The words of the true poems give you more than poems,
They give you to form for yourself, poems, religions, politics, war, peace, behavior, histories, essays, romances, and everything else,
They balance ranks, colors, races, creeds, and the sexes,
They do not seek beauty—they are sought,
Forever touching them, or close upon them, follows beauty, longing, fain, love-sick.

They prepare for death—yet are they not the finish, but rather the outset,
They bring none to his or her terminus, or to be content and full;
Whom they take, they take into space, to behold the birth of stars, to learn one of the meanings,
To launch off with absolute faith—to sweep through the ceaseless rings, and never be quiet again.

As I walk these broad majestic days of peace,
(For the war, the struggle of blood finish'd, wherein, O terrific Ideal,
Against vast odds erewhile having gloriously won,
Now thou stridest on, yet perhaps in time toward denser wars,
Perhaps to engage in time in still more dreadful contests, dangers,
Longer campaigns and crises, labors beyond all others,)
Around me I hear that eclat of the world, politics, produce,
The announcements of recognized things, science,
The approved growth of cities and the spread of inventions.

I see the ships, (they will last a few years,)
The vast factories with their foremen and workmen,
And hear the indorsement of all, and do not object to it.

But I too announce solid things,
Science, ships, politics, cities, factories, are not nothing,
Like a grand procession to music of distant bugles pouring, triumphantly moving, and grander heaving in sight,
They stand for realities—all is as it should be.

Then my realities;
What else is so real as mine?
Libertad and the divine average, freedom to every slave on the face of the earth,
The rapt promises and luminé of seers, the spiritual world, these centuries-lasting songs,
And our visions, the visions of poets, the most solid announcements of any.

The daffodils can go fuck themselves.
I’m tired of their crowds, yellow rantings
about the spastic sun that shines and shines
and shines. How are they any different

from me?  I, too, have a big messy head
on a fragile stalk.  I spin with the wind.
I flower and don’t apologize. There’s nothing
funny about good weather. Oh, spring again,

the critics nod. They know the old joy,
that wakeful quotidian, the dark plot
of future growing things, each one
labeled Narcissus nobilis or Jennifer Chang.

If I died falling from a helicopter, then
this would be an important poem. Then
the ex-boyfriends would swim to shore
declaiming their knowledge of my bulbous

youth. O, Flower, one said, why aren’t you
meat? But I won’t be another bashful shank.
The tulips have their nervous joie-de-vivre,
the lilacs their taunt. Fractious petals, stop

interrupting me with your boring beauty.
All the boys are in the field gnawing raw
bones of ambition and calling it ardor. Who
the hell are they? This is a poem about war.

I wandered lonely as a Cloud
   That floats on high o’er Vales and Hills,
When all at once I saw a crowd,
   A host of golden Daffodils;
Beside the Lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
   And twinkle on the Milky Way,
They stretched in never-ending line
   Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced, but they
   Out-did the sparkling waves in glee:—
A Poet could not but be gay
   In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:

For oft when on my couch I lie
   In vacant or in pensive mood,
They flash upon that inward eye
   Which is the bliss of solitude,
And then my heart with pleasure fills,
And dances with the Daffodils.

Take this kiss upon the brow!
And, in parting from you now,
Thus much let me avow:
You are not wrong who deem
That my days have been a dream;
Yet if hope has flown away
In a night, or in a day,
In a vision, or in none,
Is it therefore the less gone?
All that we see or seem
Is but a dream within a dream.

I stand amid the roar
Of a surf-tormented shore,
And I hold within my hand
Grains of the golden sand--
How few! yet how they creep
Through my fingers to the deep,
While I weep--while I weep!
O God! can I not grasp
Them with a tighter clasp?
O God! can I not save
One from the pitiless wave?
Is all that we see or seem
But a dream within a dream?

I hear America singing, the varied carols I hear,
Those of mechanics, each one singing his as it should be blithe and strong,
The carpenter singing his as he measures his plank or beam,
The mason singing his as he makes ready for work, or leaves off work,
The boatman singing what belongs to him in his boat, the deckhand singing on the steamboat deck,
The shoemaker singing as he sits on his bench, the hatter singing as he stands,
The wood-cutter’s song, the ploughboy’s on his way in the morning, or at noon intermission or at sundown,
The delicious singing of the mother, or of the young wife at work, or of the girl sewing or washing,
Each singing what belongs to him or her and to none else,
The day what belongs to the day—at night the party of young fellows, robust, friendly,
Singing with open mouths their strong melodious songs.

Here on the edge of hell
Stands Harlem—
Remembering the old lies, 
The old kicks in the back,
The old "Be patient"
They told us before.

Sure, we remember.
Now when the man at the corner store
Says sugar's gone up another two cents,
And bread one,
And there's a new tax on cigarettes—
We remember the job we never had,
Never could get,
And can't have now
Because we're colored.

So we stand here
On the edge of hell
in Harlem
And look out on the world
And wonder
What we're gonna do
In the face of what
We remember.

You say I O.K.ed
LONG DISTANCE?
O.K.ed it when?
My goodness, Central
That was then!

I'm mad and disgusted
With that Negro now.
I don't pay no REVERSED
CHARGES nohow.

You say, I will pay it—
Else you'll take out my phone?
You better let
My phone alone.

I didn't ask him
To telephone me.
Roscoe knows darn well
LONG DISTANCE
Ain't free.

If I ever catch him,
Lawd, have pity!
Calling me up
From Kansas City.

Just to say he loves me!
I knowed that was so.
Why didn't he tell me some'n
I don't know?

For instance, what can
Them other girls do
That Alberta K. Johnson
Can't do—and more, too?

What's that, Central?
You say you don't care
Nothing about my
Private affair?

Well, even less about your
PHONE BILL, does I care!

Un-humm-m! . . . Yes!
You say I gave my O.K.?
Well, that O.K. you may keep—

But I sure ain't gonna pay!