I now replace desire 

with meaning. 

Instead of saying, I want you, I say, 

there is meaning between us.

Meaning can swim, has taken lessons from the river 

of itself. Desire is air. One puncture 

above a black lake and she lies flat.

I now replace intensity with meaning.

One is a black hole of boundless appetite, a false womb,

another is a sentence.

My therapist says children need a “father” for language 

and a “mother” for everything else.

She doesn’t get that it’s all language. There is no else

Else is a fiction of life, and a fact of death.

That night, we don’t touch. 

We ruin nothing. 

We get bagels in the morning before you leave on a train, 

and I smoke a skinny cigarette and think 

I look glam, like an Italian diva.

You make a joke at my expense, which is not a joke, really, 

but a way to say I know you

I don’t feed on you. Instead, I watch you 

like a faraway tree. 

Desire loves the what if, the if only, the maybe in another lifetime

She loves a parallel universe. Or seven. 

Meaning knows its minerals,

knows which volcanic magma belongs 

to which volcanic fleet.

Knows the earth has parents. That a person is raised. 

It’s the real flirtation, to say, you are not a meal. 

To say, I want you 

to last. 

Copyright © 2023 by Megan Fernandes. Originally published in Poem-a-Day on October 13, 2023, by the Academy of American Poets. 

That I want thee, only thee—let my heart repeat without end. All desires that distract me, day and night, are false and empty to the core.
As the night keeps hidden in its gloom the petition for light, even thus in the depth of my unconsciousness rings the cry—I want thee, only thee.
As the storm still seeks its end in peace when it strikes against peace with all its might, even thus my rebellion strikes against thy love and still its cry is—I want thee, only thee.

From Gitanjali (Macmillan and Company, 1916) by Rabindranath Tagore. This poem is in the public domain.

When face to face we stand
        And eye to eye,
How far apart we are——
As far, they say, as God can ever be
From what, they say, is Hell.

                    . . . . .


But, when we stand
Fronting the other,
Mile after mile slipping in between,
O, close are we,
As close as is the shadow to the body,
As breath, to life, . . . . . . . .
As kisses are to love.

                    . . . . .

From Caroling Dusk (Harper & Brothers, 1927), edited by Countee Cullen. This poem is in the public domain.

                   1

I should like to creep
Through the long brown grasses
        That are your lashes;
I should like to poise
        On the very brink
Of the leaf-brown pools
        That are your shadowed eyes;
I should like to cleave
        Without sound,
Their glimmering waters,
        Their unrippled waters,
I should like to sink down
        And down
            And down . . . .
                And deeply drown.

                   2

Would I be more than a bubble breaking?
        Or an ever-widening circle
        Ceasing at the marge?
Would my white bones
        Be the only white bones
Wavering back and forth, back and forth
        In their depths?

From Caroling Dusk (Harper & Brothers, 1927), edited by Countee Cullen. This poem is in the public domain.

Even in California
all of my friends require touch    

to get through winter.                
It’s true, I am waiting to be in love          

in front of the people I love.       
He says, I’m glad you’re here                       

& I want to cover his mouth
to warm my hands.        

Of course I understand              
how one would mistake

that earthquake for a passing train
but what do we do with the stillness                    

when after great change             
nothing moves, but his hand      

sliding a glass of wine
across the table

instructing me to drink              
with a single nod.

I bring the glass to my face                     
but don’t let a drop pass my lips.

Beside him, I am almost somewhere        
I’d like to be for a while.

To make him smile        
I tell him I am bad at sex.

To make him kiss me
I tell him when I’m happy

I go looking for things
I haven’t lost yet.

Copyright © 2022 by Hieu Minh Nguyen. Originally published in Poem-a-Day on August 3, 2022, by the Academy of American Poets.

Every night I sleep on alternate

sides of the bed, as if to duplicate
sleeping with you. If

I'm fast enough, I'm the warmth
of my own body beside me, reach

out and touch myself. Breach
the blue of my bones, breathe in my own ear.

You left me. Lying here,
I left you to be with me.

Someone asks if your body
was worth trading for mine.

My sin was always pride.
Did you want a man that sleeps

with himself to keep
the bed warm? I need you like the earth

needed the flood after dearth

Copyright © 2014 by Gary Jackson. Used with permission of the author. This poem appeared in Poem-A-Day on March 27, 2014. Browse the Poem-A-Day archive.

after Lorde

Your body is not my pommel horse
nor my Olympic pool or diving board.
Your body is not my personal Internet
channel nor my timeline,
nor my warm Apollo spotlight.
Your body is not my award
gala. Your body is not my game—
preseason or playoffs.
Your body is not my political party
convention. Your body is not
my frontline or my war’s theatre.
Your body is not my time
trial. Your body is not my entrance
exam or naturalization interview.
I am a citizen of this skin—that
alone—and yours is not to be
passed nor won. What is done—
when we let our bodies sharpen
the graphite of each other’s bodies
—is not my test, not my solo
show. One day I’ll learn. I’ll prove
I know how to lie with you without
anticipating the scorecards of your eyes,
how I might merely abide—we two
unseated, equidistant from the wings
in a beating black box, all stage.
 

Copyright © 2015 by Kyle Dargan. Originally published in Poem-a-Day on August 3, 2015, by the Academy of American Poets.

Coming at an end, the lovers
Are exhausted like two swimmers. Where
Did it end? There is no telling. No love is
Like an ocean with the dizzy procession of the waves’ boundaries
From which two can emerge exhausted, nor long goodbye
Like death.
Coming at an end. Rather, I would say, like a length
Of coiled rope
Which does not disguise in the final twists of its lengths
Its endings.
But, you will say, we loved
And some parts of us loved
And the rest of us will remain
Two persons. Yes,
Poetry ends like a rope.

From A Book of Music by Jack Spicer. Appears in My Vocabulary Did This to Me: The Collected Poetry of Jack Spicer (Wesleyan University Press, 2008). Used by permission.

When Hades decided he loved this girl
he built for her a duplicate of earth,
everything the same, down to the meadow,
but with a bed added.

Everything the same, including sunlight,
because it would be hard on a young girl
to go so quickly from bright light to utter darkness

Gradually, he thought, he'd introduce the night,
first as the shadows of fluttering leaves.
Then moon, then stars. Then no moon, no stars.
Let Persephone get used to it slowly.
In the end, he thought, she'd find it comforting.

A replica of earth
except there was love here.
Doesn't everyone want love?

He waited many years,
building a world, watching
Persephone in the meadow.
Persephone, a smeller, a taster.
If you have one appetite, he thought,
you have them all.

Doesn't everyone want to feel in the night
the beloved body, compass, polestar,
to hear the quiet breathing that says
I am alive, that means also
you are alive, because you hear me,
you are here with me. And when one turns,
the other turns—

That's what he felt, the lord of darkness,
looking at the world he had
constructed for Persephone. It never crossed his mind
that there'd be no more smelling here,
certainly no more eating.

Guilt? Terror? The fear of love?
These things he couldn't imagine;
no lover ever imagines them.

He dreams, he wonders what to call this place.
First he thinks: The New Hell. Then: The Garden.
In the end, he decides to name it
Persephone's Girlhood.

A soft light rising above the level meadow,
behind the bed. He takes her in his arms.
He wants to say I love you, nothing can hurt you

but he thinks
this is a lie, so he says in the end
you're dead, nothing can hurt you
which seems to him
a more promising beginning, more true.

"A Myth of Devotion" from Averno by Louise Glück. Copyright © 2006 by Louise Glück. Reprinted by permission of Farrar, Straus and Giroux, LLC.

The wave breaks
And I'm carried into it.
This is hell, I know,
Yet my father laughs,
Chest-deep, proving I'm wrong.
We're safely rooted,
Rocked on his toes.

Nothing irked him more
Than asking, "What is there
Beyond death?"
His theory once was
That love greets you,
And the loveless
Don't know what to say.

From The Rote Walker, published by Carnegie-Mellon University Press, 1981. Copyright © 1981 by Mark Jarman. All rights reserved. Used with permission.

There is something about Death
Like love itself!
If with someone with whom you have known passion,
And the glow of youthful love,
You also, after years of life
Together, feel the sinking of the fire,
And thus fade away together,
Gradually, faintly, delicately,
As it were in each other’s arms,
Passing from the familiar room –
That is a power of unison between souls
Like love itself!

This poem is in the public domain.

Sun makes the day new.
Tiny green plants emerge from earth.
Birds are singing the sky into place.
There is nowhere else I want to be but here.
I lean into the rhythm of your heart to see where it will take us.
We gallop into a warm, southern wind.
I link my legs to yours and we ride together,
Toward the ancient encampment of our relatives.
Where have you been? they ask.
And what has taken you so long?
That night after eating, singing, and dancing
We lay together under the stars.
We know ourselves to be part of mystery.
It is unspeakable.
It is everlasting.
It is for keeps.

                              MARCH 4, 2013, CHAMPAIGN, ILLINOIS

Reprinted from Conflict Resolution for Holy Beings by Joy Harjo. Copyright © 2015 by Joy Harjo.  Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.

Because you live, though out of sight and reach,
I will, so help me God, live bravely too,
Taking the road with laughter and gay speech,
Alert, intent to give life all its due.
I will delight my soul with many things,
The humours of the street and books and plays,
Great rocks and waves winnowed by seagulls’ wings,
Star-jewelled Winter nights, gold harvest days.

I will for your sake praise what I have missed,
The sweet content of long-united lives,
The sunrise joy of lovers who have kissed,
Children with flower-faces, happy wives.
And last I will praise Death who gives anew
Brave life adventurous and love—and you. 

This poem is in the public domain.

Many have loved you with lips and fingers
And lain with you till the moon went out;
Many have brought you lover’s gifts;
And some have left their dreams on your doorstep.

But I who am youth among your lovers
Come like an acolyte to worship,
My thirsting blood restrained by reverence,
My heart a wordless prayer.

The candles of desire are lighted,
I bow my head, afraid before you,
A mendicant who craves your bounty
Ashamed of what small gifts he brings.

From On a Grey Thread (Will Ransom, 1923) by Elsa Gidlow. This poem is in the public domain. 

I shall never have any fear of love, 
Not of its depth nor its uttermost height,
Its exquisite pain and its terrible delight.
I shall never have any fear of love.

I shall never hesitate to go down
Into the fastness of its abyss
Nor shrink from the cruelty of its awful kiss.
I shall never have any fear of love.

Never shall I dread love’s strength
Nor any pain it might give.
Through all the years I may live
I shall never have any fear of love.

I shall never draw back from love
Through fear of its vast pain
But build joy of it and count it again.
I shall never have any fear of love.

I shall never tremble nor flinch
From love’s moulding touch:
I have loved too terribly and too much
Ever to have any fear of love.

This poem is in the public domain. Published in Poem-a-Day on June 20, 2021, by the Academy of American Poets.

I want to be disability for you.
Make new signs for you.
They are saying things about us

online in their underwear.
The listserv is blowing up.
Ableist verse, ableist verse

and I’m talking to you.
I’m a green circle for you
and there you go again

into my cover letters.
Pinned your last dispatch
to my Outlook so every day

starts with you. Got your text.
Got your chat. Got your tweet.
Got you all over me.

I want to be disability for you
and capital crawl for you
and accommodate you. 

Originally published in Boston Review, April 2017. Copyright © 2017 by Jillian Weise. Used with the permission of the author.

We were stepping out of a reading
in October, the first cold night,
and we were following this couple,
were they at the reading? and because
we were lost, I called out to them,
“Are you going to the after party?”
The woman laughed and said no
and the man kept walking, and she
was holding his hand like I hold yours,
though not exactly, she did not
need him for balance. Then what
got into me? I said, “How long
have you been married?” and she said
“Almost 30 years” and because
we were walking in public, no secret,
tell everyone now it’s official,
I said, “How’s marriage?” The man
kept walking. The woman said,
“It gets better but then it gets different.”
The man kept walking.

Copyright © 2015 by Jillian Weise. Used with permission of the author.

Outside, an abandoned mattress sags with rain
and the driveway turns all sludge when I remember
I could’ve died eight years ago, in a bed
smaller than the one I share with a new lover
who just this morning found another grey hair in my afro,
and before resettling the wiry curl with the others,
kissed the freckle on my forehead.
I admit, I don’t know a love that doesn’t
destroy. Last night while we slept,
a mouse drowned in the rice pot
I left soaking in the sink. I tried
to make a metaphor out of this, the way
he took the mouse to the edge of the lake in the yard,
released it to a deeper grave. It was
an anniversary, just my lover
taking a dead thing away, taking it
somewhere I couldn’t see.

Copyright © 2020 by Diannely Antigua. Originally published in Poem-a-Day on September 28, 2020, by the Academy of American Poets.