To love a country as if you’ve lost one: 1968,
my mother leaves Cuba for America, a scene
I imagine as if standing in her place—one foot
inside a plane destined for a country she knew
only as a name, a color on a map, or glossy photos
from drugstore magazines, her other foot anchored
to the platform of her patria, her hand clutched
around one suitcase, taking only what she needs
most: hand-colored photographs of her family,
her wedding veil, the doorknob of her house,
a jar of dirt from her backyard, goodbye letters
she won’t open for years. The sorrowful drone
of engines, one last, deep breath of familiar air
she’ll take with her, one last glimpse at all
she’d ever known: the palm trees wave goodbye
as she steps onto the plane, the mountains shrink
from her eyes as she lifts off into another life.

To love a country as if you’ve lost one: I hear her
once upon a time—reading picture books
over my shoulder at bedtime, both of us learning
English, sounding out words as strange as the talking
animals and fair-haired princesses in their pages.
I taste her first attempts at macaroni-n-cheese
(but with chorizo and peppers), and her shame
over Thanksgiving turkeys always dry, but countered
by her perfect pork pernil and garlic yuca. I smell
the rain of those mornings huddled as one under
one umbrella waiting for the bus to her ten-hour days
at the cash register. At night, the zzz-zzz of her sewing
her own blouses, quinceañera dresses for her nieces
still in Cuba, guessing at their sizes, and the gowns
she’d sell to neighbors to save for a rusty white sedan—
no hubcaps, no air-conditioning, sweating all the way
through our first vacation to Florida theme parks.

To love a country as if you’ve lost one: as if
it were you on a plane departing from America
forever, clouds closing like curtains on your country,
the last scene in which you’re a madman scribbling
the names of your favorite flowers, trees, and birds
you’d never see again, your address and phone number
you’d never use again, the color of your father’s eyes,
your mother’s hair, terrified you could forget these.
To love a country as if I was my mother last spring
hobbling, insisting I help her climb all the way up
to the U.S. Capitol, as if she were here before you today
instead of me, explaining her tears, cheeks pink
as the cherry blossoms coloring the air that day when
she stopped, turned to me, and said: You know, mijo,
it isn’t where you’re born that matters, it’s where
you choose to die—that’s your country.

Copyright © 2019 by Richard Blanco. From How to Love a Country (Beacon Press, 2019). Reprinted with permission by Beacon Press.

Tonight I lingered over your name,
the delicate assembly of vowels
a voice inside my head.
You were sleeping when I arrived.
I stood by your bed
and watched the sheets rise gently.
I knew what slant of light
would make you turn over.
It was then I felt 
the highways slide out of my hands.
I remembered the old men
in the west side cafe,
dealing dominoes like magical charms.
It was then I knew,
like a woman looking backward,
I could not leave you,
or find anyone I loved more.

From Is This Forever, or What? Poems and Paintings from Texas by Naomi Shihab Nye. Copyright © 2004 by Naomi Shihab Nye. Reprinted by permission of HarperCollins Publishers. No part of this book may be used or repoduced without written permission from HarperCollins Publishers, 1350 Avenue of the Americas, New York, NY 10019. All rights reserved.

Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.

This poem originally appeared in Waxwing, Issue 10, in June 2016. Used with permission of the author.

There is nothing beautiful here
However I may want it. I can’t
Spin a crystal palace of this thin air,
Weave a darkness plush as molefur with my tongue
However I want. Yet I am not alone
In these alleys of vowels, which comfort me
As the single living nun of a convent
Is comforted by the walls of that catacomb
She walks at night, lit by her own moving candle.
I am not afraid of mirrors or the future
—Or even you, lovers, wandering cow-fat
And rutting in the gardens of this earthly verge
Where I too trod, a sunspot, parasol-shaded,
Kin to the trees, the bees, the color green.

Copyright © 2013 by Monica Ferrell. Used with permission of the author. This poem appeared in Poem-A-Day on May 27, 2013.

I want a red dress. 
I want it flimsy and cheap, 
I want it too tight, I want to wear it 
until someone tears it off me. 
I want it sleeveless and backless, 
this dress, so no one has to guess 
what’s underneath. I want to walk down
the street past Thrifty’s and the hardware store 
with all those keys glittering in the window, 
past Mr. and Mrs. Wong selling day-old 
donuts in their café, past the Guerra brothers 
slinging pigs from the truck and onto the dolly, 
hoisting the slick snouts over their shoulders. 
I want to walk like I’m the only 
woman on earth and I can have my pick. 
I want that red dress bad.
I want it to confirm 
your worst fears about me, 
to show you how little I care about you 
or anything except what 
I want. When I find it, I’ll pull that garment 
from its hanger like I’m choosing a body 
to carry me into this world, through 
the birth-cries and the love-cries too, 
and I’ll wear it like bones, like skin, 
it’ll be the goddamned 
dress they bury me in.

From Tell Me by Kim Addonizio. Copyright © 2000 by Kim Addonizio. Reprinted by permission of BOA Editions, Ltd. All rights reserved.

Lying, thinking
Last night
How to find my soul a home
Where water is not thirsty
And bread loaf is not stone
I came up with one thing
And I don’t believe I’m wrong
That nobody,
But nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

There are some millionaires
With money they can’t use
Their wives run round like banshees
Their children sing the blues
They’ve got expensive doctors
To cure their hearts of stone.
But nobody
No, nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

Now if you listen closely
I’ll tell you what I know
Storm clouds are gathering
The wind is gonna blow
The race of man is suffering
And I can hear the moan,
’Cause nobody,
But nobody
Can make it out here alone.

Alone, all alone
Nobody, but nobody
Can make it out here alone.

From Oh Pray My Wings Are Gonna Fit Me Well By Maya Angelou. Copyright © 1975 by Maya Angelou. Reprinted with permission of Random House, Inc. For online information about other Random House, Inc. books and authors, visit the website at www.randomhouse.com.

I dreamed that I was a rose
That grew beside a lonely way,
Close by a path none ever chose,
And there I lingered day by day.
Beneath the sunshine and the show’r
I grew and waited there apart,
Gathering perfume hour by hour,
And storing it within my heart,
        Yet, never knew,
Just why I waited there and grew.

I dreamed that you were a bee
That one day gaily flew along,
You came across the hedge to me,
And sang a soft, love-burdened song.
You brushed my petals with a kiss,
I woke to gladness with a start,
And yielded up to you in bliss
The treasured fragrance of my heart;
        And then I knew
That I had waited there for you.

This poem is in the public domain.