The Soul has Bandaged moments –
When too appalled to stir –
She feels some ghastly Fright come up
And stop to look at her –

Salute her, with long fingers –
Caress her freezing hair –
Sip, Goblin, from the very lips
The Lover – hovered – o’er –
Unworthy, that a thought so mean
Accost a Theme – so – fair ­–

The soul has moments of escape –
When bursting all the doors –
She dances like a Bomb, abroad,
And swings opon the Hours,

As do the Bee – delirious borne –
Long Dungeoned from his Rose –
Touch Liberty – then know no more,
But Noon, and Paradise –

The Soul’s retaken moments –
When, Felon led along,
With shackles on the plumed feet,
And staples, in the song,

The Horror welcomes her, again,
These, are not brayed of Tongue –

The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, by the President and Fellows of Harvard College. Copyright © renewed 1979, 1983 by the President and Fellows of Harvard College. Copyright © 1914, 1918, 1919, 1924, 1929, 1930, 1932, 1935, 1937, 1942 by Martha Dickinson Bianchi. Copyright © 1952, 1957, 1958, 1963, 1965 by Mary L. Hampson.

Admit it—
you wanted the end

with a serpentine
greed. How to negotiate

that strangling
mist, the fibrous

whisper?

To cease to exist
and to die

are two different things entirely.

But you knew this,
didn't you?

Some days you knelt on coins
in those yellow hours.

You lit a flame

to your shadow
and ate

scorpions with your naked fingers.

So touched by the sadness of hair
in a dirty sink.

The malevolent smell
of soap.

When instead of swallowing a fistful
of white pills,

you decided to shower,

the palm trees
nodded in agreement,

a choir
of crickets singing

behind your swollen eyes.

The masked bird
turned to you

with a shred of paper hanging
from its beak.

At dusk,
hair wet and fragrant,

you cupped a goat's face

and kissed
his trembling horns.

The ghost?

It fell prostrate,
passed through you

like a swift
and generous storm.

"Six Months After Contemplating Suicide" first appeared in the December 2015 issue of Poetry. Copyright © 2015 Erika L. Sánchez.

Today I flew over the Midwest
filling out a questionnaire
on the emotional life of the brain
and personal capacity for resilience
against despair. I was making
a sculpture of my limbic systems
in a huge conceptual neurosis.
Under the simulated
middleclass environment
of the fuselage
the snow was falling.
And in everyone’s skulls
complex régimes went on and on and on.
I seek forever the right way to know this.
That there are bridges
not built in me. That there are areas
that do not light up—
You are at a party having a conversation
with an interesting stranger.
You are in a restaurant and the service is bad.
You have experienced profound grief—
how do you react to this?
Down on the ground your family
writhes. Down on the ground
you are surrounded at Starbucks
with a terrible glow.
And you have seen someone you love,
with a colossal
complex vehemence, die.
And it is pinned under glass
in perfect condition.
It is wrapped around you
like old fur. You’ve looked at the sky
until your eyes touched
zodiacal fantasies—right there in the void.
You know this. That the body lays down
while the mind bloats
on intellectual chaos.
And you have just eaten
a bag of cinnamon-flavored chips
and assessed that if you met
a wonderful new person
who ran from you in horror
you would fill their space
with calculated desolation.
Thus, you are waking up
having traveled through time.
You are looking down
at the Statue of Liberty
garden gnome with her arm in the air,
her head full of strangers—
And you hear crickets. Lined up.
Playing their creepy violins.
And you want to be good.
And you want to be liked.
And you want to recover.

From Someone Else's Wedding Vows (Tin House/Octopus Books, 2014) by Bianca Stone. Copyright © 2014 by Bianca Stone. Used with permission of the author.

Say tomorrow doesn’t come.
Say the moon becomes an icy pit.
Say the sweet-gum tree is petrified.
Say the sun’s a foul black tire fire.
Say the owl’s eyes are pinpricks.
Say the raccoon’s a hot tar stain.
Say the shirt’s plastic ditch-litter.
Say the kitchen’s a cow’s corpse.
Say we never get to see it: bright
future, stuck like a bum star, never
coming close, never dazzling.
Say we never meet her. Never him.
Say we spend our last moments staring
at each other, hands knotted together,
clutching the dog, watching the sky burn.
Say, It doesn’t matter. Say, That would be
enough. Say you’d still want this: us alive,
right here, feeling lucky.

Copyright © 2013 by Ada Limón. Used with permission of the author. This poem appeared in Poem-a-Day on March 14, 2013. Browse the Poem-a-Day archive.

Remember the sky that you were born under,
know each of the star’s stories.
Remember the moon, know who she is.
Remember the sun’s birth at dawn, that is the
strongest point of time. Remember sundown
and the giving away to night.
Remember your birth, how your mother struggled
to give you form and breath. You are evidence of
her life, and her mother’s, and hers.
Remember your father. He is your life, also.
Remember the earth whose skin you are:
red earth, black earth, yellow earth, white earth
brown earth, we are earth.
Remember the plants, trees, animal life who all have their
tribes, their families, their histories, too. Talk to them,
listen to them. They are alive poems.
Remember the wind. Remember her voice. She knows the
origin of this universe.
Remember you are all people and all people
are you.
Remember you are this universe and this
universe is you.
Remember all is in motion, is growing, is you.
Remember language comes from this.
Remember the dance language is, that life is.
Remember.

“Remember.” Copyright © 1983 by Joy Harjo from She Had Some Horses by Joy Harjo. Used by permission of W. W. Norton & Company, Inc.