The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers,
For this, for everything, we are out of tune;
It moves us not.—Great God! I'd rather be
A pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.
This poem is in the public domain.
My brothers are notorious. They have not been to prison. They have been imprisoned. The prison is not a place you enter. It is no place. My brothers are notorious. They do regular things, like wait. On my birthday they say my name. They will never forget that we are named. What is that memory?
The days of our childhood together were steep steps into a collapsing mind. It looked like we rescued ourselves, were rescued. Then there are these days, each day of our adult lives. They will never forget our way through, these brothers, each brother, my brother, dear brother, my dearest brothers, dear heart—
Your hearts are broken. This is not a secret though there are secrets. And as yet I do not understand how my own sorrow has turned into my brothers' hearts. The hearts of my brothers are broken. If I knew another way to be, I would call up a brother, I would hear myself saying, my brother, dear brother, my dearest brothers, dear heart—
On the tip of a tongue one note following another is another path, another dawn where the pink sky is the bloodshot of struck, of sleepless, of sorry, of senseless, shush. Those years of and before me and my brothers, the years of passage, plantation, migration, of Jim Crow segregation, of poverty, inner cities, profiling, of one in three, two jobs, boy, hey boy, each a felony, accumulate into the hours inside our lives where we are all caught hanging, the rope inside us, the tree inside us, its roots our limbs, a throat sliced through and when we open our mouth to speak, blossoms, o blossoms, no place coming out, brother, dear brother, that kind of blue. The sky is the silence of brothers all the days leading up to my call.
If I called I'd say good-bye before I broke the good-bye. I say good-bye before anyone can hang up. Don't hang up. My brother hangs up though he is there. I keep talking. The talk keeps him there. The sky is blue, kind of blue. The day is hot. Is it cold? Are you cold? It does get cool. Is it cool? Are you cool?
My brother is completed by sky. The sky is his silence. Eventually, he says, it is raining. It is raining down. It was raining. It stopped raining. It is raining down. He won't hang up. He's there, he's there but he's hung up though he is there. Good-bye, I say. I break the good-bye. I say good-bye before anyone can hang up, don't hang up. Wait with me. Wait with me though the waiting might be the call of good-byes.
From Citizen: An American Lyric (Graywolf Press, 2014). Reprinted with permission of the publisher.
I
O wild West Wind, thou breath of Autumn’s being,
Thou, from whose unseen presence the leaves dead
Are driven, like ghosts from an enchanter fleeing,
Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes: O thou,
Who chariotest to their dark wintry bed
The wingèd seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow
Her clarion o’er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill:
Wild Spirit, which art moving everywhere;
Destroyer and Preserver; hear, O hear!
II
Thou on whose stream, ‘mid the steep sky’s commotion,
Loose clouds like Earth’s decaying leaves are shed,
Shook from the tangled boughs of Heaven and Ocean,
Angels of rain and lightning: there are spread
On the blue surface of thine airy surge,
Like the bright hair uplifted from the head
Of some fierce Maenad, even from the dim verge
Of the horizon to the zenith’s height,
The locks of the approaching storm. Thou dirge
Of the dying year, to which this closing night
Will be the dome of a vast sepulchre
Vaulted with all thy congregated might
Of vapours, from whose solid atmosphere
Black rain, and fire, and hail will burst: O hear!
III
Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lulled by the coil of his crystalline streams,
Beside a pumice isle in Baiae’s bay,
And saw in sleep old palaces and towers
Quivering within the wave's intenser day,
All overgrown with azure moss and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic’s level powers
Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know
Thy voice, and suddenly grow grey with fear,
And tremble and despoil themselves: O hear!
IV
If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share
The impulse of thy strength, only less free
Than thou, O Uncontrollable! If even
I were as in my boyhood, and could be
The comrade of thy wanderings over Heaven,
As then, when to outstrip thy skiey speed
Scarce seemed a vision; I would ne’er have striven
As thus with thee in prayer in my sore need.
Oh! lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!
A heavy weight of hours has chained and bowed
One too like thee: tameless, and swift, and proud.
V
Make me thy lyre, even as the forest is:
What if my leaves are falling like its own!
The tumult of thy mighty harmonies
Will take from both a deep, autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!
Drive my dead thoughts over the universe
Like withered leaves to quicken a new birth!
And, by the incantation of this verse,
Scatter, as from an unextinguished hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawakened Earth
The trumpet of a prophecy! O Wind,
If Winter comes, can Spring be far behind?
This poem is in the public domain.
First, a poem must be magical,
Then musical as a sea-gull.
It must be a brightness moving
And hold secret a bird’s flowering.
It must be slender as a bell,
And it must hold fire as well.
It must have the wisdom of bows
And it must kneel like a rose.
It must be able to hear
The luminance of dove and deer.
It must be able to hide
What it seeks, like a bride.
And over all I would like to hover
God, smiling from the poem’s cover.
Copyright © 1941, 1942, renewed © 1970 by Jose Garcia Villa; from Doveglion: Collected Poems by Jose Garcia Villa, edited by John Edwin Cowen. Used by permission of Penguin Books, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. All rights reserved.
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door—
"'Tis some visitor," I muttered, "tapping at my chamber door—
Only this and nothing more."
Ah, distinctly I remember it was in the bleak December;
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;—vainly I had sought to borrow
From my books surcease of sorrow—sorrow for the lost Lenore—
For the rare and radiant maiden whom the angels name Lenore—
Nameless here for evermore.
And the silken, sad, uncertain rustling of each purple curtain
Thrilled me—filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
"'Tis some visitor entreating entrance at my chamber door—
Some late visitor entreating entrance at my chamber door;—
This it is and nothing more."
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"—here I opened wide the door;—
Darkness there and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!"—
Merely this and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore—
Let my heart be still a moment and this mystery explore;—
'Tis the wind and nothing more!"
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door—
Perched upon a bust of Pallas just above my chamber door—
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore—
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven "Nevermore."
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning—little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door—
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."
But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered—not a feather then he fluttered—
Till I scarcely more than muttered "Other friends have flown before—
On the morrow he will leave me, as my hopes have flown before."
Then the bird said "Nevermore."
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore—
Till the dirges of his Hope that melancholy burden bore
Of 'Never—nevermore.'"
But the Raven still beguiling my sad fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore—
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er,
She shall press, ah, nevermore!
Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee—by these angels he hath sent thee
Respite—respite and nepenthe, from thy memories of Lenore;
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the Raven "Nevermore."
"Prophet!" said I, "thing of evil!—prophet still, if bird or devil!—
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted—
On this home by Horror haunted—tell me truly, I implore—
Is there—is there balm in Gilead?—tell me—tell me, I implore!"
Quoth the Raven "Nevermore."
"Prophet!" said I, "thing of evil—prophet still, if bird or devil!
By that Heaven that bends above us—by that God we both adore—
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore—
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven "Nevermore."
"Be that word our sign in parting, bird or fiend!" I shrieked, upstarting—
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!—quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the Raven "Nevermore."
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted—nevermore!
This version appeared in the Richmond Semi-Weekly Examiner, September 25, 1849. For other versions, please visit the Edgar Allan Poe Society of Baltimore's site: http://www.eapoe.org/works/poems/index.htm#R.
Will answers be found like seeds planted among rows of song? Will mouths recognize the hunger in their voices, all mouths in unison, the ah in harmony, the way words of hope are more than truth when whispered? Will we turn to each other and ask, how long has it been ... how long since? A world now, a world then and each is seeking a foothold, trying to remember when we looked at one another and found—A world again—Surely what we long for is at the wheel contending. Surely, we’ll soon hear its unearthly groan.
From Tocqueville by Khaled Mattawa, published by New Issues Poetry & Prose. Copyright © 2010 Khaled Mattawa. Used with permission of New Issues Poetry & Prose.
Often I think of the beautiful town That is seated by the sea; Often in thought go up and down The pleasant streets of that dear old town, And my youth comes back to me. And a verse of a Lapland song Is haunting my memory still 'A boy's will is the wind's will, And the thoughts of youth are long, long thoughts.' I can see the shadowy lines of its trees, And catch, in sudden gleams, The sheen of the far-surrounding seas, And islands that were the Hesperides Of all my boyish dreams. And the burden of that old song, It murmurs and whispers still: 'A boy's will is the wind's will, And the thoughts of youth are long, long thoughts.' I remember the black wharves and the slips, And the sea-tides tossing free; And the Spanish sailors with bearded lips, And the beauty and mystery of the ships, And the magic of the sea. And the voice of that wayward song Is singing and saying still: 'A boy's will is the wind's will, And the thoughts of youth are long, long thoughts.' I remember the bulwarks by the shore, And the fort upon the hill; The sunrise gun, with its hollow roar, The drum-beat repeated o'er and o'er, And the bugle wild and shrill. And the music of that old song Throbs in my memory still: 'A boy's will is the wind's will, And the thoughts of youth are long, long thoughts.' I remember the sea-fight far away, How it thundered o'er the tide! And the dead captains, as they lay In their graves, o'erlooking the tranquil bay Where they in battle died. And the sound of that mournful song Goes through me with a thrill: 'A boy's will is the wind's will, And the thoughts of youth are long, long thoughts.' I can see the breezy dome of groves, The shadows of Deering's Woods; And the friendship old and the early loves Come back with a Sabbath sound, as of doves In quiet neighborhoods. And the verse of that sweet old song, It flutters and murmurs still: 'A boy's will is the wind's will, And the thoughts of youth are long, long thoughts.' I remember the gleams and glooms that dart Across the school-boy's brain; The song and the silence in the heart, That in part are prophecies, and in part Are longings wild and vain. And the voice of that fitful song Sings on, and is never still: 'A boy's will is the wind's will, And the thoughts of youth are long, long thoughts.' There are things of which I may not speak; There are dreams that cannot die; There are thoughts that make the strong heart weak, And bring a pallor into the cheek, And a mist before the eye. And the words of that fatal song Come over me like a chill: 'A boy's will is the wind's will, And the thoughts of youth are long, long thoughts.' Strange to me now are the forms I meet When I visit the dear old town; But the native air is pure and sweet, And the trees that o'ershadow each well-known street, As they balance up and down, Are singing the beautiful song, Are sighing and whispering still: 'A boy's will is the wind's will, And the thoughts of youth are long, long thoughts.' And Deering's Woods are fresh and fair, And with joy that is almost pain My heart goes back to wander there, And among the dreams of the days that were, I find my lost youth again. And the strange and beautiful song, The groves are repeating it still: 'A boy's will is the wind's will, And the thoughts of youth are long, long thoughts.'
This poem is in the public domain.
Will answers be found like seeds planted among rows of song? Will mouths recognize the hunger in their voices, all mouths in unison, the ah in harmony, the way words of hope are more than truth when whispered? Will we turn to each other and ask, how long has it been ... how long since? A world now, a world then and each is seeking a foothold, trying to remember when we looked at one another and found—A world again—Surely what we long for is at the wheel contending. Surely, we’ll soon hear its unearthly groan.
From Tocqueville by Khaled Mattawa, published by New Issues Poetry & Prose. Copyright © 2010 Khaled Mattawa. Used with permission of New Issues Poetry & Prose.
In a dream I spoke with the Cyprus-born, And said to her, "Mother of beauty, mother of joy, Why hast thou given to men "This thing called love, like the ache of a wound In beauty's side, To burn and throb and be quelled for an hour And never wholly depart?" And the daughter of Cyprus said to me, "Child of the earth, Behold, all things are born and attain, But only as they desire,— "The sun that is strong, the gods that are wise, The loving heart, Deeds and knowledge and beauty and joy,— But before all else was desire."
This poem is in the public domain. Published in Poem-a-Day on July 7, 2018, by the Academy of American Poets.