Not because of victories
I sing,
having none,
but for the common sunshine,
the breeze,
the largess of the spring.

Not for victory
but for the day's work done
as well as I was able;
not for a seat upon the dais
but at the common table.

From The Complete Poems of Charles Reznikoff. Copyright © 1976 by Charles Reznikoff. Used by permission of Black Sparrow Press, an imprint of David R. Godine, Publisher, Inc.

You whom I could not save,
Listen to me. 

Can we agree Kevlar
backpacks shouldn’t be needed

for children walking to school? 
Those same children

also shouldn’t require a suit
of armor when standing

on their front lawns, or snipers
to watch their backs

as they eat at McDonalds.
They shouldn’t have to stop

to consider the speed
of a bullet or how it might

reshape their bodies. But
one winter, back in Detroit,

I had one student
who opened a door and died. 

It was the front
door to his house, but

it could have been any door,
and the bullet could have written

any name. The shooter
was thirteen years old

and was aiming
at someone else. But

a bullet doesn’t care
about “aim,” it doesn’t

distinguish between
the innocent and the innocent,

and how was the bullet
supposed to know this

child would open the door
at the exact wrong moment

because his friend
was outside and screaming

for help. Did I say
I had “one” student who

opened a door and died? 
That’s wrong.

There were many. 
The classroom of grief

had far more seats
than the classroom for math

though every student
in the classroom for math

could count the names
of the dead. 

A kid opens a door. The bullet
couldn’t possibly know,

nor could the gun, because
“guns don't kill people,” they don’t

have minds to decide
such things, they don’t choose

or have a conscience,
and when a man doesn’t

have a conscience, we call him
a psychopath. This is how

we know what type of assault rifle
a man can be,

and how we discover
the hell that thrums inside

each of them. Today,
there’s another

shooting with dead
kids everywhere. It was a school,

a movie theater, a parking lot.
The world

is full of doors.
And you, whom I cannot save,

you may open a door

and enter a meadow, or a eulogy.
And if the latter, you will be

mourned, then buried
in rhetoric. 

There will be
monuments of legislation,

little flowers made
from red tape. 

What should we do? we’ll ask
again. The earth will close

like a door above you. 
What should we do?

And that click you hear?
That’s just our voices,

the deadbolt of discourse
sliding into place.

Copyright © 2016 by Matthew Olzmann. Originally published in Poem-a-Day on January 5, 2016, by the Academy of American Poets.

Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed—
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There’s never been equality for me,
Nor freedom in this “homeland of the free.”)

Say, who are you that mumbles in the dark?
And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,
I am the Negro bearing slavery’s scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek—
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one’s own greed!

I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the Negro, servant to you all.
I am the people, humble, hungry, mean—
Hungry yet today despite the dream.
Beaten yet today—O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.

Yet I’m the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That’s made America the land it has become.
O, I’m the man who sailed those early seas
In search of what I meant to be my home—
For I’m the one who left dark Ireland’s shore,
And Poland’s plain, and England’s grassy lea,
And torn from Black Africa’s strand I came
To build a “homeland of the free.”

The free?

Who said the free? Not me?
Surely not me? The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we’ve dreamed
And all the songs we’ve sung
And all the hopes we’ve held
And all the flags we’ve hung,
The millions who have nothing for our pay—
Except the dream that’s almost dead today.

O, let America be America again—
The land that never has been yet—
And yet must be—the land where every man is free.
The land that’s mine—the poor man’s, Indian’s, Negro’s, ME—
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.

Sure, call me any ugly name you choose—
The steel of freedom does not stain.
From those who live like leeches on the people’s lives,
We must take back our land again,
America!

O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath—
America will be!

Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain—
All, all the stretch of these great green states—
And make America again!

From The Collected Poems of Langston Hughes, published by Alfred A. Knopf, Inc. Copyright © 1994 the Estate of Langston Hughes. Used with permission.

Truth went through a leaky funnel starting in late 1963

that blade-lit afternoon Gary Orrin laughed at Kennedy’s murder

bleeding through the static of P.S. 41’s cheap PA. There’s Greenwich Village—

a drowsy dandelion—I called it once—and there

are the heartsick monitors of afternoons. 

My mother is late to pick me up, again. She’s almost better,

but will never find a way to manage the cure. Outside American family life,

nothing happens for years until OJ’s glove: interspersed with some other

sloppy American truth. If I didn’t know everything I already know

I could count on the dog while she rifles through her morning bowl

in the next room. Poor Ruby. She knows more than I do.

She is eating the world to save it.
 

Copyright © 2017 by Michael Klein. Originally published in Poem-a-Day on January 30, 2017, by the Academy of American Poets.

The instructor said,

    Go home and write
    a page tonight.
    And let that page come out of you—
    Then, it will be true.

I wonder if it's that simple?
I am twenty-two, colored, born in Winston-Salem.
I went to school there, then Durham, then here
to this college on the hill above Harlem.
I am the only colored student in my class.
The steps from the hill lead down into Harlem,
through a park, then I cross St. Nicholas,
Eighth Avenue, Seventh, and I come to the Y,
the Harlem Branch Y, where I take the elevator
up to my room, sit down, and write this page:

It's not easy to know what is true for you or me
at twenty-two, my age. But I guess I'm what
I feel and see and hear, Harlem, I hear you:
hear you, hear me—we two—you, me, talk on this page.
(I hear New York, too.) Me—who?
Well, I like to eat, sleep, drink, and be in love.
I like to work, read, learn, and understand life.
I like a pipe for a Christmas present,
or records—Bessie, bop, or Bach.
I guess being colored doesn't make me not like
the same things other folks like who are other races.
So will my page be colored that I write?

Being me, it will not be white.
But it will be
a part of you, instructor.
You are white—
yet a part of me, as I am a part of you.
That's American.
Sometimes perhaps you don't want to be a part of me.
Nor do I often want to be a part of you.
But we are, that's true!
As I learn from you,
I guess you learn from me—
although you're older—and white—
and somewhat more free.

This is my page for English B.

From The Collected Poems of Langston Hughes, published by Knopf and Vintage Books. Copyright © 1994 by the Estate of Langston Hughes. All rights reserved. Used by permission of Harold Ober Associates Incorporated.

Believe in yourself.
Be all that you can.
Look for your fate among the stars.
Imagine you are your best when being yourself
the best way you can.

Believe in yourself. Be all you want to be.
Open your mind, a window to the world,
different ways of thinking, seeing,
but be yourself—it’s the best.

Become your dreams, visions to live by.
No matter what anyone says,
believe you can do it.
Day by day, a little at a time.
Be patient.

Believe you can find a way
to assemble the puzzle called life,
forming pictures that make some kind of sense.
Even when pieces fall scattered to the ground,
disappearing into the finite void,
forever lost, never to be found,
choosing your future from those that are left,
like one piece from some other dimension.

Maybe a corner triangle shape of sky,
or zigzag of ocean floor with seaweed and one school of fish,
or maybe a centerpiece on the table in some fancy dining room,
or patch of window lace curtain next to flowered bouquet,
wind blowing through sunlight, which some artist will paint someday.
Or bouncing feet on the moon,
walking in giant moon leaps, talking moon talk,
deep into research in your flying laboratory.

Be all that you can, but believe in yourself.
Climb the stairway of your imagination, one step after another.
Growing like the leaf, blossoming into a great tree,
complete with squirrels, nests, universe all around.

Be all that you can,
just believe in yourself.

From Bluestown Mockingbird Mambo (Arte Publico Press, 1990). Copyright © 1990 by Sandra María Esteves. Used with the permission of the author.

Socrates taught Plato and Plato taught Aristotle and Aristotle taught Alexander the Great, who founded a city that would house the most voluminous library of the ancient world — until it was burned, until forgetting came back into vogue. The great minds come down through the years like monkeys descending from high branches. Always a leopard is waiting to greet them — in the tall grass, among the magnetic berries, in the place they should have checked.

Copyright © 2017 Charles Rafferty. “Diminution” originally appeared in The Smoke of Horses (BOA Editions, 2017). Reprinted with permission by the author.

 

And what, in fact, is dignity? In those
Who have it pure, it is the soul’s repose, 
The base of character—no mere reserve 
That springs from pride, or want of mental nerve.
The dignity that wealth, or station, breeds, 
Or in the breast on base emotion feeds, 
Is easy weighed, and easy to be sized—A bastard virtue, much to be despised.

True dignity is like a summer tree. 
Beneath whose shade both beast, and bird, and bee,
When by the heated skies oppressed, may come,
And feel, in its magnificence, at home; 
Or rather like a mountain which forgets
Itself in its own greatness, and so lets 
Vast armies fuss and fight upon its sides,
While high in clouds its peaceful summit hides,
And from the voiceless crest of glistening snow, 
Pours trickling fatness on the fields below;
Repellant force, that daunts obtrusive wrong,
And woos the timid steps of right along;
And hence a garb which magistrates prepare,
When called to judge, and really seem to wear. 
In framing character on whate’er plan, 
‘Tis always needed to complete the man, 
The job quite done, and Dignity without, 
Is like an apple pie, the fruit left out. 

 

This poem is in the public domain. Published in Poem-a-Day on November 3, 2019, by the Academy of American Poets. 

What would I do
for a smidgeon
of your rebellion María?
As a woman to trust
the halo of your intuition
I know you know
courage plummets
easily from cliffs of doubt
both imposed and self harvested—
How to make manifest
what the mind knows
but the eye cannot yet see?
How to pluck Hope 
from the terraced gardens
where it grows?
I think about the nature of change
the transfiguration from grain to woman
the audacity of salt to embolden water into ocean
the urge to break free

From Killing Marías: A Poem for Multiple Voices (Two Sylvias Press, 2017). Copyright © 2016 by Claudia Castro Luna. Used with the permission of the poet.

And what, in fact, is dignity? In those
Who have it pure, it is the soul’s repose, 
The base of character—no mere reserve 
That springs from pride, or want of mental nerve.
The dignity that wealth, or station, breeds, 
Or in the breast on base emotion feeds, 
Is easy weighed, and easy to be sized—A bastard virtue, much to be despised.

True dignity is like a summer tree. 
Beneath whose shade both beast, and bird, and bee,
When by the heated skies oppressed, may come,
And feel, in its magnificence, at home; 
Or rather like a mountain which forgets
Itself in its own greatness, and so lets 
Vast armies fuss and fight upon its sides,
While high in clouds its peaceful summit hides,
And from the voiceless crest of glistening snow, 
Pours trickling fatness on the fields below;
Repellant force, that daunts obtrusive wrong,
And woos the timid steps of right along;
And hence a garb which magistrates prepare,
When called to judge, and really seem to wear. 
In framing character on whate’er plan, 
‘Tis always needed to complete the man, 
The job quite done, and Dignity without, 
Is like an apple pie, the fruit left out. 

 

This poem is in the public domain. Published in Poem-a-Day on November 3, 2019, by the Academy of American Poets.