It’s neither red
nor sweet.
It doesn’t melt
or turn over,
break or harden,
so it can’t feel
pain,
yearning,
regret.
It doesn’t have
a tip to spin on,
it isn’t even
shapely—
just a thick clutch
of muscle,
lopsided,
mute. Still,
I feel it inside
its cage sounding
a dull tattoo:
I want, I want—
but I can’t open it:
there’s no key.
I can’t wear it
on my sleeve,
or tell you from
the bottom of it
how I feel. Here,
it’s all yours, now—
but you’ll have
to take me,
too.
Copyright © 2017 Rita Dove. Used with permission of the author.
I cannot live with You –
It would be Life –
And Life is over there –
Behind the Shelf
The Sexton keeps the Key to –
Putting up
Our Life – His Porcelain –
Like a Cup –
Discarded of the Housewife –
Quaint – or Broke –
A newer Sevres pleases –
Old Ones crack –
I could not die – with You –
For One must wait
To shut the Other’s Gaze down –
You – could not –
And I – could I stand by
And see You – freeze –
Without my Right of Frost –
Death's privilege?
Nor could I rise – with You –
Because Your Face
Would put out Jesus’ –
That New Grace
Glow plain – and foreign
On my homesick Eye –
Except that You than He
Shone closer by –
They’d judge Us – How –
For You – served Heaven – You know,
Or sought to –
I could not –
Because You saturated Sight –
And I had no more Eyes
For sordid excellence
As Paradise
And were You lost, I would be –
Though My Name
Rang loudest
On the Heavenly fame –
And were You – saved –
And I – condemned to be
Where You were not –
That self – were Hell to Me –
So We must meet apart –
You there – I – here –
With just the Door ajar
That Oceans are – and Prayer –
And that White Sustenance –
Despair –
Reprinted by permission of the publishers and the Trustees of Amherst College from The Poems of Emily Dickinson, Thomas H. Johnson, ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1951, 1955, 1979 by the President and Fellows of Harvard College.
I love you
because the Earth turns round the sun
because the North wind blows north
sometimes
because the Pope is Catholic
and most Rabbis Jewish
because the winters flow into springs
and the air clears after a storm
because only my love for you
despite the charms of gravity
keeps me from falling off this Earth
into another dimension
I love you
because it is the natural order of things
I love you
like the habit I picked up in college
of sleeping through lectures
or saying I’m sorry
when I get stopped for speeding
because I drink a glass of water
in the morning
and chain-smoke cigarettes
all through the day
because I take my coffee Black
and my milk with chocolate
because you keep my feet warm
though my life a mess
I love you
because I don’t want it
any other way
I am helpless
in my love for you
It makes me so happy
to hear you call my name
I am amazed you can resist
locking me in an echo chamber
where your voice reverberates
through the four walls
sending me into spasmatic ecstasy
I love you
because it’s been so good
for so long
that if I didn’t love you
I’d have to be born again
and that is not a theological statement
I am pitiful in my love for you
The Dells tell me Love
is so simple
the thought though of you
sends indescribably delicious multitudinous
thrills throughout and through-in my body
I love you
because no two snowflakes are alike
and it is possible
if you stand tippy-toe
to walk between the raindrops
I love you
because I am afraid of the dark
and can’t sleep in the light
because I rub my eyes
when I wake up in the morning
and find you there
because you with all your magic powers were
determined that
I should love you
because there was nothing for you but that
I would love you
I love you
because you made me
want to love you
more than I love my privacy
my freedom my commitments
and responsibilities
I love you ’cause I changed my life
to love you
because you saw me one Friday
afternoon and decided that I would
love you
I love you I love you I love you
“Resignation” from The Collected Poetry of Nikki Giovanni: 1968–1998 by Nikki Giovanni. Copyright compilation © 2003 by Nikki Giovanni. Reprinted by permission of HarperCollins Publishers.
If ever two were one, then surely we.
If ever man were loved by wife, then thee;
If ever wife was happy in a man,
Compare with me ye women if you can.
I prize thy love more than whole mines of gold,
Or all the riches that the East doth hold.
My love is such that rivers cannot quench,
Nor ought but love from thee give recompense.
Thy love is such I can no way repay;
The heavens reward thee manifold, I pray.
Then while we live, in love let’s so persever,
That when we live no more we may live ever.
This poem is in the public domain.
They’re both convinced
that a sudden passion joined them.
Such certainty is beautiful,
but uncertainty is more beautiful still.
Since they’d never met before, they’re sure
that there’d been nothing between them.
But what’s the word from the streets, staircases, hallways—
perhaps they’ve passed by each other a million times?
I want to ask them
if they don’t remember—
a moment face to face
in some revolving door?
perhaps a “sorry” muttered in a crowd?
a curt “wrong number” caught in the receiver?—
but I know the answer.
No, they don’t remember.
They’d be amazed to hear
that Chance has been toying with them
now for years.
Not quite ready yet
to become their Destiny,
it pushed them close, drove them apart,
it barred their path,
stifling a laugh,
and then leaped aside.
There were signs and signals,
even if they couldn’t read them yet.
Perhaps three years ago
or just last Tuesday
a certain leaf fluttered
from one shoulder to another?
Something was dropped and then picked up.
Who knows, maybe the ball that vanished
into childhood’s thicket?
There were doorknobs and doorbells
where one touch had covered another
beforehand.
Suitcases checked and standing side by side.
One night, perhaps, the same dream,
grown hazy by morning.
Every beginning
is only a sequel, after all,
and the book of events
is always open halfway through.
"Love at First Sight" from MAP: Collected and Last Poems by Wislawa Szymborska, translated from Polish by Clare Cavanagh and Stanislaw Baranczak. Copyright © 2015 by The Wislawa Szymborska Foundation. English copyright © 2015 by Houghton Mifflin Harcourt Publishing Company. Used by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved.
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for right.
I love thee purely, as they turn from praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints. I love thee with the breath,
Smiles, tears, of all my life; and, if God choose,
I shall but love thee better after death.
This poem is in the public domain.
The park is filled with night and fog,
The veils are drawn about the world,
The drowsy lights along the paths
Are dim and pearled.
Gold and gleaming the empty streets,
Gold and gleaming the misty lake,
The mirrored lights light sunken swords,
Glimmer and shake.
Oh, is it not enough to be
Here with this beauty over me?
My throat should ache with praise, and I
Should kneel in joy beneath the sky.
Oh, beauty, are you not enough?
Why am I crying after love
With youth, a singing voice and eyes
To take earth’s wonder with surprise?
Why have I put off my pride,
Why am I unsatisfied,
I for whom the pensive night
Binds her cloudy hair with light,
I for whom all beauty burns
Like incense in a million urns?
Oh, beauty, are you not enough?
Why am I crying after love?
This poem is in the public domain. Published in Poem-a-Day on March 22, 2025, by the Academy of American Poets.
Seventeen years ago you said
Something that sounded like Good-bye;
And everybody thinks that you are dead,
But I.
So I, as I grow stiff and cold
To this and that say Good-bye too;
And everybody sees that I am old
But you.
And one fine morning in a sunny lane
Some boy and girl will meet and kiss and swear
That nobody can love their way again
While over there
You will have smiled, I shall have tossed your hair.
From The Farmer’s Bride (The Poetry Bookshop, 1921) by Charlotte Mew. This poem is in the public domain.
of that old feeling of being
in love, such a rusty
feeling, rusty,
functionless
toy. In odd
sequential dreams
I can still love.
Love in the old way.
Here is a sweet lozenge.
Here is some broth,
on whose surface
I have floated
edible flowers.
I can feel the old feeling
where I used to feel it,
in my chest.
In the dream I feel it,
but when I wake
the feeling is gone.
There isn’t a word
for the feeling that replaces it.
Not numbness or emptiness.
It is a nameless feeling.
Racy in its own way.
A racy new toy.
Copyright © 2025 by Diane Seuss. Originally published in Poem-a-Day on March 3, 2025, by the Academy of American Poets.
I wonder what I’d do
with eight arms, two eyes
& too many ways to give
myself away
see, I only have one heart
& I know loving a woman can make you crawl
out from under yourself, or forget
the kingdom that is your body
& what would you say, octopus?
that you live knowing nobody
can touch you more
than you do already
that you can’t punch anything underwater
so you might as well drape yourself
around it, bring it right up to your mouth
let each suction cup kiss what it finds
that having this many hands
means to hold everything
at once & nothing
to hold you back
that when you split
you turn your blood
blue & pour
out more ocean
that you know heartbreak so well
you remove all your bones
so nothing can kill you.
Copyright © 2025 by Denice Frohman. Published by permission of the author.
I had somehow not remembered
that any number times zero is zero.
David said, think of it this way,
20 zeros are nothing. We were in bed,
teeth cleaned, night guards ready
on the bedside tables. His three pillows
stacked behind his head, my five arranged like a boat
to cradle my back, an almost orange
moon penetrating our window through
smoky darkness like a blaze about to leap
across an expanse of pine forest. How
did this happen? All these years together
compressed into this moment of repeating
moments, so many of them indistinguishable;
so few of them recallable. What does dividing
any number by zero do to that number?
This is sort of fascinating, he says, that you
don’t remember any of this. He rolls
toward me, glides his hands around my hips.
His breath is minty, the skin on his face, flushed.
You’re cute, he says, what else
don’t you remember?
I remember running into you
at the Albuquerque airport, honey,
I say, after not seeing you for so many years.
You wore black jeans and a black tee shirt,
a black belt with a sliver buckle, black
Dr. Martens; I looked at you, your jet-black hair,
and somehow I saw that we were about to combine
sorrows and joys into the terrifying equation
of two people equaling one home. I remember
being panicked, my heart leaping into an abyss,
then sinking to my stomach as I watched
what was to become the rest of my life
glide his luggage off the carrousel. I remember
every minute of each labor, each delivery
for both children, and how going into the birthing
room for the second time, I remembered:
pay attention as the baby exits, that final
wet sliding out of me. I remembered
to pause for one of the swiftest moments
in my life, a whole new warm body
joining the living.
From There Are as Many Songs in the World as Branches of Coral (Parlor Press, 2025) by Elizabeth Jacobson. Copyright © 2025 by Elizabeth Jacobson. Reprinted by permission of the publisher.