A trio of instruments you love the notes
indissectible & extending small rockets of delight
force to love, be loved, love accelerating
love momentum, the love to travel
we will never agree the world contains
so much phenomena we’ll put on glasses
abstract it give it structure make a frame
inversely proportional to the square of
two distances apart
make us a family of celestial bodies that we
be one we ellipse about a warming sun
love that sun
dual nature of electrons heal us o heal us
I would come back not hide be in motion
I would attach myself to home again
I would be sister mother lover brother
I would be father I would be infant animal awesome
I would suffer & become extinct again
I would relight the earth with love
I would be still I would be silent & quake
I would be afraid but not for love for
the many manifestations glowing faces
Love the notes as they pour like water
love the water under your feet & when
you look look with eyes of love
all the layers, the ground under
your feet & under the ground
the imagined creatures
& above your feet the grasses the
watercress so fine to eat &
see the roots & bottom of pleasure
of moss look into pleasure the color
disappearing or changing the light
love the light & see the sky the scaffolds the planets
the length the width the distance
the congruity the parallels the fracture
love the body keep it elastic
keep it dancing rallying on its own
keep it safe from harm from red tape
& to those next to you be kind be quiet
be exalted be a charm a fusion be a battery
be insistent be an empire be a symphony
& in a moment’s gentle passing
& in a moment’s violent passing completely
be her be him be them, see the face beneath
the face & see with eyes of love, gaze straight
into eyes of love with eyes of love
On occasion of a Valentine’s Day reading,
the Poetry Project at St. Mark’s Church In-the-Bowery, NYC
From Fast-Speaking Woman (City Lights Publishers, 1996). Copyright © 1996 by Anne Waldman. Used with permission of the author.
I am yours as the summer air at evening is
Possessed by the scent of linden blossoms,
As the snowcap gleams with light
Lent it by the brimming moon.
Without you I'd be an unleafed tree
Blasted in a bleakness with no Spring.
Your love is the weather of my being.
What is an island without the sea?
Reprinted by permission of Louisiana State University Press from Beyond Silence: Selected Shorter Poems, 1948–2003 by Daniel Hoffman. Copyright © 2003 by Daniel Hoffman.
This poem appeared in Poem-A-Day on April 3, 2013. Browse the Poem-A-Day archive.
Masons, when they start upon a building,
Are careful to test out the scaffolding;
Make sure that planks won’t slip at busy points,
Secure all ladders, tighten bolted joints.
And yet all this comes down when the job’s done
Showing off walls of sure and solid stone.
So if, my dear, there sometimes seem to be
Old bridges breaking between you and me
Never fear. We may let the scaffolds fall
Confident that we have built our wall.
“Scaffolding” from Opened Ground: Selected Poems 1966–1996 by Seamus Heaney. Copyright © 1998 by Seamus Heaney.
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for right.
I love thee purely, as they turn from praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints. I love thee with the breath,
Smiles, tears, of all my life; and, if God choose,
I shall but love thee better after death.
This poem is in the public domain.
I look for words in the dark,
silently describing to myself
the particular conditions of the weather
on the morning I saw you most recently—
the wind, its patterned disarray—
my mind elsewhere, distracted, lyrical,
while the pianist plays an encore.
Mozart was born on this day
257 years ago. All day
I have been ungenerous, resentful,
impatient. In between
movements, no applause
but the old ladies cough loudly, violently.
We cannot last forever.
I loved music before I loved books.
I loved Mozart before I loved you.
Copyright © 2015 by Richie Hofmann. Used with permission of the author.
A Song to Wake Your Dear in the Morning I kiss the locks of your hair: Do you feel me there, Sleepy one? I will put a kiss on your brow: Are you waking now? Won't you wake, sleepy one? A kiss on your left eye; on your right— Closed tight, closed tight! Oh, you are a hard one to wake! A kiss on your nose Where your deep breath goes, Sleepy one! Now a kiss for each ear: Do you hear, do you hear? Wake, sleepy one! A kiss for this cheek; a kiss for this: How many kisses you will miss! Won't you wake? Won't you wake? Now I come to your lips that I love: Oh, you are waking! You wake and move! Sleepy one! Sleepy one, My kisses are done. Oh, you are a hard one to wake!
This poem is in the public domain.
I dreamed that I was a rose
That grew beside a lonely way,
Close by a path none ever chose,
And there I lingered day by day.
Beneath the sunshine and the show’r
I grew and waited there apart,
Gathering perfume hour by hour,
And storing it within my heart,
Yet, never knew,
Just why I waited there and grew.
I dreamed that you were a bee
That one day gaily flew along,
You came across the hedge to me,
And sang a soft, love-burdened song.
You brushed my petals with a kiss,
I woke to gladness with a start,
And yielded up to you in bliss
The treasured fragrance of my heart;
And then I knew
That I had waited there for you.
This poem is in the public domain.
The fountains mingle with the river
And the rivers with the ocean,
The winds of heaven mix for ever
With a sweet emotion;
Nothing in the world is single,
All things by a law divine
In one another’s being mingle—
Why not I with thine?
See the mountains kiss high heaven,
And the waves clasp one another;
No sister-flower would be forgiven
If it disdain’d its brother;
And the sunlight clasps the earth,
And the moonbeams kiss the sea—
What is all this sweet work worth
If thou kiss not me?
This poem is in the public domain.
How love came in I do not know,
Whether by the eye, or ear, or no;
Or whether with the soul it came
(At first) infused with the same;
Whether in part ’tis here or there,
Or, like the soul, whole everywhere,
This troubles me: but I as well
As any other this can tell:
That when from hence she does depart
The outlet then is from the heart.
This poem is in the public domain.
I never noticed before
How the red flowers hang from the blue branches
I never noticed before the light in this room
I never noticed the way the air is cool again
I never noticed anything but you
But you but you
So that I couldn’t sleep
I never noticed what was anything but you
Until I noticed you
And could not help it
Until I noticed you I could not help it
Until you made the red flowers alive again
Until the blue branches
The lemons you loved, but also the way you loved me, too
Until all of this I never noticed you
But once I did
I never minded noticing
I never stopped noticing
Until I noticed you
I never stopped noticing
Until you, I never stopped
Copyright @ 2014 by Dorothea Lasky. Used with permission of the author. This poem appeared in Poem-a-Day on July 18, 2014.