O! my heart now feels so cheerful as I go with footsteps light
In the daily toil of my dear home;
And I’ll tell to you the secret that now makes my life so bright—
There’s a flower at my window in full bloom.
It is radiant in the sunshine, and so cheerful after rain;
And it wafts upon the air its sweet perfume.
It is very, very lovely! May its beauties never wane—
This dear flower at my window in full bloom.
Nature has so clothed it in such glorious array,
And it does so cheer our home, and hearts illume;
Its dear mem’ry I will cherish though the flower fade away—
This dear flower at my window in full bloom.
Oft I gaze upon this flower with its blossoms pure and white.
And I think as I behold its gay costume,
While through life we all are passing may our lives be always bright
Like this flower at my window in full bloom.
This poem is in the public domain. Published in Poem-a-Day on February 22, 2020 by the Academy of American Poets.
You, selling roses out of a silver grocery cart
You, in the park, feeding the pigeons
You cheering for the bees
You with cats in your voice in the morning, feeding cats
You protecting the river You are who I love
delivering babies, nursing the sick
You with henna on your feet and a gold star in your nose
You taking your medicine, reading the magazines
You looking into the faces of young people as they pass, smiling and saying, Alright! which, they know it, means I see you, Family. I love you. Keep on.
You dancing in the kitchen, on the sidewalk, in the subway waiting for the train because Stevie Wonder, Héctor Lavoe, La Lupe
You stirring the pot of beans, you, washing your father’s feet
You are who I love, you
reciting Darwish, then June
Feeding your heart, teaching your parents how to do The Dougie, counting to 10, reading your patients’ charts
You are who I love, changing policies, standing in line for water, stocking the food pantries, making a meal
You are who I love, writing letters, calling the senators, you who, with the seconds of your body (with your time here), arrive on buses, on trains, in cars, by foot to stand in the January streets against the cool and brutal offices, saying: YOUR CRUELTY DOES NOT SPEAK FOR ME
You are who I love, you struggling to see
You struggling to love or find a question
You better than me, you kinder and so blistering with anger, you are who I love, standing in the wind, salvaging the umbrellas, graduating from school, wearing holes in your shoes
You are who I love
weeping or touching the faces of the weeping
You, Violeta Parra, grateful for the alphabet, for sound, singing toward us in the dream
You carrying your brother home
You noticing the butterflies
Sharing your water, sharing your potatoes and greens
You who did and did not survive
You who cleaned the kitchens
You who built the railroad tracks and roads
You who replanted the trees, listening to the work of squirrels and birds, you are who I love
You whose blood was taken, whose hands and lives were taken, with or without your saying
Yes, I mean to give. You are who I love.
You who the borders crossed
You whose fires
You decent with rage, so in love with the earth
You writing poems alongside children
You cactus, water, sparrow, crow You, my elder
You are who I love,
summoning the courage, making the cobbler,
getting the blood drawn, sharing the difficult news, you always planting the marigolds, learning to walk wherever you are, learning to read wherever you are, you baking the bread, you come to me in dreams, you kissing the faces of your dead wherever you are, speaking to your children in your mother’s languages, tootsing the birds
You are who I love, behind the library desk, leaving who might kill you, crying with the love songs, polishing your shoes, lighting the candles, getting through the first day despite the whisperers sniping fail fail fail
You are who I love, you who beat and did not beat the odds, you who knows that any good thing you have is the result of someone else’s sacrifice, work, you who fights for reparations
You are who I love, you who stands at the courthouse with the sign that reads NO JUSTICE, NO PEACE
You are who I love, singing Leonard Cohen to the snow, you with glitter on your face, wearing a kilt and violet lipstick
You are who I love, sighing in your sleep
You, playing drums in the procession, you feeding the chickens and humming as you hem the skirt, you sharpening the pencil, you writing the poem about the loneliness of the astronaut
You wanting to listen, you trying to be so still
You are who I love, mothering the dogs, standing with horses
You in brightness and in darkness, throwing your head back as you laugh, kissing your hand
You carrying the berbere from the mill, and the jug of oil pressed from the olives of the trees you belong to
You studying stars, you are who I love
braiding your child’s hair
You are who I love, crossing the desert and trying to cross the desert
You are who I love, working the shifts to buy books, rice, tomatoes,
bathing your children as you listen to the lecture, heating the kitchen with the oven, up early, up late
You are who I love, learning English, learning Spanish, drawing flowers on your hand with a ballpoint pen, taking the bus home
You are who I love, speaking plainly about your pain, sucking your teeth at the airport terminal television every time the politicians say something that offends your sense of decency, of thought, which is often
You are who I love, throwing your hands up in agony or disbelief, shaking your head, arguing back, out loud or inside of yourself, holding close your incredulity which, yes, too, I love I love
your working heart, how each of its gestures, tiny or big, stand beside my own agony, building a forest there
How “Fuck you” becomes a love song
You are who I love, carrying the signs, packing the lunches, with the rain on your face
You at the edges and shores, in the rooms of quiet, in the rooms of shouting, in the airport terminal, at the bus depot saying “No!” and each of us looking out from the gorgeous unlikelihood of our lives at all, finding ourselves here, witnesses to each other’s tenderness, which, this moment, is fury, is rage, which, this moment, is another way of saying: You are who I love You are who I love You and you and you are who
Copyright © 2017 by Aracelis Girmay. Reprinted from Split This Rock’s The Quarry: A Social Justice Poetry Database.
Our ancestors in the earth are not
Ashamed of us. The strong smell
Of dirt, the delirious rabbits, the
Clocks are all disappearing. A
Prehistoric gift acquires the smell
Of salt. I grasp onto winter’s tail.
Some water plants are lying around.
Smell & taste, I have had good
Luck in love. The slippery roads,
The capricious numbers on a blazing
Road, meet me at the forest’s edge
Where we can go with our legs
Lopped off, strangers to the clean
Teeth and tongue of outward happiness.
Copyright © 2015 by Noelle Kocot. Originally published in Poem-a-Day on May 8, 2015, by the Academy of American Poets.
It’s not that we’re not dying.
Everything is dying.
We hear these rumors of the planet’s end
none of us will be around to watch.
It’s not that we’re not ugly.
We’re ugly.
Look at your feet, now that your shoes are off.
You could be a duck,
no, duck-billed platypus,
your feet distraction from your ugly nose.
It’s not that we’re not traveling,
we’re traveling.
But it’s not the broadback Mediterranean
carrying us against the world’s current.
It’s the imagined sea, imagined street,
the winged breakers, the waters we confuse with sky
willingly, so someone out there asks
are you flying or swimming?
That someone envies mortal happiness
like everyone on the other side, the dead
who stand in watch, who would give up their bliss,
their low tide eternity rippleless
for one day back here, alive again with us.
They know the sea and sky I’m walking on
or swimming, flying, they know it’s none of these,
this dancing-standing-still, this turning, turning,
these constant transformations of the wind
I can bring down by singing to myself,
the newborn mornings, these continuals—
Copyright © 2015 by Peter Cooley. Originally published in Poem-a-Day on September 11, 2015, by the Academy of American Poets.
Decades I have waited to make sunlight
for all of this to matter, a mark built to
rest and a mark laid living. I am sworn
to my worth even when the scales weep
their own little swords, slanting outside
the song and full of soothing to speak each
vowel. Everything happens toward its own
making, an infinite becoming from all that
is yet to be faced. When it seemed
as though I had touched the arm of love,
little did I know, I had found a door
with which to enter the sky. And to
the sky, little did I know, the door would
open for me. All, as it will be, as it should be,
in effort of The Great Balance.
Five days ago, I stood under a flight of egrets,
shifting between fenced field of mud and factory
yard. What could they have guessed of stability,
a fairness of wings, restoring what had always been
theirs to have. Like them, I have
steeped myself with others, for so long my roots
sprouting from the cloud of this fight, daring to follow
where the arrow leads, until it is my turn.
Until now, my turn.
Copyright © 2020 Mai Der Vang. This poem was co-commissioned by the Academy of American Poets and the New York Philharmonic as part of the Project 19 initiative, and appeared in the Spring–Summer 2020 issue of American Poets.
The world is a beautiful place
to be born into
if you don’t mind happiness
not always being
so very much fun
if you don’t mind a touch of hell
now and then
just when everything is fine
because even in heaven
they don’t sing
all the time
The world is a beautiful place
to be born into
if you don’t mind some people dying
all the time
or maybe only starving
some of the time
which isn’t half so bad
if it isn’t you
Oh the world is a beautiful place
to be born into
if you don’t much mind
a few dead minds
in the higher places
or a bomb or two
now and then
in your upturned faces
or such other improprieties
as our Name Brand society
is prey to
with its men of distinction
and its men of extinction
and its priests
and other patrolmen
and its various segregations
and congressional investigations
and other constipations
that our fool flesh
is heir to
Yes the world is the best place of all
for a lot of such things as
making the fun scene
and making the love scene
and making the sad scene
and singing low songs of having
inspirations
and walking around
looking at everything
and smelling flowers
and goosing statues
and even thinking
and kissing people and
making babies and wearing pants
and waving hats and
dancing
and going swimming in rivers
on picnics
in the middle of the summer
and just generally
‘living it up’
Yes
but then right in the middle of it
comes the smiling
mortician
From A Coney Island of the Mind, copyright © 1955 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp.
(written in her twelfth year)
With snow-clad top, and far projecting height,
Yon mist-wrapp'd mountain rises on my sight;
There fancy's pencil draws a world unseen,
For ever smiling, and for ever green;
Fills it with beings pure from sin's black stain,
Where faith, hope, charity, and friendship reign.
There forests waving, fill'd with songsters sweet,
The ear with wild and warbling music greet;
There purling rills in soft meanders glide,
There no rough cataract whirls its foaming tide;
Life's little bark there man in safety steers,
And passions dark'ning storms he never fears.
This poem is in the public domain.