For Chile

In the republic of poetry,
a train full of poets
rolls south in the rain
as plum trees rock
and horses kick the air,
and village bands
parade down the aisle
with trumpets, with bowler hats,
followed by the president
of the republic,
shaking every hand.

In the republic of poetry,
monks print verses about the night
on boxes of monastery chocolate,
kitchens in restaurants
use odes for recipes
from eel to artichoke,
and poets eat for free.

In the republic of poetry,
poets read to the baboons
at the zoo, and all the primates,
poets and baboons alike, scream for joy.

In the republic of poetry,
poets rent a helicopter
to bombard the national palace
with poems on bookmarks,
and everyone in the courtyard
rushes to grab a poem
fluttering from the sky,
blinded by weeping.

In the republic of poetry,
the guard at the airport
will not allow you to leave the country
until you declaim a poem for her
and she says Ah! Beautiful.

Copyright © 2006 by Martín Espada. From The Republic of Poetry (W. W. Norton, 2006). Reprinted from Split This Rock’s The Quarry: A Social Justice Poetry Database.

On this voyage into the deep communion of solitude
I’ve casually come to know
the old and withered costumes of the sea;

I’ve walked carefully through the colors of copper
when the dusk has already conjured the last prayer of the day;

Through seasonal doorways
I’ve called upon the twilight ghosts
arched in the corners of the narrow cobblestone streets;

I’ve let my lips evade the necessary verses
to find the ending phrase for the afternoon;

I’ve disarmed the elusive equity of the night
to conceive an intimate verse from its fortified mysteries;

I’ve cast aside the grieving songs of my twilight
as the sky envelops the enamored vestments of the night;

I’ve done
        and undone
                so many things
                          in search of you…


Centroamérica en el corazón

Por este viaje a las profundas unidades de la soledad
he conocido sin planearlo
a la vieja vestimenta del mar;

he caminado con cuidado por los colores del cobre
cuando el ocaso ya ha lanzado el último suspiro del día;

he llamado por estacionales puertas
a los fantasmas del poniente
en las esquinas de las calles angostas;

he permitido a mi boca eludir los versos necesarios
para encontrar la frase terminante del atardecer;

he desarmado la equidad profunda de la noche
para concebir un verso íntimo de su faz amurallada;

he desechado los duelos del ocaso
cuando el cielo se cierne sobre el manto enamorado del crepúsculo:

he hecho
        y deshecho
                tantas cosas

Buscándote…

From Central America in My Heart / Centroamérica en el corazón. Copyright © 2007, Bilingual Press / Editorial Bilingüe, Arizona State University.

finally,
a day so perfect that
this morning’s awakening bombs
are overtaken by a woman’s wind chimes
of “tamales, tamales.”

on the way to the airport
iguanas hang upside down,
even they smile.

along farms and fields
rotten bullet seeds
are overtaken by flowering weeds.

on the side of the highway
a tall Maquilishuat tree gives
birth to premature pink petals
&
inside a plane headed north,
yani & i fly so high
that we can’t tell
cornfields from fences;
it’s such a perfect
final day.

From Toys Made of Rock (Bilingual Press/Editorial Bilingüe, 2015). Copyright © 2015 by José B. González. Used with the permission of Bilingual Press/Editorial Bilingüe.

Where did the shooting stars go?
They flit across my childhood sky
And by my teens I no longer looked upward—
My face instead peered through the windshield
Of my first car, or into the rearview mirror,
All the small tragedies behind me,
The road and the road’s curve up ahead.

The shooting stars?
At night, I now look upward—
Jets and single-prop planes.
No brief light, nothing to wish for,
The neighbor’s security light coming on.

Big white moon on the hill,
Lantern on gravestones,
You don’t count.

Copyright © 2016 by Gary Soto. Used with permission of the author.

it was clear they were hungry
with their carts empty the clothes inside their empty hands

they were hungry because their hands
were empty their hands in trashcans

the trashcans on the street
the asphalt street on the red dirt the dirt taxpayers pay for

up to that invisible line visible thick white paint
visible booths visible with the fence starting from the booths

booth road booth road booth road office building then the fence
fence fence fence

it started from a corner with an iron pole
always an iron pole at the beginning

those men those women could walk between booths
say hi to white or brown officers no problem

the problem I think were carts belts jackets
we didn’t have any

or maybe not the problem
our skin sunburned all of us spoke Spanish

we didn’t know how they had ended up that way
on that side

we didn’t know how we had ended up here
we didn’t know but we understood why they walk

the opposite direction to buy food on this side
this side we all know is hunger

From Unaccompanied (Copper Canyon Press, 2017). Copyright © 2017 by Javier Zamora. Published in Poem-a-Day on March 20, 2018, by the Academy of American Poets.

translated by Thomas Walsh and Salomón de la Selva.

In all my days of troubled loneliness
And fretted grief Cervantes is to me
A faithful friend, and none so true as he,
That brings me precious gifts of quietness.

All nature his, and life. Of his largesse
My dreams, that are knight-errants bold and free,
Have golden casques to crown them gloriously.
He is, for me: sigh, prayer, joyousness.

He speaks as runs a brook, so amorous
And very gentle is this Christian knight,
Ever undaunted. And I love him thus,

Beholding how the world, by fate’s design,
Reaps, from his deathless sorrow, rich delight,
And laughter from a madness so divine!

 


Soneto a Cervantes

Horas de pesadumbre y de tristeza
paso en mi soledad. Pero Cervantes
es buen amigo. Endulza mis instantes
ásperos, y reposa mi cabeza.

El es la vida y la naturaleza;
regala un yelmo de oro y de diamantes
a mis sueños errantes.
Es para mí: suspire, ríe y reza.

Cristiano y amoroso caballero
parla como un arroyo cristalino.
¡Así le admiro y quiero,

viendo cómo el destino
hace que regocije al mundo entero
la tristeza inmortal de ser divino!

This poem is in the public domain.

On this voyage into the deep communion of solitude
I’ve casually come to know
the old and withered costumes of the sea;

I’ve walked carefully through the colors of copper
when the dusk has already conjured the last prayer of the day;

Through seasonal doorways
I’ve called upon the twilight ghosts
arched in the corners of the narrow cobblestone streets;

I’ve let my lips evade the necessary verses
to find the ending phrase for the afternoon;

I’ve disarmed the elusive equity of the night
to conceive an intimate verse from its fortified mysteries;

I’ve cast aside the grieving songs of my twilight
as the sky envelops the enamored vestments of the night;

I’ve done
        and undone
                so many things
                          in search of you…


Centroamérica en el corazón

Por este viaje a las profundas unidades de la soledad
he conocido sin planearlo
a la vieja vestimenta del mar;

he caminado con cuidado por los colores del cobre
cuando el ocaso ya ha lanzado el último suspiro del día;

he llamado por estacionales puertas
a los fantasmas del poniente
en las esquinas de las calles angostas;

he permitido a mi boca eludir los versos necesarios
para encontrar la frase terminante del atardecer;

he desarmado la equidad profunda de la noche
para concebir un verso íntimo de su faz amurallada;

he desechado los duelos del ocaso
cuando el cielo se cierne sobre el manto enamorado del crepúsculo:

he hecho
        y deshecho
                tantas cosas

Buscándote…

From Central America in My Heart / Centroamérica en el corazón. Copyright © 2007, Bilingual Press / Editorial Bilingüe, Arizona State University.

The planet pulls our bodies through
the year. Delivers us, headlong,

into the tears in currents. The ebbs
and flows of blood in chambers,

bombastic and flooded with unremembered
names. Neighbors bourne feet first

through their door arches.
Down the corridors, lonesome

and lost. Their voices suture
the silence behind them and

the little song pulsing its staccato 
cannot explain the day and the day

and the day, like an arm and then 
another pulled through a sleeve.

Copyright © 2018 by Oliver de la Paz. Originally published in Poem-a-Day on July 3, 2018, by the Academy of American Poets.