Lord,
          when you send the rain,
          think about it, please,
          a little?
  Do
          not get carried away
          by the sound of falling water,
          the marvelous light
          on the falling water.
    I
          am beneath that water.
          It falls with great force
          and the light
Blinds
          me to the light.

From Jimmy’s Blues and Other Poems by James Baldwin (Beacon Press, 2014). Copyright © 2014 The James Baldwin Estate. Used by permission of Beacon Press.

I hear you wake before I’m up myself
and snap to ready now before my eyes
crack from their crud to face your face today.
I hear you blunder toward my door. I hear

you crash it wide. The loosened hinges shiver
their frame, and now the house itself, awake
to the world and you, complicit, pulls me hard
as thunder from my sleep. You beat the echoes

to me, blear-faced, awash with night sweat; 
you drag a bunny by the ears to bed
and tumble graceless up the mattress, silent,
a drowsy rocket wanting, wanting something

I’m not awake enough to understand
but will be, soon, my son, and then we’ll go
to blaze the day, to stomp each puddle left
by the rain you never notice as you pull

me into the world, all leap and bowl, all grab
and fall. Today I’ll wake up better, call
the distance order, order it to be
a smaller thing. I’ll stand to make it so.

Copyright © 2021 by Dan Rosenberg. Originally published in Poem-a-Day on August 2, 2021, by the Academy of American Poets.


The grief, when I finally contacted it 
decades later, was black, tarry, hot,
like the yarrow-edged side roads 
we walked barefoot in the summer. 

Sometimes we’d come upon a toad 
flattened by a car tire, pressed into 
the softened pitch, its arms spread out 
a little like Jesus, and it was now 

part of the surface of the road, part 
of the road’s story. Then there was 
the live toad I discovered under 
the poison leaves of the rhubarb,

hiding there among the ruby stems,
and if you ate those stems raw, 
enough of them, you’d shit yourself
for days. It isn’t easy to catch a living 

thing and hold it until it pees on you
in fear. Its skin was the dull brown 
of my father’s clothes, my grandfather’s 
clothes as he stood behind the barber’s 

chair, clipping sideburns, laying a warm 
heap of shaving cream over a bristly chin, 
sharpening his straight razor and swiping it 
over the foam-covered cheek of my father, 

who often shaved twice a day, his beard 
was so obstinate, even in the hospital bed. 
When I laid a last kiss on his young cheek, 
the scraping hurt my lips. Do you ever 

wonder, in your heart of hearts, 
if God loves you, if the angels love you, 
scowling, holding their fiery swords, 
radiating green light? If your father 

loved you, if he had room to love you, 
given his poverty and suffering, or if 
a coldness had set in, a cold-bloodedness, 
like Keats at the end, wanting a transfusion 

of the reader’s life blood so he could live 
again. Either way, they’re all safely 
underground, their gentleness or ferocity, 
their numb love, and my father’s 

tar-colored hair, and the fibers of his good 
suit softened by wood tannins, 
and grandfather’s glass eye with its 
painted-on mud-colored iris, 

maybe all that’s left of him in that walnut 
box, and Keats and his soft brown clothes, 
and the poets before and after him.
But their four-toed emissary sits 

in my hand. I feel the quickening pulse 
through its underbelly. Hooded eyes, 
molasses-tinged, unexpressive, 
the seam of its mouth glued shut.

Copyright © 2013 by Diane Seuss. Used with permission of the author. This poem appeared in Poem-A-Day on November 19, 2013. Browse the Poem-A-Day archive.

Saw you walking barefoot
taking a long look
at the new moon's eyelid

later spread
sleep-fallen, naked in your dark hair
asleep but not oblivious
of the unslept unsleeping
elsewhere

Tonight I think
no poetry
will serve

Syntax of rendition:

verb pilots the plane
adverb modifies action

verb force-feeds noun
submerges the subject
noun is choking
verb    disgraced    goes on doing

now diagram the sentence


2007

From Tonight No Poetry Will Serve, published by W.W. Norton. Copyright © 2011 by Adrienne Rich. Used by permission of the publisher. All rights reserved.


It was one of those mornings the earth seemed
not to have had any rest at all, her face dour
and unrefreshed, no particular place-- subway,
park-- expressed sufficient interest in present circumstances
though flowers popped up and tokens
dropped down, deep in the turnstiles. And from
the dovecots nothing was released or killed.
No one seemed to mind, though everyone noticed.
If the alphabet died-- even the o collapsing, the l
a lance in its groin-- what of it? The question
'krispies, flakes or loops?'-- always an indicator of
attention-- took a turn for the worse, though crumpets
could still be successfully toasted: machines worked,
the idiom death warmed over was in use. By noon,
postage stamps were half their width and worth
but no one stopped licking. Neutrinos passed,
undetected. Corpulent clouds formed in the sky.
Tea was served at four. When the wind blew off a shingle
or two, like hairs, and the scalp of the house began
to howl, not a roofer nailed it down. That was that.
When the moon came out and glowed like a night light
loose in its socket, no one was captious, cautious or wise,
though the toes of a few behaved strangely in bed--
they peeped out of the blankets like insects' antennae,
then turned into periscopes scouting to see
if the daze that was morning had actually managed to doze.

From Post Meridian, published by Carnegie Mellon University Press, 2000. Copyright © 2000 by Mary Ruefle. All rights reserved. Used with permission.