for the Geechee Gullah Ring Shouters

One of the women greeted me.

I love you, she said. She didn’t

Know me, but I believed her,

And a terrible new ache

Rolled over in my chest,

Like in a room where the drapes

Have been swept back. I love you,

I love you, as she continued

Down the hall past other strangers,

Each feeling pierced suddenly

By pillars of heavy light.

I love you, throughout

The performance, in every

Handclap, every stomp.

I love you in the rusted iron

Chains someone was made

To drag until love let them be

Unclasped and left empty

In the center of the ring.

I love you in the water

Where they pretended to wade,

Singing that old blood-deep song

That dragged us to those banks

And cast us in. I love you,

The angles of it scraping at

Each throat, shouldering past

The swirling dust motes

In those beams of light

That whatever we now knew

We could let ourselves feel, knew

To climb. O Woods—O Dogs—

O Tree—O Gun—O Girl, run

O Miraculous Many Gone—

O Lord—O Lord—O Lord—

Is this love the trouble you promised?

 

From Wade in the Water (Graywolf Press, 2018). Copyright © 2018 by Tracy K. Smith. Used with the permission of Graywolf Press.

He will surely take it out when you’re alone



And let it dangle between you like a locket on a chain.



Like any world, it will flicker with lights that mean dwellings,



Traffic, a constellation of need. Tiny clouds will drag shadows



Across the plane. He’ll grin watching you squint, deciphering



Rivers, borders, bridges arcing up from rock. He’ll recite



Its history. How one empire swallowed another. How one



Civilization lasted 3,000 years with no word for eternity.



He’ll guide your hand through the layers of atmosphere,



Teach you to tamper with the weather. Swinging it



Gently back and forth, he’ll swear he’s never shown it



To anyone else before.

From Wade in the Water (Graywolf Press, 2018). Copyright © 2018 by Tracy K. Smith. Used with the permission of Graywolf Press.

We were searching for 
ourselves, after logic 
for no good reason, 
jumping fires to take 
the heat for walking, 
wishing the blue night 
not to fall into the blue 
sky and darken what 
remained. We were 
holding on to music, 
playing the solemn 
string the healing horn, 
rolling back the meadow 
to give innocence one 
more tumble, waiting 
for the breeze to send
the screen door slamming 
open. We were rushing 
with the sea of people 
tiding over curb and 
sidewalk, twilight running 
out of light, a city pacing 
its expansion into the sky, 
block by block, new 
views burying the old,
thinking not thinking 
about the dead. We were 
who we never thought 
we’d be, at the corner 
of expectation and desire, 
the world kind and un-
kind, the rabbits scared 
the palace in ruins,
language failing the earth
in transition, the infinite 
sky divided the clouds 
dispersing premonitions. 
Come evening come 
shade, float us to your 
constellation, let the void 
draw us still; the radiologist 
turn off her light and go.
 

Copyright © 2017 by Howard Altmann. Originally published in Poem-a-Day on October 23, 2017, by the Academy of American Poets.

To the night I offered a flower
and the dark sky accepted it
like earth, bedding
for light.

To the desert I offered an apple
and the dunes received it
like a mouth, speaking 
for wind.

To the installation I offered a tree
and the museum planted it
like a man, viewing 
his place.

To the ocean I offered a seed 
and its body dissolved it
like time, composing
a life.

Copyright © 2012 by Howard Altman. Used with permission of the author.

History sits on a chair
in a room without windows.
Mornings it searches for a door,
afternoons it naps.
At the stroke of midnight,
it stretches its body and sighs.
It keeps time and loses time,
knows its place and doesn’t know its place.
Sometimes it considers the chair a step,
sometimes it believes the chair is not there.
To corners it never looks the same.
Under a full moon it holds its own.
History sits on a chair
in a room above our houses.

Copyright @ 2014 by Howard Altmann. Used with permission of the author.

That we can breathe and not forget
our dreams entirely. In the cold sun

the warmth of timelessness. There is
panic, rest assured, so much beauty

stirring, I want to touch all that
contains me. We know the questions

and the light shifts without a word.
In the clouds, a philosopher’s chair

rocks. In the riverbed, the buff
and lathe of stones, change glistening

past. And from the afternoon, drops
of her monthly blood drip down

the stairs, the kitchen table, all of her
unopened bills, a cold floor that timed

us. O, the ins and outs of memory
breathe, too, images at rest in the dark

chambers, the gilded daylight whir
a heart’s dusting—one walkup,

one post storm quiet blinking at
infinity. Who shot the moon

and claimed victory in the morning?
The constellations touch down;

the years collapse; the boom
and bust of love lowers the crane

at dawn: in what earth, in what sky
will the soul find its keeper?
 

Copyright © 2015 by Howard Altmann. Originally published in Poem-a-Day on November 27, 2015, by the Academy of American Poets.

We were made to understand it would be

Terrible. Every small want, every niggling urge,

Every hate swollen to a kind of epic wind.

Livid, the land, and ravaged, like a rageful

Dream. The worst in us having taken over

And broken the rest utterly down.

                                                               A long age

Passed. When at last we knew how little

Would survive us—how little we had mended

Or built that was not now lost—something

Large and old awoke. And then our singing

Brought on a different manner of weather.

Then animals long believed gone crept down

From trees. We took new stock of one another.

We wept to be reminded of such color.

From Wade in the Water. Copyright © 2018 by Tracy K. Smith. Reprinted with the permission of Graywolf Press, Minneapolis, Minnesota, www.graywolfpress.org.

Like a wide wake, rippling

Infinitely into the distance, everything

That ever was still is, somewhere,

Floating near the surface, nursing

Its hunger for you and me

And the now we’ve named

And made a place of.

Like groundswell sometimes

It surges up, claiming a little piece

Of where we stand.

Like the wind the rains ride in on,

It sweeps across the leaves,

Pushing in past the windows

We didn’t slam quickly enough.

Dark water it will take days to drain.

It surprised us last night in my sleep.

Brought food, a gift. Stood squarely

There between us, while your eyes

Danced toward mine, and my hands

Sat working a thread in my lap.

Up close, it was so thin. And when finally

You reached for me, it backed away,

Bereft, but not vanquished, Today,

Whatever it was seems slight, a trail

Of cloud rising up like smoke.

And the trees that watch as I write

Sway in the breeze, as if all that stirs

Under the soil is a little tickle of knowledge

The great blind roots will tease through

And push eventually past.

From Life on Mars. Copyright © 2011 by Tracy K. Smith. Reprinted with the permission of Graywolf Press, Minneapolis, Minnesota, www.graywolfpress.org.

Before this day I loved
like an animal loves a human,
 
with no way to articulate
how my bones felt in bed
 
or how a telephone felt so strange
in my paw. O papa—
 
I called out to no one—
but no one understood. I didn’t
 
even. I wanted to be caught. Like
let me walk beside you on my favorite leash,
 
let my hair grow long and wild
so you can comb it in the off-hours,
 
be tender to me. Also let me eat
the meals you do not finish 	
 
so I can acclimate, climb into
the way you claim this world.
 
Once, I followed married men:
eager for shelter, my fur
 
curled, my lust
freshly showered.
 
I called out, Grief.
They heard, Beauty.                      	
 
I called out, Why?
They said, Because I can and will.
 
One smile could sustain me for a week.
I was that hungry. Lithe and giddy,        	
 
my skin carried the ether of a so-so
self-esteem. I felt fine. I was
 
fine, but I was also looking
for scraps; I wanted them all to pet me.
 
You think because I am a woman,
I cannot call myself a dog?
 
Look at my sweet canine mind,
my long, black tongue. I know
 
what I’m doing. When you’re with
the wrong person, you start barking.
 
But with you, I am looking out
this car window with a heightened sense
 
I’ve always owned. Oh every animal
knows when something is wrong.
 
Of this sweet, tender feeling, I was wrong,
and I was right, and I was wrong.

Copyright © 2018 by Analicia Sotelo. Originally published in Poem-a-Day on September 5, 2018, by the Academy of American Poets.

We must set this story straight.
We must say there is another angle

to this foreign particle

lodged in my ribs like a small ivory
tiger or a Chinese lamp, the oil

coating my bones. Theseus,
you know you didn't break me.

I was the one who came to you
with a magnifying glass,

needing my Oxford credits

for the University of Someone Wants Me:
my gold-sealed social stigma.

I made my own marks. & everyone
should know it—I have an A+

in the humors of you. I was
an Edison bulb in a child’s bedchamber,

a Spanish fan flirting with fire,

smoking as pity turned to shock
at mediocre parties where conversations

are weak with the ordinary.
My outfit betrayed me—you wept 

right through my clinical gloves
like a little boy

with a bad heart & a mean streak.

I monitored your ailments, but my logic 
was circular: What is man? What is

man? What is this man doing here
with me? No bright conclusion.

I was bad at doctoring the truth.
I was in it for myself. & the skull

I carried in my hand in case
anyone took record? Still on my fingers.

From Virgin (Milkweed Editions, 2018) by Analicia Sotelo. Reprinted with permission of the author and Milkweed Editions. Copyright © 2017 Analicia Sotelo. This poem originally appeared in Kenyon Review, November/December 2017.