O Nature! I do not aspire
To be the highest in thy quire,—
To be a meteor in the sky,
Or comet that may range on high;
Only a zephyr that may blow
Among the reeds by the river low;
Give me thy most privy place
Where to run my airy race.
In some withdrawn, unpublic mead
Let me sigh upon a reed,
Or in the woods, with leafy din,
Whisper the still evening in:
Some still work give me to do,—
Only—be it near to you!
For I’d rather be thy child
And pupil, in the forest wild,
Than be the king of men elsewhere,
And most sovereign slave of care:
To have one moment of thy dawn,
Than share the city’s year forlorn.
This poem is in the public domain.
A fifth of animals without backbones could be at risk of extinction, say scientists.
—BBC Nature News
Ask me if I speak for the snail and I will tell you
I speak for the snail.
speak of underneathedness
and the welcome of mosses,
of life that springs up,
little lives that pull back and wait for a moment.
I speak for the damselfly, water skeet, mollusk,
the caterpillar, the beetle, the spider, the ant.
I speak
from the time before spinelessness was frowned upon.
Ask me if I speak for the moon jelly. I will tell you
one thing today and another tomorrow
and I will be as consistent as anything alive
on this earth.
I move as the currents move, with the breezes.
What part of your nature drives you? You, in your cubicle
ought to understand me. I filter and filter and filter all day.
Ask me if I speak for the nautilus and I will be silent
as the nautilus shell on a shelf. I can be beautiful
and useless if that's all you know to ask of me.
Ask me what I know of longing and I will speak of distances
between meadows of night-blooming flowers.
I will speak
the impossible hope of the firefly.
You with the candle
burning and only one chair at your table must understand
such wordless desire.
To say it is mindless is missing the point.
Copyright © 2012 by Camille Dungy. Used with permission of the author.
Deep autumn & the mistake occurs, the plum tree blossoms, twelve blossoms on three different branches, which for us, personally, means none this coming spring or perhaps none on just those branches on which just now lands, suddenly, a grey-gold migratory bird—still here?—crisping, multiplying the wrong air, shifting branches with small hops, then stilling—very still—breathing into this oxygen which also pockets my looking hard, just that, takes it in, also my thinking which I try to seal off, my humanity, I was not a mistake is what my humanity thinks, I cannot go somewhere else than this body, the afterwards of each of these instants is just another instant, breathe, breathe, my cells reach out, I multiply on the face of the earth, on the mud—I can see my prints on the sweet bluish mud—where I was just standing and reaching to see if those really were blossoms, I thought perhaps paper from wind, & the sadness in me is that of forced parting, as when I loved a personal love, which now seems unthinkable, & I look at the gate, how open it is, in it the very fact of God as invention seems to sit, fast, as in its saddle, so comfortable—& where does the road out of it go—& are those torn wires hanging from the limbs—& the voice I heard once after I passed what I thought was a sleeping man, the curse muttered out, & the cage after they have let the creatures out, they are elsewhere, in one of the other rings, the ring with the empty cage is gleaming, the cage is to be looked at, grieving, for nothing, your pilgrimage ends here, we are islands, we should beget nothing & what am I to do with my imagination—& the person in me trembles—& there is still innocence, it is starting up somewhere even now, and the strange swelling of the so-called Milky Way, and the sound of the wings of the bird as it lifts off suddenly, & how it is going somewhere precise, & that precision, & how I no longer can say for sure that it knows nothing, flaming, razory, the feathered serpent I saw as a child, of stone, & how it stares back at me from the height of its pyramid, & the blood flowing from the sacrifice, & the oracles dragging hooks through the hearts in order to say what is coming, what is true, & all the blood, millennia, drained to stave off the future, stave off, & the armies on the far plains, the gleam off their armor now in this bird's eye, as it flies towards me then over, & the sound of the thousands of men assembled at all cost now the sound of the bird lifting, thick, rustling where it flies over—only see, it is a hawk after all, I had not seen clearly, it has gone to hunt in the next field, & the chlorophyll is coursing, & the sun is sucked in, & the chief priest walks away now where what remains of the body is left as is customary for the local birds.
From Sea Change by Jorie Graham, published by Ecco, an imprint of HarperCollins Publishers. Copyright © 2008 by Jorie Graham. Reprinted with permission of the publisher. All rights reserved.
The right to make my dreams come true,
I ask, nay, I demand of life,
Nor shall fate’s deadly contraband
Impede my steps, nor countermand;
Too long my heart against the ground
Has beat the dusty years around,
And now at length I rise! I wake!
And stride into the morning break!
This poem is in the public domain. Published in Poem-a-Day on February 20, 2021, by the Academy of American Poets.
And in the beginning,
God gave your body
a checklist:
Keep your heart
on beat
and your lungs
dancing with oxygen,
not passive to air.
Make sure
the path of your blood
slows down
for checkpoints
and avoids
bumps
in the road.
Train your nerves
to keep a balanced pace
and stay within
the lines
of steady flow.
Push forward
without putting
too much
pressure
on movement.
Remember
to return to water
when your spirit
and its frame
are in drought.
Treat your body
like a well-rounded planet
built for all seasons,
or pretend you are
an adaptable star:
Float in the black
and stay there
if you need to,
save some light
for yourself.
In other words,
rest like the sun does:
Schedule some time
to stay out of sight
when too many people
praise warm energy.
Keep in mind
all of these things
when depression
tells you
nothing is working.
Keep in mind
all of these things
when it tells you
there is no
invisible force
connecting us,
when your veins
are stopped by blood clots,
when your bones are dry,
and the water
is too quick to boil.
Keep in mind
all of these things
when it tells you
that the soul is like the body:
Made to be broken,
open to deterioration
and doubt. Yes,
keep in mind
all of these things
and remember:
Even when it
seems like
the clock isn’t ticking,
you were made perfectly
for this moment
in time.
Copyright © Marcus Amaker and Free Verse, LLC. Used with permission of the author.
Life
I saw the candle brightly burning in the room!
The fringed curtains gracefully draped back,
The windows, crystal clear!
Upon the generous hearth
Quick Wit and bubbling Laughter
Flashed and danced
Sparkled and pranced,
And music to the glowing scene lent cheer.
It was a gracious sight,
So full of life, of love, of light!
Death
Then suddenly I saw a cloud of gloom
Take form within the room:
A blue-grey mist obscured the window-panes
And silent fell the rout!
Then from the shadows came the Dreaded Shape,—
The candle flickered out!
This poem is in the public domain. Published in Poem-a-Day on April 11, 2021, by the Academy of American Poets.
Today when persimmons ripen
Today when fox-kits come out of their den into snow
Today when the spotted egg releases its wren song
Today when the maple sets down its red leaves
Today when windows keep their promise to open
Today when fire keeps its promise to warm
Today when someone you love has died
or someone you never met has died
Today when someone you love has been born
or someone you will not meet has been born
Today when rain leaps to the waiting of roots in their dryness
Today when starlight bends to the roofs of the hungry and tired
Today when someone sits long inside his last sorrow
Today when someone steps into the heat of her first embrace
Today, let this light bless you
With these friends let it bless you
With snow-scent and lavender bless you
Let the vow of this day keep itself wildly and wholly
Spoken and silent, surprise you inside your ears
Sleeping and waking, unfold itself inside your eyes
Let its fierceness and tenderness hold you
Let its vastness be undisguised in all your days
—2008
Originally published in Come, Thief (Knopf, 2011); all rights reserved. Copyright © by Jane Hirshfield. Reprinted with the permission of the author, all rights reserved.
Are you so weary? Come to the window;
Lean, and look at this—
Something swift runs under the grass
With a little hiss…
Now you see it ripping off,
Reckless, under the fence.
Are you so tired? Unfasten your mind,
And follow it hence.
This poem is in the public domain.