Forbes, July 20, 2020
The sky is so clean we can see
all the gods we’ve negotiated with Coyotes
swagger through the neighborhood
unchallenged Roosters say nothing
The same ambulance lurks on
our street without sirens every few nights
and leaves with something
broken: the veteran four houses south
who shouts commands each morning while twirling
his parade rifle the battered wife
in the green house across the street bodies
Lights strobe
through our blinds First responders are here again
When the street becomes dark
we are brave We peek out the window
to see Mars’s faraway red glow or to count the dead
stars
Copyright © 2026 by Ashaki M. Jackson. Originally published in Poem-a-Day on February 19, 2026, by the Academy of American Poets.
I once saw Jazell Barbie Royale
Do Whitney Houston so well
I got upset with myself for sneaking
Past the cashier
After having been patted down. Security frisks you
For nothing. They don’t believe in trouble. They don’t
Imagine a gun or a blade, though
Sometimes they make you walk all the way back
To the car with the weed you didn’t tuck well.
No one’s at fault. That’s how they say it
Where I’m from. Everyone’s got a job.
I should have paid. Our women
Need to perform for the tips they couldn’t earn
After the state shut down for good reason
And too late. We lost so many friends.
My buddy Janir swears
He still can’t smell his lip balm. Our women need us
To call them beautiful
Because they are. They’ve done what they must
To prove it, and how often does any woman get
To hear the truth? Jazell is so pretty.
Whitney Houston is dead. No one wore a mask.
It wasn’t safe, so it wasn’t really free.
If you don’t watch me, I’ll get by you. I’ll take
What I’ve been missing. My mother says
That’s not how she raised me. I spent
A year and a half sure she’d die.
The women who lip sync for us could die.
People like to murder them,
And almost everyone else wonders
If they should be dead. Who got dressed looking
For safety today? Who got patted down? My mother
Says what we do is sin. But all we do
Is party. Even when I’m broke, I can
Entertain. You’re going to miss me some day.
You’re going to forget the words to your favorite song.
You’re going to miss me when I’m gone.
Copyright © 2021 by Jericho Brown. Originally published in Poem-a-Day on December 27, 2021, by the Academy of American Poets.
The hard ways of that summer,
palpitations that knocked my body down
and held it level with the water
mouth skimming breath for months
a tired I didn’t know existed,
one that tied my bones to the
ground with heavy quick fingers,
one that bound my brain in gauze.
I couldn’t leave the house for months then,
so being able to walk now past the end of my block,
to stand long enough to wash the dishes,
able to read more than subtitles, to write any words at all—
these are blessings I didn’t expect.
Originally published in Yellow Medicine Review. Copyright © 2022 by Arianne True.
Reprinted by permission of the author.
daughter I can’t see daughter once of padlocked diary stickered with hearts
sewing machine given by my mother of bundled yarn
embroidery hoop she cross-stitches in blue Fuck this shit
of springform pan daughter of 3-layer chocolate cakes
with meticulous design daughter wishing for a separate life
for space from me as she should at 17
yet she is sick and I can’t touch her and how I wish
I had a baby monitor as I go to sleep each night not knowing
and outside winter is turning the squirrels are brash and ravenous
like last spring will this one be furiously green are all seasons now
exaggerated versions of themselves this winter such pure dark
Are you writing about this? my girl snapchats me from the basement
among our dirty laundry boxes of baby sleepers stringed
Christmas lights I picture her lying on the floor
curled in blankets with the stuffed hedgehog she took down
for comfort when she found out she tested positive and all
I wish is that I could place my palm over her forehead
check for fever set a cool washcloth on her face hold her
on my lap spin a pink bulb of Tylenol between her lips
Copyright © 2021 by Nicole Cooley. This poem was first printed in Poetry (June 2021). Used with the permission of the author.
So powerful, the free opera streams. So powerful,
the Navy ship treading to Manhattan,
my students inventing words: afterwhen, leitmarsh—
one renames herself Golden Bird. And I am
thinking of you, lost friend—you in the new
Pacific mountains and the wrought-iron herb
garden, you for whom love is grief and truth
a weapon you hand the enemy—barbed like
the spores of a virus, infectious and exponential.
Will I ever touch you again? A biologist calls me
asking for meaning. I write in my garage
until a neighbor pulls down the door. Who am I
to exist? By what right? We’re all going to catch it
eventually, you say, and I want to take your head
in my hands. I was supposed to be wiser. But this
notion of deserving—to live, to breathe easy.
Afterwhen I find my soul again, afterwhen I know
what to say. Oh you, oh dear one, oh precious careful
salve. You for whom love is a demand, whose name
is an incantation—you whose name I cannot say at all.
The letter planes are all grounded. And in this long
sabbath month, what words do we utter but prayer?
From Ardor (Gasher Press, 2023) by Alyse Knorr. Copyright © 2023 by Alyse Knorr. Reprinted with the permission of the author.
—after Jericho Brown
A poem can spasm, stretch, but it can let salve in.
There aren’t enough pages for the longing.
There aren’t enough pages for the longing
drenched in medicine bottles and ice packs.
Drenched in medicine bottles and ice packs,
our aches sing beyond joints and stethoscopes in denial.
Those who sing beyond joints and stethoscopes in
denial, how do the symptoms stack your days?
Let’s name the stacks of dangerous symptoms:
News coverage, the state, strangers who say the pandemic is over.
News coverage, the state, strangers who say the pandemic is over
as I dream about a world that celebrates all of us.
As I dream about a world that celebrates all of us fully,
Let’s allow poems to stretch. Let the salve in.
Copyright © 2024 by Kay Ulanday Barrett. Originally published in Poem-a-Day on May 17, 2024, by the Academy of American Poets.
Earth put a roaring halt
to our empty rabid existence
ceasing marathon plastic productions
disintegrating worldwide stock markets
shuttering ubiquitous greed
Earth put a roaring halt
to our multimillion-dollar-games
sunk crude oil markets to asunder
stopped our titillating trophy hunts
our eating bloody meat in hoards
our cruel trampling of the land
put an end to our soiling of the skies
our tarnishing the homes where water-beasts are born
In one thunderous clap the Planet hurled
an instant standstill to our haywire
to our decapitation of mountain tops
our butchering of tree-communities
to our murdering sprees of elephant
and whale, tiger infants
and elders, mothers and girls
Throughout passing days of sirens
our existence is halted
a new plague set into motion
our mass die-off
launched.
Copyright © 2024 by Nancy Mercado. Originally published in Poem-a-Day on December 23, 2024, by the Academy of American Poets.
the way that soap loves an airborne virus.
Wants nothing more than to whisk it all away. Half fragile
as water, half hydrophobic wildchild. Doing it daily
as thirst trap. Posing in the fat of fruit. in the lipid
of a milking cow. It’s unfair to say
it’s afraid of anything. Hunting virus by riding hydro.
Mobbing the scene in micelle. Trailing pond for a bond.
Shooting its shot near the nearest swarm of greasy tail. How
good it is at pulling every germ. Every dirty little frag.
Every bacterial bevvy.
Loving it all
to its silky death. to its silty bottom. to its graywater demise.
How it hungers the virus until neither function. Melting its thick
heart and ripping it all away.
Little soap bar playa. Little Dionysian pump of cupidity.
Oh, to desire virus
to death. To take it dizzy
and broken down through the falls.
Slow soaping the sick
from our living,
wet hands.
Copyright © 2025 by francine j. harris. Originally published in Poem-a-Day on June 26, 2025, by the Academy of American Poets.
Everyone assumes we know how to love. Where did
you first learn (or did you ever)? In this blooming
a message: the bird which heals itself
is bandaged by an unseen hand. I asked
the earth to distill into one bone, into
the nadir of a mountain. I found buried there
my fear transformed into a jackrabbit
bounding away from me, an upside-down
heart moving across the Ouija board of this valley
reminding me that time is a floating island,
a menagerie of stars and crystals growing from children’s
play lab kits and nautilus lisps—I asked: child
or no child—and the apple gave me the gift
of four seeds, perfect wisdom if not
wooden—what is the difference between
earth and terra? The landscape unfolds, unspools
like a soft plume. The chrysalis is a crossroads.
A fat grub born every minute. The air fat
with feathers in this ceremony of eternal candles.
La luna changes her mind often—child or no child
—blooming a new face, unraveled ligature
unbound and unbothered.
Copyright © 2022 Michelle Peñaloza. Originally published in Frontier Poetry, 2022. Reprinted with permission of the poet.
The forest drifts in through the window, rising up the slope
from narrow water carving low points lower.
Once with you, a wading bird we watched,
waiting to see how close it would
come. Now that trail is gated by the threat of breath, too many
people too close, path sated and spilling over.
I am hungry for the touch of ferns,
for happenstance and a lost world of
coincidence I once felt standing all around me,
like a stand of trees in the city
Copyright © 2021 Arianne True. Originally published in The Madrona Project (vol. 2 no. 1, June 2021). Reprinted with permission of the author.