If you can keep your head when all about you

   Are losing theirs and blaming it on you;

If you can trust yourself when all men doubt you,

   But make allowance for their doubting too;

If you can wait and not be tired by waiting,

   Or, being lied about, don’t deal in lies,

Or, being hated, don’t give way to hating,

   And yet don’t look too good, nor talk too wise;

If you can dream—and not make dreams your master;

   If you can think—and not make thoughts your aim;

If you can meet with triumph and disaster

   And treat those two impostors just the same;

If you can bear to hear the truth you’ve spoken

   Twisted by knaves to make a trap for fools,

Or watch the things you gave your life to broken,

   And stoop and build ’em up with wornout tools;

If you can make one heap of all your winnings

   And risk it on one turn of pitch-and-toss,

And lose, and start again at your beginnings

   And never breathe a word about your loss;

If you can force your heart and nerve and sinew

   To serve your turn long after they are gone,

And so hold on when there is nothing in you

   Except the Will which says to them: “Hold on”;

If you can talk with crowds and keep your virtue,

   Or walk with kings—nor lose the common touch;

If neither foes nor loving friends can hurt you;

   If all men count with you, but none too much;

If you can fill the unforgiving minute

With sixty seconds’ worth of distance run—

   Yours is the Earth and everything that’s in it,

And—which is more—you’ll be a Man, my son!

This poem is in the public domain.

Who made the world? 
Who made the swan, and the black bear? 
Who made the grasshopper? 
This grasshopper, I mean— 
the one who has flung herself out of the grass, 
the one who is eating sugar out of my hand, 
who is moving her jaws back and forth instead of up and down— 
who is gazing around with her enormous and complicated eyes. 
Now she lifts her pale forearms and thoroughly washes her face. 
Now she snaps her wings open, and floats away. 
I don’t know exactly what a prayer is. 
I do know how to pay attention, how to fall down 
into the grass, how to kneel down in the grass, 
how to be idle and blessed, how to stroll through the fields, 
which is what I have been doing all day. 
Tell me, what else should I have done? 
Doesn’t everything die at last, and too soon? 
Tell me, what is it you plan to do 
with your one wild and precious life?

“The Summer Day” by Mary Oliver reprinted by the permission of The Charlotte Sheedy Literary Agency as agent for the author. Copyright © 1990, 2006, 2008, 2017 by Mary Oliver with permission of Bill Reichblum

I shall never have any fear of love, 
Not of its depth nor its uttermost height,
Its exquisite pain and its terrible delight.
I shall never have any fear of love.

I shall never hesitate to go down
Into the fastness of its abyss
Nor shrink from the cruelty of its awful kiss.
I shall never have any fear of love.

Never shall I dread love’s strength
Nor any pain it might give.
Through all the years I may live
I shall never have any fear of love.

I shall never draw back from love
Through fear of its vast pain
But build joy of it and count it again.
I shall never have any fear of love.

I shall never tremble nor flinch
From love’s moulding touch:
I have loved too terribly and too much
Ever to have any fear of love.

This poem is in the public domain. Published in Poem-a-Day on June 20, 2021, by the Academy of American Poets.

after Naomi Shihab Nye

We on the sea cliff all
thrill at December’s licking
wind 

                        [[[call down a watery sky
                                    (a ritual) 
                        call on grasses stamped with Saturday shoes
                                    (a circle)
                        call up the kissing foam
                                    (a washing)
                        call to familia, mostly chosen,
                                                                        (a mending)]]]

and hover, for a time
in exquisite love.

My sister unfurls her golden kaftan, 
yokes our hearts’ zealous
champing

                        [[[calls upon the holy 
                                    (poetry)
                        calls upon our circle
                                    (familia)
                        calls upon our ancestors
                                    (saina)
                        calls upon the cosmos
                                                   (guma’)]]]
and sings

             It is difficult to know what to do with so much happiness

The winter sky sings 

                        my brother’s proud trembling 
                        jaw, your father’s bursting
                        radiant heart.

And you, zaytun of my heart, i asagua-hu.
You wrapped in tales of tatreez, your mother’s thobe.

My dress is made of water 
and invisible feathers dipped 
in moonlight.

I sing
                        [[[Halla. New moon. Sinåhi. Hagu I pilån-hu.

                        Let us keep each other safe and soothed and seen. 
                        Let us be in each other’s eyes and minds and guts. 
                        Let us tend our twining love so that it spirals, ever upward, 
                        ever outward, ever toward our shared home. 

The osprey overhead clutches a plump
gulping fish, anoints us with i tåsi.

                        I promise to always to hold you with patience, humility, and
                                   compassion. 
                        I promise to honor you, your ancestors, and your homeland as I
                                   honor my own. 
                        I promise to never stop fighting, until we see freedom for our
                                   lands and people. 

                        Let us share our struggles, along with our joys. 
                        Let us share our pain, along with our bliss. 
                        Let us share everything, together, i guinaiya-ku, 
                        sa’ tåya’ åmot para man guaiguaiya fuera di mas guinaiya’. 

                                                                 (Because there is no medicine for being in
                                                                            love, except for more love.)]]]

Copyright © 2024 by Lehua M. Taitano. Originally published in Poem-a-Day on May 14, 2024, by the Academy of American Poets.

My love has hair
Like midnight,
But midnight fades to dawn.
My love has eyes
Like starlight,
But starlight fades in morn.
My love has a voice
Like dew-fall,
But dew-fall dies at a breath.
My love has love
Like life’s all,
But life’s all fades in death.

This poem is in the public domain. Published in Poem-a-Day on June 18, 2022, by the Academy of American Poets.