No gate, no main entrance, no ticket, no ranger. Not far
From where Frost once raised chickens and ill-fated children, near
Where the Old Man’s glacier-hewn face though bolstered to
Its godlike roost by rods and turnbuckles slid
From our fledgling millennium into oblivion,
You can cross the Pemigewasset on a bridge
Then, compass-north but southbound on the trail,
Ascend an old grassed-over logging road
To the carved out collarbone of Cannon Mountain.

This is Lonesome Lake. How you go from here
Depends on why you’ve come: to out a spruce grouse
Or listen for the whee-ah of a Bicknell’s thrush;
For a breezy picnic or a midlife crisis,
A long haul or a day trip to the cascades.
 
Bring for your purposes only what you need:  
Salmon jerky, a canteen or Camelbak,
Band-aids, a ratchet and strap, a roughed-up heart.
Bring sunblock, a notebook, the Beatles, Beyoncé,
The Bhagavad Gita, a Bible, some Hitchens or Hegel.
       
However long you stay you must leave nothing.
No matchbox, no pole-tip, no grommet, no cup.
Carry in and out your Clif Bar wrappers,
Your fear of bears and storms. Keep the rage
You thought you’d push through your boot-soles into the stones,
The grief you hoped to shed. If you think you’ve changed,
Take all your changes with you.
                                                              If you lift
An arrowhead from the leaves, return it. Pocket
No pinecone, no pebble or faery root. Resist
The painted trillium even if its purple throat
Begs to be pressed between your trail guide’s pages.

Copyright © 2016 by Maggie Dietz. This poem was commissioned by the Academy of American Poets and funded by a National Endowment for the Arts Imagine Your Parks grant.

I hid my love when young till I
Couldn’t bear the buzzing of a fly;
I hid my love to my despite
Till I could not bear to look at light:
I dare not gaze upon her face
But left her memory in each place;
Where’er I saw a wild flower lie
I kissed and bade my love good-bye.

I met her in the greenest dells,
Where dewdrops pearl the wood bluebells;
The lost breeze kissed her bright blue eye,
The bee kissed and went singing by,
A sunbeam found a passage there,
A gold chain round her neck so fair;
As secret as the wild bee’s song
She lay there all the summer long.

I hid my love in field and town
Till e’en the breeze would knock me down;
The bees seemed singing ballads o’er,
The fly’s bass turned a lion’s roar;
And even silence found a tongue,
To haunt me all the summer long;
The riddle nature could not prove
Was nothing else but secret love.

This poem is in the public domain. 

The magazine on my lap talks
about milk. Tells me that in America,
every farmer lost money on
every cow, every day of every month
of the year. Imagine that? To wake
up and know you’re digging yourself
deeper into a hole you can’t see
out of, even as your hands are wet
with what feeds you. That’s how this
thing is, holding on & losing a little each
moment. I’m whispering an invented
history to myself tonight—because
letting go is the art of living fully
in the world your body creates
when you sleep. Say a prayer for
the insomniacs. They hunger &
demand the impossible. Pray for
the farmers, hands deep in loam—
body’s weight believing what
the mind knows is ruin, they too
want the impossible, so accustomed
to the earth responding when they call.

Copyright © 2016 Reginald Dwayne Betts. Used with permission of the author.

Are you bowed down in heart?
Do you but hear the clashing discords and the din of life?
Then come away, come to the peaceful wood,
Here bathe your soul in silence. Listen! Now,
From out the palpitating solitude
Do you not catch, yet faint, elusive strains?
They are above, around, within you, everywhere.
Silently listen! Clear, and still more clear, they come.
They bubble up in rippling notes, and swell in singing tones.
Now let your soul run the whole gamut of the wondrous scale
Until, responsive to the tonic chord,
It touches the diapason of God’s grand cathedral organ,
Filling earth for you with heavenly peace
And holy harmonies.

This poem is in the public domain.

these days I speak of myself in the past tense
writing about yesterday knowing tomorrow
is no more than mist crawling toward violet mountains
I think of days when this weather meant you
were not so far away   the light changing
so fast I believe I can see you turning a corner
the rain comes in smelling of pine and moss
a kind of brazen intrusion on the careful seeds of spring
I pay more attention to details these days
saving the most trivial until I sort them for trash
or recycle   a luxury I’ve come to know only recently
you have never been too far from my thoughts
despite the newborn birds and their erratic songs
the way they tilt their heads as if drowsing for the sun
the way they repeat their singular songs
over and over as if wishing for a different outcome

Copyright © 2015 by Colleen J. McElroy. Originally published in Poem-a-Day on September 29, 2015, by the Academy of American Poets.

Your eyes are just
like bees, and I
feel like a flower.
Their brown power makes
a breeze go over
my skin. When your
lashes ride down and
rise like brown bees’
legs, your pronged gaze
makes my eyes gauze.
I wish we were
in some shade and
no swarm of other
eyes to know that
I’m a flower breathing
bare, laid open to
your bees’ warm stare.
I’d let you wade
in me and seize
with your eager brown
bees’ power a sweet
glistening at my core.

From The Complete Love Poems of May Swenson. Copyright © 1991. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company.

Look, you
want it
you devour it
and then, then
good as it was
you realize
it wasn’t
what you
exactly
wanted
what you
wanted
exactly was
wanting

Copyright © 2016 by Noah Eli Gordon. Originally published in Poem-a-Day on August 3, 2016, by the Academy of American Poets.

Whatever happens with us, your body
will haunt mine—tender, delicate
your lovemaking, like the half-curled frond
of the fiddlehead fern in forests
just washed by sun. Your traveled, generous thighs
between which my whole face has come and come—
the innocence and wisdom of the place my tongue has found there—
the live, insatiate dance of your nipples in my mouth—
your touch on me, firm, protective, searching
me out, your strong tongue and slender fingers
reaching where I had been waiting years for you
in my rose-wet cave—whatever happens, this is.

“Floating Poem, Unnumbered” from “Twenty-One Love Poems,” from The Dream of a Common Language: Poems 1974–1977 by Adrienne Rich. Copyright © 1978 by W. W. Norton & Company, Inc. Used by permission of W. W. Norton & Company, Inc.

So much on the verge
of flame.
In a hot
wind anything
is tinder: paper, sage

feverish with bees,
your auburn
hair, my hand
that glows with a thought.
Sunset

or sleepless dawn,
nothing is sure
but what’s already burned—
water that’s ash, steel
that has flowed and cooled,

though in the core
of a star, they too
would fuse and rage,
and even volcanic
glass and char,

and the cold seas,
and even    
what we once were
might burn again—
or in the heart.

Copyright © 2016 by James Richardson. Originally published in Poem-a-Day on May 10, 2016, by the Academy of American Poets.

If my lover were a comet
          Hung in air,
I would braid my leaping body
          In his hair.

Yea, if they buried him ten leagues
          Beneath the loam,
My fingers they would learn to dig
          And I’d plunge home!

This poem is in the public domain. 

 
At the touch of you,	
As if you were an archer with your swift hand at the bow,	
The arrows of delight shot through my body.	
 
You were spring,	
And I the edge of a cliff,
And a shining waterfall rushed over me. 

 This poem is in the public domain.