My house, I say. But hark to the sunny doves   
That make my roof the arena of their loves,   
That gyre about the gable all day long   
And fill the chimneys with their murmurous song:   
Our house, they say; and mine, the cat declares  
And spreads his golden fleece upon the chairs;   
And mine the dog, and rises stiff with wrath   
If any alien foot profane the path.   
So, too, the buck that trimmed my terraces,   
Our whilom gardener, called the garden his;
Who now, deposed, surveys my plain abode   
And his late kingdom, only from the road.

This poem is in the public domain.

The untold want by life and land ne’er granted,
Now voyager sail thou forth to seek and find.

This poem is in the public domain.

I measure every Grief I meet
With narrow, probing, eyes – 
I wonder if It weighs like Mine – 
Or has an Easier size.

I wonder if They bore it long – 
Or did it just begin – 
I could not tell the Date of Mine – 
It feels so old a pain – 

I wonder if it hurts to live – 
And if They have to try – 
And whether – could They choose between – 
It would not be – to die – 

I note that Some – gone patient long – 
At length, renew their smile –  
An imitation of a Light
That has so little Oil – 

I wonder if when Years have piled –  
Some Thousands – on the Harm –  
That hurt them early – such a lapse
Could give them any Balm –  

Or would they go on aching still
Through Centuries of Nerve – 
Enlightened to a larger Pain –  
In Contrast with the Love –  

The Grieved – are many – I am told –  
There is the various Cause –  
Death – is but one – and comes but once –  
And only nails the eyes –  

There's Grief of Want – and grief of Cold –  
A sort they call "Despair" –  
There's Banishment from native Eyes – 
In sight of Native Air –  

And though I may not guess the kind –  
Correctly – yet to me
A piercing Comfort it affords
In passing Calvary –  

To note the fashions – of the Cross –  
And how they're mostly worn –  
Still fascinated to presume
That Some – are like my own – 

Poetry used by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, by the President and Fellows of Harvard College.

Safe in their Alabaster Chambers—
Untouched by Morning
And untouched by Noon—
Sleep the meek members of the Resurrection—
Rafter of satin,
And Roof of stone.

Light laughs the breeze
In her Castle above them—
Babbles the Bee in a stolid Ear,
Pipe the Sweet Birds in ignorant cadence—
Ah, what sagacity perished here!

                      Version of 1859

*****

Safe in their Alabaster Chambers—
Untouched by Morning
And untouched by Noon—
Lie the meek members of the Resurrection—
Rafter of Satin—and Roof of Stone!

Grand go the Years—in the Crescent—above them—
Worlds scoop their Arcs—
And Firmaments—row—
Diadems—drop—and Doges—surrender—
Soundless as dots—on a Disc of Snow—

                      Version of 1861

This poem is in the public domain.

Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,

And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.

I've heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me.

This poem is in the public domain.

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for right.
I love thee purely, as they turn from praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints. I love thee with the breath,
Smiles, tears, of all my life; and, if God choose,
I shall but love thee better after death.

This poem is in the public domain.

Between the dark and the daylight,
   When the night is beginning to lower,
Comes a pause in the day's occupations,
   That is known as the Children's Hour.

I hear in the chamber above me
   The patter of little feet,
The sound of a door that is opened,
   And voices soft and sweet.

From my study I see in the lamplight,
   Descending the broad hall stair,
Grave Alice, and laughing Allegra,
   And Edith with golden hair.

A whisper, and then a silence:
   Yet I know by their merry eyes
They are plotting and planning together
   To take me by surprise.

A sudden rush from the stairway,
   A sudden raid from the hall!
By three doors left unguarded
   They enter my castle wall!

They climb up into my turret
   O'er the arms and back of my chair;
If I try to escape, they surround me;
   They seem to be everywhere.

They almost devour me with kisses,
   Their arms about me entwine,
Till I think of the Bishop of Bingen
   In his Mouse-Tower on the Rhine!

Do you think, O blue-eyed banditti,
   Because you have scaled the wall,
Such an old mustache as I am
   Is not a match for you all!

I have you fast in my fortress,
   And will not let you depart,
But put you down into the dungeon
   In the round-tower of my heart.

And there will I keep you forever,
   Yes, forever and a day,
Till the walls shall crumble to ruin,
   And moulder in dust away!

This poem is in the public domain.