I always thought death would be like traveling in a car, moving through the desert, the earth a little darker than sky at the horizon, that your life would settle like the end of a day and you would think of everyone you ever met, that you would be the invisible passenger, quiet in the car, moving through the night, forever, with the beautiful thought of home.
Copyright © 2011 by Carl Adamshick. Used with permission of the author.
Strew on her roses, roses, And never a spray of yew. In quiet she reposes: Ah! would that I did too. Her mirth the world required: She bathed it in smiles of glee. But her heart was tired, tired, And now they let her be. Her life was turning, turning, In mazes of heat and sound. But for peace her soul was yearning, And now peace laps her round. Her cabin'd, ample Spirit, It flutter'd and fail'd for breath. To-night it doth inherit The vasty hall of Death.
This poem is in the public domain.
I am a garden of red tulips And late daffodils and bay-hedges, A small sunk garden About an oblong pool With three grey lead Dutch tanks— I am this garden shattered and blown With a day-long western gale And bursts of rapid rain. There are dank petals in the ruffled waters, And muddy flowers upon the path. The grass is covered with torn leaves. God of gardens, dear small god of gardens, Grant me faint glow of sunlight, A last bird hopping in the quiet haze, Then let the night swoop swiftly, Fold round and crush out life For ever.
This poem is in the public domain.
From Don’t Call Us Dead (Graywolf Press, 2017) Copyright © 2017 by Danez Smith. Used by permission of The Permissions Company, Inc., on behalf of Graywolf Press, www.graywolfpress.org.
Death is a beige Mercedes sedan.
I am five and riding
In the back,
Eating small white chocolates,
My long, thin body
Along the butter-
Soft red leather seat.
What I want is to become
What I was
Before the accident.
You think
I’m a rumor.
I move from one world
To the next
Living inside a mink
Lined winter,
God’s child-
Like voice
Singing quietly
Inside me.
Cynthia Cruz, "Erstling" from How the End Begins. Copyright © 2016 by Cynthia Cruz. Used with permission of Four Way Books, www.fourwaybooks.com.
I cannot rest, I cannot rest
In strait and shiny wood,
My woven hands upon my breast—
The dead are all so good!
The earth is cool across their eyes;
They lie there quietly.
But I am neither old nor wise,
They do not welcome me.
Where never I walked alone before
I wander in the weeds;
And people scream and bar the door,
And rattle at their beads.
We cannot rest, we never rest
Within a narrow bed
Who still must love the living best—
Who hate the drowsy dead!
From Enough Rope (Boni & Liveright, 1926) by Dorothy Parker. This poem is in the public domain.
Under my body’s din,
a hum that won’t quiet,
I still hear what you’ve hidden
in all the waves of sound:
each bead of pain
that buries its head
like a black-legged tick,
intractable but mine
to nurse or lure with heat.
Please, tell me
what it means that I’ve grown
to love the steady sound
of so many kinds of caving in,
buckling down, the way
a body gives itself away
like a sullen bride or the runt
who couldn’t latch? I know I’m just
a hairline crack the music
leaves behind. I love
the music, though I can’t keep it.
Copyright © 2019 Molly McCully Brown and Susannah Nevison. Used with permission of the authors. This poem originally appeared in The Cincinnati Review, Winter 2019.