One need not be a chamber—to be haunted—
One need not be a House—
The Brain—has Corridors surpassing 
Material Place—

Far safer, of a Midnight—meeting 
External Ghost—
Than an Interior—confronting—
That cooler—Host—

Far safer, through an Abbey—gallop—
The Stones a’chase—
Than moonless—One’s A’self encounter—
In lonesome place—

Ourself—behind Ourself—Concealed—
Should startle—most—
Assassin—hid in Our Apartment—
Be Horror’s least—

The Prudent—carries a Revolver—
He bolts the Door, 
O’erlooking a Superior Spectre
More near—

From The Poems of Emily Dickinson Variorum Edition, ed. R. W. Franklin, 3 vols (Cambridge, Mass., and London, 1998). 

There's a certain Slant of light,
Winter Afternoons – 
That oppresses, like the Heft
Of Cathedral Tunes – 

Heavenly Hurt, it gives us – 
We can find no scar,
But internal difference,
Where the Meanings, are – 

None may teach it – Any – 
'Tis the Seal Despair – 
An imperial affliction
Sent us of the Air – 

When it comes, the Landscape listens – 
Shadows – hold their breath – 
When it goes, 'tis like the Distance
On the look of Death – 

Poetry used by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, by the President and Fellows of Harvard College.

Because I could not stop for Death
He kindly stopped for me
The Carriage held but just Ourselves 
And Immortality.

We slowly droveHe knew no haste
And I had put away
My labor and my leisure too,
For His Civility

We passed the School, where Children strove
At Recessin the Ring
We passed the Fields of Gazing Grain
We passed the Setting Sun

Or ratherHe passed us
The Dews drew quivering and chill
For only Gossamer, my Gown
My Tippetonly Tulle

We paused before a House that seemed
A Swelling of the Ground
The Roof was scarcely visible
The Cornicein the Ground

Since then’tis Centuriesand yet
Feels shorter than the Day
I first surmised the Horses’ Heads
Were toward Eternity

Poetry used by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, by the President and Fellows of Harvard College.

I felt a Funeral, in my Brain,
And Mourners to and fro
Kept treading – treading – till it seemed
That Sense was breaking through – 

And when they all were seated,
A Service, like a Drum – 
Kept beating – beating – till I thought
My Mind was going numb – 

And then I heard them lift a Box
And creak across my Soul
With those same Boots of Lead, again,
Then Space – began to toll,

As all the Heavens were a Bell,
And Being, but an Ear,
And I, and Silence, some strange Race
Wrecked, solitary, here – 

And then a Plank in Reason, broke,
And I dropped down, and down – 
And hit a World, at every plunge,
And Finished knowing – then – 

Poetry used by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, by the President and Fellows of Harvard College.

I heard a Fly buzz – when I died – 
The Stillness in the Room
Was like the Stillness in the Air – 
Between the Heaves of Storm – 

The Eyes around – had wrung them dry – 
And Breaths were gathering firm
For that last Onset – when the King
Be witnessed – in the Room – 

I willed my Keepsakes – Signed away
What portions of me be
Assignable – and then it was
There interposed a Fly – 

With Blue – uncertain stumbling Buzz – 
Between the light – and me – 
And then the Windows failed – and then
I could not see to see – 

Poetry used by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, by the President and Fellows of Harvard College.

The Soul has Bandaged moments –
When too appalled to stir –
She feels some ghastly Fright come up
And stop to look at her –

Salute her, with long fingers –
Caress her freezing hair –
Sip, Goblin, from the very lips
The Lover – hovered – o’er –
Unworthy, that a thought so mean
Accost a Theme – so – fair ­–

The soul has moments of escape –
When bursting all the doors –
She dances like a Bomb, abroad,
And swings opon the Hours,

As do the Bee – delirious borne –
Long Dungeoned from his Rose –
Touch Liberty – then know no more,
But Noon, and Paradise –

The Soul’s retaken moments –
When, Felon led along,
With shackles on the plumed feet,
And staples, in the song,

The Horror welcomes her, again,
These, are not brayed of Tongue –

The Poems of Emily Dickinson, Ralph W. Franklin ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, by the President and Fellows of Harvard College. Copyright © renewed 1979, 1983 by the President and Fellows of Harvard College. Copyright © 1914, 1918, 1919, 1924, 1929, 1930, 1932, 1935, 1937, 1942 by Martha Dickinson Bianchi. Copyright © 1952, 1957, 1958, 1963, 1965 by Mary L. Hampson.

After great pain a formal feeling comes —
The nerves sit ceremonious like tombs ;
The stiff Heart questions — was it He that bore ?
And yesterday — or centuries before ?

The feet mechanical go round
A wooden way
Of ground or air or Ought,
Regardless grown,
A quartz contentment like a stone.

This is the hour of lead
Remembered if outlived
As freezing persons recollect
The snow —
First chill, then stupor, then
The letting go.

From The Further Poems of Emily Dickinson (Little, Brown, and Company, 1929), edited by Martha Dickinson Bianchi and Alfred Leete Hampson. This poem is in the public domain.