Johnny, the kitchen sink has been clogged for days, some utensil probably fell down there.
And the Drano won’t work but smells dangerous, and the crusty dishes have piled up

waiting for the plumber I still haven’t called. This is the everyday we spoke of.
It’s winter again: the sky’s a deep, headstrong blue, and the sunlight pours through

the open living-room windows because the heat’s on too high in here and I can’t turn it off.
For weeks now, driving, or dropping a bag of groceries in the street, the bag breaking,

I’ve been thinking: This is what the living do. And yesterday, hurrying along those
wobbly bricks in the Cambridge sidewalk, spilling my coffee down my wrist and sleeve,

I thought it again, and again later, when buying a hairbrush: This is it.
Parking. Slamming the car door shut in the cold. What you called that yearning.

What you finally gave up. We want the spring to come and the winter to pass. We want
whoever to call or not call, a letter, a kiss—we want more and more and then more of it.

But there are moments, walking, when I catch a glimpse of myself in the window glass,
say, the window of the corner video store, and I'm gripped by a cherishing so deep

for my own blowing hair, chapped face, and unbuttoned coat that I’m speechless:
I am living. I remember you.

From What the Living Do, copyright © 1998 by Marie Howe. Used by permission of W. W. Norton. All rights reserved.

A black biplane crashes through the window 
of the luncheonette. The pilot climbs down, 
removing his leather hood. 
He hands me my grandmother's jade ring. 
No, it is two robin's eggs and 
a telephone number: yours.

From The Caged Owl: New and Selected Poems by Gregory Orr. Copyright © 2002 by Gregory Orr. Used by permission of Copper Canyon Press. All rights reserved.

In your extended absence, you permit me 
use of earth, anticipating
some return on investment. I must report 
failure in my assignment, principally 
regarding the tomato plants.
I think I should not be encouraged to grow 
tomatoes. Or, if I am, you should withhold 
the heavy rains, the cold nights that come 
so often here, while other regions get 
twelve weeks of summer. All this 
belongs to you: on the other hand, 
I planted the seeds, I watched the first shoots 
like wings tearing the soil, and it was my heart 
broken by the blight, the black spot so quickly 
multiplying in the rows. I doubt
you have a heart, in our understanding of 
that term. You who do not discriminate 
between the dead and the living, who are, in consequence, 
immune to foreshadowing, you may not know 
how much terror we bear, the spotted leaf,
the red leaves of the maple falling
even in August, in early darkness: I am responsible 
for these vines.

From The Wild Iris, published by The Ecco Press, 1992. Copyright © 1992 by Louise Glück. All Rights reserved. Used with permission.

To allow silence
To admit it in us

always moving
Just past

senses, the darkness
What swallows us

and we live amongst
What lives amongst us

*

These grim anchors
That brief sanctity

the sea
Cast quite far

when you seek
—in your hats black

and kerchiefs—
to bury me

*

Do not weep
but once, and a long

time then
Thereafter eat till

your stomach spills over
No more! you'll cry

too full for your eyes
to leak

*

The words will wait

*

Place me in a plain
pine box I have been

for years building
It is splinters

not silver
It is filled of hair

*

Even the tongues
of bells shall still

*

You who will bear
my body along

Spirit me into the six
Do not startle

at its lack of weight
How light

Copyright © 2011 by Kevin Young. Reprinted from Dear Darkness with the permission of Alfred A. Knopf, Inc.