We two, how long we were fool’d,
Now transmuted, we swiftly escape as Nature escapes,
We are Nature, long have we been absent, but now we return,
We become plants, trunks, foliage, roots, bark,
We are bedded in the ground, we are rocks,
We are oaks, we grow in the openings side by side,
We browse, we are two among the wild herds spontaneous as any,
We are two fishes swimming in the sea together,
We are what locust blossoms are, we drop scent around lanes mornings and evenings,
We are also the coarse smut of beasts, vegetables, minerals,
We are two predatory hawks, we soar above and look down,
We are two resplendent suns, we it is who balance ourselves orbic and stellar, we are as two comets,
We prowl fang’d and four-footed in the woods, we spring on prey,
We are two clouds forenoons and afternoons driving overhead,
We are seas mingling, we are two of those cheerful waves rolling over each other and interwetting each other,
We are what the atmosphere is, transparent, receptive, pervious, impervious,
We are snow, rain, cold, darkness, we are each product and influence of the globe,
We have circled and circled till we have arrived home again, we two,
We have voided all but freedom and all but our own joy.
This poem is in the public domain.
To have been told “I love you” by you could well be, for me,
the highlight of my life, the best feeling, the best peak
on my feeling graph, in the way that the Chrysler building
might not be the tallest building in the NY sky but is
the best, the most exquisitely spired, or the way that
Hank Aaron’s career home-run total is not the highest
but the best, the one that signifies the purest greatness.
So improbable! To have met you at all and then
to have been told in your soft young voice so soon
after meeting you: "I love you." And I felt the mystery
of being that you, of being a you and being
loved, and what I was, instantly, was someone
who could be told "I love you" by someone like you.
I was, in that moment, new; you were 19; I was 22;
you were impulsive; I was there in front of you, with a future
that hadn't yet been burned for fuel; I had energy;
you had beauty; and your eyes were a pale blue,
and they backed what you said with all they hadn't seen,
and they were the least ambitious eyes I'd known,
the least calculating, and when you spoke and when
they shone, perhaps you saw the feeling you caused.
Perhaps you saw too that the feeling would stay.
Copyright © 2016 by Matthew Yeager. Originally published in Poem-a-Day on March 31, 2016, by the Academy of American Poets.
After the fierce midsummer all ablaze Has burned itself to ashes, and expires In the intensity of its own fires, There come the mellow, mild, St. Martin days Crowned with the calm of peace, but sad with haze. So after Love has led us, till he tires Of his own throes, and torments, and desires, Comes large-eyed friendship: with a restful gaze, He beckons us to follow, and across Cool verdant vales we wander free from care. Is it a touch of frost lies in the air? Why are we haunted with a sense of loss? We do not wish the pain back, or the heat; And yet, and yet, these days are incomplete.
This poem is in the public domain.
A golden age of love songs and we still
can't get it right. Does your kiss really taste
like butter cream? To me, the moon's bright face
was neither like a pizza pie nor full;
the Beguine began, but my eyelid twitched.
"No more I love you's," someone else assured
us, pouring out her heart, in love (of course)—
what bothers me the most is that high-pitched,
undone whine of "Why am I so alone?"
Such rueful misery is closer to
the truth, but once you turn the lamp down low,
you must admit that he is still the one,
and baby, baby he makes you so dumb
you sing in the shower at the top of your lungs.
Copyright © 2012 by Rafael Campo. Used with permission of the author.
THE POOL PLAYERS.
SEVEN AT THE GOLDEN SHOVEL.
We real cool. We
Left school. We
Lurk late. We
Strike straight. We
Sing sin. We
Thin gin. We
Jazz June. We
From The Bean Eaters by Gwendolyn Brooks, published by Harpers. © 1960 by Gwendolyn Brooks. Used with permission. All rights reserved.