^{for Dominique}

I know this

from looking

                          into store fronts

                          taste buds voguing

alight from the way

treasure glows

                          when I imagine
 

                          pressing its opulence

into your hand

I want to buy you

                          a cobalt velvet couch

                          all your haters’ teeth

strung up like pearls

a cannabis vineyard

                          and plane tickets

                          to every island

on earth

but my pockets

                          are filled with

                          lint and love alone

touch these inanimate gods

to my eyelids

                          when you kiss me

                          linen leather

gator skin silk

satin lace onyx

                          marble gold ferns

                          leopard crystal

sandalwood mink

pearl stiletto

                          matte nails and plush

                          lips glossed

in my 90s baby saliva

pour the glitter

                          over my bare skin

                          I want a lavish life

us in the crook

of a hammock

                          incensed by romance

                          the bowerbird will

forgo rest and meals

so he may prim

                          and anticipate amenity

                          for his singing lover

call me a gaunt bird

a keeper of altars

                          shrines to the tactile

                          how they shine for you

fold your wings

around my shoulders

                          promise me that

                          should I drown

in want-made waste

the dress I sink in

                          will be exquisite

^{Yet I was, in peculiar truth, a very lucky boy.
            —James Baldwin}

In any case, the story begins
with darkness. A classroom. 

A broom closet. A bowl of bruised 
light held over a city. Or, the story 

begins with a child playing
the role of an ashy plum—

how it rises to meet the man's teeth
or doesn't. How the skin is broken 

or breaks because the body just wants
what it wants: to be a hallway 

where men hang their photos
on the wall. Does that make sense?

To want to own the image of the man
but not the man? To bask in that memory

of what first nailed you to the dark? 

One of the four Royal Stars is watching over me.  Yeah, I’m blessed in these times of nervous weather.  The leaves chill in a bundle then scatter like police, off to the next doorstep.  They don’t step, they don’t faze me.  These jeans could hold three men.  But it’s just one of me, girl.  Only Son.  Only Sound.  Only Seer.  All this green to gold to red to orange is just theater.   I’m the Real.  Keep your eyes on the Navigator of Snow and Infinite Gray.  I rock these boots all year.  What a storm got to do with me? Who knows the number of strolls to heaven?  Not that I’m thinking on it.  The Heavens know my real name.  But you can call me Q.   Quicker than Q.  But, anyway.   Certain things a man keeps to himself.  Jesus wept.  So I don’t. The past is for people who like to play things over and over.  Me, I’m on to the next song. Listen to my own Head Symphony, to the Royal Stars.  The colors, they thrill me, they fuel these legs.

California is a desert and I am a woman inside it.
The road ahead bends sideways and I lurch within myself.
I’m full of ugly feelings, awful thoughts, bad dreams
of doom, and so much love left unspoken.

Is mercury in retrograde? someone asks.
Someone answers, No, it’s something else
like that though. Something else like that.
That should be my name.

When you ask me am I really a woman, a human being,
a coherent identity, I’ll say No, I’m something else
like that though.

A true citizen of planet earth closes their eyes
and says what they are before the mirror.
A good person gives and asks for nothing in return.
I give and I ask for only one thing—

Hear me. Hear me. Hear me. Hear me. Hear me.
Hear me. Bear the weight of my voice and don’t forget—
things haunt. Things exist long after they are killed.

It’s true that I’m im-
patient under affliction. So?
Most of what the dead can

do is difficult to carry. As for
gender I can’t explain it
any more than a poem: there

was an instinct, I followed
it. A song. A bell. I saw
deer tracks in the snow. Little

split hearts beckoned me
across the lawn. My body
bucked me, fond of me.

Here is how you bear this flourish.
Bud, I’m buckling to blossoms now.

You arrive on a Friday, with hail & vast
moving grey above small window
of white light, as a wound
which might be a passing through
of particulate ultra violet waiting
to arrive in sight, our adjectival
see. will it be violent, our photographic
ring around the light?

we inviolate what we can’t see,
revelate its arrival with our question:
boy or girl?

please, let the unseen speak in me.
there are stellar nurseries we cannot grimace.
i am a certificate of a bright somewhere.
you are a poem passing through
the membranes i have moved, mountainous you,
head up-of the interrogative blue

            After Ocean Vuong’s “Prayer for the Newly Damned”

Dearest Mother, what becomes of the girl
no longer a girl?

The stretch marks from my once breasts
have migrated 

to their new tectonic 
flats. But you can always find 

hints of what used to be. 
Trust me, it is more beautiful 

this way, to look closely 
at my body and name it things like: 

	   Pangea & history & so, so warm. 

Look at me now 
and you’ll see how blood 

faithfully takes 
the shape of its body, 

never asking 
too many questions. 

Dearest Mother, how many rivers
did I run across your belly? 

Do you love
that they will never dry up? 

Dearest Mother, I’ll make all 
this water worth it.