The low beating of the tom-toms,
The slow beating of the tom-toms,
Low . . . slow
Slow . . . low —
Stirs your blood.
Dance!
A night-veiled girl
Whirls softly into a
Circle of light.
Whirls softly . . . slowly,
Like a wisp of smoke around the fire —
And the tom-toms beat,
And the tom-toms beat,
And the low beating of the tom-toms
Stirs your blood.
This poem is in the public domain.
Bethesda Baptist Church chartered two buses.
We made our only father and son journey.
My mother’s caution did not caution him.
He grabbed my arm and off we went to see
a sea neither of us had ever seen.
Loudly, as always, he was asking questions:
“Are there more colored folks than white?” “Yes, daddy.”
“Are black and white prayer birds flying with us?”
(That’s what he called the priests and nuns.) “They are.”
“You say more than two football fields to the stage
and packed?” “Yes, and a lot more behind us.”
He smiled. “I told your mother, King knows Negroes.”
The heat kept wringing out its entrance fees.
Mahalia’s song built expectation’s hum.
The rabbi’s speech closed. King began his sermon.
He built each word to verse, each verse to chapter
lifting the crowd to choir of memory,
the day transfixed in history, its echoes
spangling the ice-lined Mall five decades later,
the summer’s sweat now frost in winter’s bite,
as masses form one congregation hearing
the gospel-steepened alto of Aretha
prepares us for the man who walks on votes
from dream into undreamed reality.
Bundled in willing layers I give witness.
A blind man slips on ice. He’s near my age,
my father’s age, when I stood next to him
sharing the future’s call we would not share.
I think of how he’d smile when we first hear
a colored man called Mr. President.
Copyright © 2025 by Lester Graves Lennon. Reprinted by permission of the poet.
Most things are colorful things—the sky, earth, and sea.
Black men are most men; but the white are free!
White things are rare things; so rare, so rare
They stole from out a silvered world—somewhere.
Finding earth-plains fair plains, save greenly grassed,
They strewed white feathers of cowardice, as they passed;
The golden stars with lances fine
The hills all red and darkened pine,
They blanched with their wand of power;
And turned the blood in a ruby rose
To a poor white poppy-flower.
They pyred a race of black, black men,
And burned them to ashes white; then
Laughing, a young one claimed a skull.
For the skull of a black is white, not dull,
But a glistening awful thing;
Made it seems, for this ghoul to swing
In the face of God with all his might,
And swear by the hell that siréd him:
“Man-maker, make white!”
This poem is in the public domain. Published in Poem-a-Day on September 29, 2019, by the Academy of American Poets.
Lady, Lady, I saw your face,
Dark as night withholding a star . . .
The chisel fell, or it might have been
You had borne so long the yoke of men.
Lady, Lady, I saw your hands,
Twisted, awry, like crumpled roots,
Bleached poor white in a sudsy tub,
Wrinkled and drawn from your rub-a-dub.
Lady, Lady, I saw your heart,
And altared there in its darksome place
Were the tongues of flame the ancients knew,
Where the good God sits to spangle through.
This poem is in the public domain.
To fling my arms wide
In some place of the sun,
To whirl and to dance
Till the white day is done.
Then rest at cool evening
Beneath a tall tree
While night comes on gently,
Dark like me—
That is my dream!
To fling my arms wide
In the face of the sun,
Dance! Whirl! Whirl!
Till the quick day is done.
Rest at pale evening . . .
A tall, slim tree . . .
Night coming tenderly
Black like me.
From The Collected Poems of Langston Hughes, published by Alfred A. Knopf, Inc. Copyright © 1994 the Estate of Langston Hughes. Used with permission.
Fred Sanford's on at 12 & I'm standing in the express lane (cash only) about to buy Head & Shoulders the white people shampoo, no one knows what I am. My name could be Lamont. George Clinton wears colors like Toucan Sam, the Froot Loop pelican. Follow your nose, he says. But I have no nose, no mouth, so you tell me what's good, what's god, what's funky. When I stop by McDonalds for a cheeseburger, no one suspects what I am. I smile at Ronald's poster, perpetual grin behind the pissed-off, fly-girl cashier I love. Where are my goddamn fries? Ain't I American? I never say, Niggaz in my poems. My ancestors didn't emigrate. Why would anyone leave their native land? I'm thinking about shooting some hoop later on. I'll dunk on everyone of those niggaz. They have no idea what I am. I might be the next Jordan god. They don't know if Toni Morrison is a woman or a man. Michael Jackson is the biggest name in showbiz. Mamma se Mamma sa mamma ku sa, sang the Bushmen in Africa. I'll buy a dimebag after the game, me & Jody. He says, Fuck them white people at work, Man. He was an All-American in high school. He's cool, but he don't know what I am, & so what. Fred Sanford's on in a few & I got the dandruff-free head & shoulders of white people & a cheeseburger belly & a Thriller CD & Nike high tops & slavery's dead & the TV's my daddy-- You big Dummy! Fred tells Lamont.
From Muscular Music by Terrance Hayes, published by Tia Chucha Press. Copyright © 1999 by Terrance Hayes. Reprinted by permission of Terrance Hayes. All rights reserved.
'Twas mercy brought me from my Pagan land,
Taught my benighted soul to understand
That there's a God, that there's a Saviour too:
Once I redemption neither sought nor knew.
Some view our sable race with scornful eye,
"Their colour is a diabolic die."
Remember, Christians, Negros, black as Cain,
May be refin'd, and join th' angelic train.
This poem is in the public domain.