a giver, and an instrument of giving.
     For in truth it is life that gives unto life—while you, who deem yourself a giver, are but a witness.
     
     And you receivers—and you are all receivers—assume no weight of gratitude, lest you lay a yoke upon yourself and upon him who gives.
     Rather rise together with the giver on his gifts as on wings;
     For to be overmindful of your debt, is to doubt his generosity who has the freehearted earth for mother, and God for father.


From The Prophet (Knopf, 1923). This poem is in the public domain.

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to gaze at bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

From Words Under the Words: Selected Poems. Copyright © 1995 by Naomi Shihab Nye. Reprinted with the permission of the author.