Maru Mori brought me
a pair
of socks
which she knitted herself
with her sheepherder’s hands,
two socks as soft
as rabbits.
I slipped my feet
into them
as though into
two
cases
knitted
with threads of
twilight
and goatskin.
Violent socks,
my feet were
two fish made
of wool,
two long sharks
sea-blue, shot
through
by one golden thread,
two immense blackbirds,
two cannons:
my feet
were honored
in this way
by
these
heavenly
socks.
They were
so handsome
for the first time
my feet seemed to me
unacceptable
like two decrepit
firemen, firemen
unworthy
of that woven
fire,
of those glowing
socks.

Nevertheless
I resisted
the sharp temptation
to save them somewhere
as schoolboys
keep
fireflies,
as learned men
collect
sacred texts,
I resisted
the mad impulse
to put them
into a golden
cage
and each day give them
birdseed
and pieces of pink melon.
Like explorers
in the jungle who hand
over the very rare
green deer
to the spit
and eat it
with remorse,
I stretched out
my feet
and pulled on
the magnificent
socks
and then my shoes.

The moral
of my ode is this:
beauty is twice
beauty
and what is good is doubly
good
when it is a matter of two socks
made of wool
in winter.

"Ode to My Socks" from Neruda & Vallejo: Selected Poems, by Pablo Neruda and translated by Robert Bly (Boston: Beacon Press, 1993). Used with permission of Robert Bly.


Mr. Horowitz clutches a bag of dried apricots to his chest. Although the sun is shining, there will probably be a storm. Electricity will be lost. Possibly forever. When this happens the very nervous family will be the last to starve. Because of the apricots. "Unless," says Mrs. Horowitz, "the authorities confiscate the apricots." Mr. Horowitz clutches the bag of dried apricots tighter. He should've bought two bags. One for the authorities and one for his very nervous family. Mrs. Horowitz would dead bolt the front door to keep the authorities out, but it is already bolted. Already dead. She doesn't like that phrase. Dead bolt. It reminds her of getting shot before you even have a chance to run. "Everyone should have at least a chance to run," says Mrs. Horowitz. "Don't you agree, Mr. Horowitz?" Mrs. Horowitz always refers to her husband as Mr. Horowitz should they ever one day become strangers to each other. Mr. Horowitz agrees. When the authorities come they should give the Horowitzs a chance to run before they shoot them for the apricots. Eli Horowitz, their very nervous son, rushes in with his knitting. "Do not rush," says Mr. Horowitz, "you will fall and you will die." Eli wanted ice skates for his birthday. "We are not a family who ice skates!" shouts Mrs. Horowitz. She is not angry. She is a mother who simply does not wish to outlive her only son. Mrs. Horowitz gathers her very nervous son up in her arms, and gently explains that families who ice skate become the ice they slip on. The cracks they fall through. The frost that bites them. "We have survived this long to become our own demise?" asks Mrs. Horowitz. "No," whispers Eli, "we have not." Mr. Horowitz removes one dried apricot from the bag and nervously begins to pet it when Mrs. Horowitz suddenly gasps. She thinks she may have forgotten to buy milk. Without milk they will choke on the apricots. Eli rushes to the freezer with his knitting. There is milk. The whole freezer is stuffed with milk. Eli removes a frozen half pint and glides it across the kitchen table. It is like the milk is skating. He wishes he were milk. Brave milk. He throws the half pint on the floor and stomps on it. Now the milk is crushed. Now the milk is dead. Now the Horowitzs are that much closer to choking. Mr. and Mrs. Horowitz are dumbfounded. Their very nervous son might be a maniac. He is eight. God is punishing them for being survivors. God has given them a maniac for a son. All they ask is that they not starve, and now their only son is killing milk. Who will marry their maniac? No one. Who will mother their grandchildren? There will be no grandchildren. All they ask is that there is something left of them when they are shot for the apricots, but now their only son is a maniac who will give them no grandchildren. Mr. Horowitz considers leaving Eli behind when he and Mrs. Horowitz run for their lives.

Copyright © 2011 by Sabrina Orah Mark. Used with permission of the author.

True, I have always been happy that all the things that are inside 
    the body are inside the body, and that all things outside 
    the body, are out

I'm glad to find my lungs on the inside of my chest, for example; 
    if they were outside, they'd keep getting in the way, 
    those two great incipient angel wings; besides, 
    it would be messy

I mean, how would it be if your reached out to shake someone's hand
    and there, in the palm, were a kidney and a liver complete with 
    spleen?

Can you imagine standing at 5 PM in a crowded subway car full of 
    empty stomachs?

What if a nice, nearsighted old lady were knitting socks and suddenly 
    her veins fell out? How would she avoid creating a substance 
    full of strangeness and pain? To the barefoot country boy 
    sitting on the edge of the bed in the morning and opening 
    Aunt Minnie's gift box, the sight of those socks would be 
    what he'd call "a real eye-opener!"

And what if our voices touched? If our mouths went out, instead of in?

If you were inside of me; or, at least, if I were inside of you?

From Sky, published by Wesleyan University Press, 1970. Copyright © 1970 by Michael Benedikt. All rights reserved. Reprinted by permission of the author.

            I love-love-loved the alphabet
back when I could use it to go OMG & WTF

vis-à-vis some shady late capitalist wrongdoing
such as the rich & famous floating off the continent

in the most flagrant of boats, leaving just
the youngsters & me here on the prairie

to keep everything intact with just this sugar on the mantle
in its charismatic tin.  But then the youngsters

got up from the knitting circle & put down their seedcakes
& other organic whatsits, saying OMG & WTF to me

as in in reference to me like what I had on was not just
the dress, the feeling unfortunately was, but also

a shawl as in a cloak as in a stole as in a shroud. 
That’s when I finally knew what animals

youngsters just naturally are.  What piles of tractor parts. 
What fishheads in a sink!  So now I’m using my Rosetta Stone

to examine the language of rhinos for the impenetrable skin
& the language of axes for the battle for when our foes return

to knock down our pretty little door. & here
I just wanted to sit out the rest of my days

with my sweeties by the hearth & talk the talk to hold at bay
whatever apocalyptic thing’s got our number as in our address

as in the extent to which we were born to fight moneyed reprobates
with just our lingo as in our candidness & cheeky verbal fluidity

if that’s what you want to call running out the clock on the ends of things
            in an old lonesome song like this. 

Originally published in Crazyhorse. Copyright © 2016 by Adrian Blevins. Used with the permission of the author.

“yes of course” was one speech too many
now you’ve done it exposed your
obsequious emphases
                           hardly speech if disclosing nothing
thought to stay blameless in a
well-tended hothouse that’s now
            out of use beyond wear not in your possession
to break out so lay blame on
ritual pronouncements like
                          the unitary root of the whole is torn      
try knitting cozies to hide
your household aporias
                                       a little more than mortal   
how yarn can knit a surface
that will flaunt its absences
                          looking at it as though it were behind you
is how gnats spin a hole in
air & then slip right through it
           caterpillars moles lost limbs
try a little blind reaching
surprising what you can find

Copyright © 2017 by Rusty Morrison. Originally published in Poem-a-Day on June 15, 2017, by the Academy of American Poets.