XXX

i sing of Olaf glad and big
whose warmest heart recoiled at war:
a conscientious object-or

his wellbelovéd colonel(trig
westpointer most succinctly bred)
took erring Olaf soon in hand;
but--though an host of overjoyed
noncoms(first knocking on the head
him)do through icy waters roll
that helplessness which others stroke
with brushes recently employed
anent this muddy toiletbowl,
while kindred intellects evoke
allegiance per blunt instruments--
Olaf(being to all intents
a corpse and wanting any rag
upon what God unto him gave)
responds,without getting annoyed
"I will not kiss your fucking flag"

straightway the silver bird looked grave
(departing hurriedly to shave)

but--though all kinds of officers
(a yearning nation's blueeyed pride)
their passive prey did kick and curse
until for wear their clarion
voices and boots were much the worse,
and egged the firstclassprivates on
his rectum wickedly to tease
by means of skilfully applied
bayonets roasted hot with heat--
Olaf(upon what were once knees)
does almost ceaselessly repeat
"there is some shit I will not eat"

our president,being of which
assertions duly notified
threw the yellowsonofabitch
into a dungeon,where he died

Christ(of His mercy infinite)
i pray to see;and Olaf,too

preponderatingly because
unless statistics lie he was
more brave than me:more blond than you.

Copyright 1931, © 1959, 1991 by the Trustees for E. E. Cummings Trust. Copyright © 1979 by George J. Firmage, from The Complete Poems: 1904-1962 by E. E. Cummings. Reprinted by permission of Liveright Publishing Corporation. All rights reserved.

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to gaze at bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

From Words Under the Words: Selected Poems. Copyright © 1995 by Naomi Shihab Nye. Reprinted with the permission of the author.

Because I love you, and beneath the uncountable stars
I have become the delicate piston threading itself through your chest,

I want to tell you a story I shouldn’t but will, and in the meantime neglect, Love,
the discordant melody spilling from my ears but attend,

instead, to this tale, for a river burns inside my mouth
and it wants both purgation and to eternally sip your thousand drippings;

and in the story is a dog and unnamed it leads to less heartbreak,
so name him Max, and in the story are neighborhood kids

who spin a yarn about Max like I’m singing to you, except they tell a child,
a boy who only moments earlier had been wending through sticker bushes

to pick juicy rubies, whose chin was, in fact, stained with them,
and combining in their story the big kids make

the boy who shall remain unnamed believe Max to be sick and rabid,
and say his limp and regular smell of piss are just two signs,

but the worst of it, they say, is that he’ll likely find you in the night,
and the big kids do not giggle, and the boy does not giggle,

but lets the final berries in his hand drop into the overgrowth
at his feet, and if I spoke the dream of the unnamed boy

I fear my tongue would turn an arm of fire so I won’t, but
know inside the boy’s head grew a fire beneath the same stars

as you and I, Love, your leg between mine, the fine hairs
on your upper thigh nearly glistening in the night, and the boy,

the night, the incalculable mysteries as he sleeps with a stuffed animal
tucked beneath his chin and rolls tight against his brother

in their shared bed, who rolls away, and you know by now
there is no salve to quell his mind’s roaring machinery

and I shouldn’t tell you, but I will,
the unnamed boy

on the third night of the dreams which harden his soft face
puts on pants and a sweatshirt and quietly takes the spade from the den

and more quietly leaves his house where upstairs his father lies dreamless,
and his mother bends her body into his,

and beneath these same stars, Love, which often, when I study them,
seem to recede like so many of the lies of light,

the boy walks to the yard where Max lives attached to a steel cable
spanning the lawn, and the boy brings hot dogs which he learned

from Tom & Jerry, and nearly urinating in his pants he tosses them
toward the quiet and crippled thing limping across the lawn,

the cable whispering above the dew-slick grass, and Max whimpers,
and the boy sees a wolf where stands this ratty

and sad and groveling dog and beneath these very stars
the boy brings the shovel down

until Max’s hind legs stop twitching and his left ear folds into itself,
and the unnamed boy stares at the rabid wolf whose wild eyes loll white in his head,

taking slow steps backward through the wet grass and feels,
for the first time in days, the breath in his lungs, which is cool,

and a little damp, spilling over his small lips, and he feels,
again, his feet beneath him, and the earth beneath them, and starlings

singing the morning in, and the somber movement of beetles
chewing the leaves of the white birch, glinting in the dark, and he notices,

Darling, an upturned nest beneath the tree, and flips it looking for the blue eggs
of robins, but finds none, and placing a rumpled crimson feather in his mouth

slips the spindly thicket into another tree, which he climbs
to watch the first hint of light glancing above the fields, and the boy

eventually returns to his thorny fruit bush where an occasional prick
leaves on his arm or leg a spot of blood the color of these raspberries

and tasting of salt, and filling his upturned shirt with them he beams
that he could pull from the earth that which might make you smile,

Love, which you’ll find in the fridge, on the bottom shelf, behind the milk,
in the bowl you made with your own lovely hands.

"Bringing the Shovel Down" from Bringing the Shovel Down, by Ross Gay, © 2011. Reprinted by permission of the University of Pittsburgh Press.