more than the obvious metaphor
of depth for roots to fully extend
of leaves elevated to eat blue light
of fingers smooshing generative dirt

it’s when I hear myself sing to you
crassula ovata, as I upheave you
croon ballads as I displace you
shawl melody around earthquake 

as if to say to your bright fat leaves
nothing is promised, sweet green girl
I know the terror of unhoming
dance this one with me

Late December grinds on down.
The sky stops, slate on slate,
scatters a cold light of snow
across a field of brittle weeds.

Each boot step cracks a stalk.
The pigments have been dragged
earthwards and clasped. The groundhog
curls among the roots curling.

Towards home I peel blossoms
of frozen mud from my pant legs
and pull off burrs that waited
for wind or the flashing red fox.

In my jacket pocket I find
a beechnut, slightly cracked
open, somehow fallen there,
and, enfolded inside of it,

a spider that unclenches
yellow in my steaming palm –
a spider that is 
the sun.

The days shorten, the south blows wide for showers now,
The south wind shouts to the rivers,
The rivers open their mouths and the salt salmon
Race up into the freshet.
In Christmas month against the smoulder and menace
Of a long angry sundown
Red ash of the dark solstice, you see the anglers,
Pitiful, cruel, primeval,
Like the priests of the people that built Stonehenge,
Dark silent forms, performing
Remote solemnities in the red shallows
Of the river’s mouth at the year’s turn,
Drawing landward their live bullion, the bloody mouths
And scales full of the sunset
Twitch on the rocks, no more to wander at will
The wild Pacific pasture nor wanton and spawning
Race up into fresh water.