A naked child is running
along the path toward us,
her arms stretched out,
her mouth open,
the world turned to trash
behind her.

She is running from the smoke
and the soldiers, from the bodies
of her mother and little sister
thrown down into a ditch,
from the blown-up bamboo hut
from the melted pots and pans.
And she is also running from the gods
who have changed the sky to fire
and puddled the earth with skin and blood.
She is running--my god--to us,
10,000 miles away,
reading the caption
beneath her picture
in a weekly magazine.
All over the country
we're feeling sorry for her
and being appalled at the war
being fought in the other world.
She keeps on running, you know,
after the shutter of the camera
clicks. She's running to us.
For how can she know,
her feet beating a path
on another continent?
How can she know
what we really are?
From the distance, we look
so terribly human.

From A Chorus for Peace: A Global Anthology of Poetry by Women, edited by Marilyn Arnold, Bonnie Ballif-Spanvill, and Kristen Tracy, published by the University of Iowa Press. Copyright © 2002 by the University of Iowa Press. All rights reserved.

The fine fourth finger
of his fine right hand,

just slightly, when
he's tracking our path

on his iPhone or
repairing the clasp

on my watch I
will not think about

the myelin sheath.
Slight tremor only,

transient, so
the flaw in the

pavement must
have been my

mother's back.

From The Selvage by Linda Gregerson. Copyright © 2012 by Linda Gregerson. Reprinted with permission of Houghton Mifflin Harcourt. All rights reserved.

Let me begin again as a quiet thought
in the shape of a shell slowly examined
by a brown child on a beach at dawn
straining to see their future. Let me begin
this time knowing the drumming in my dreams
is me inheriting the earth, is morning
lighting up the rivers. Let me burn
my vanities: old music in the pines, sifters
of scotch, a day moon like a signature
of night. This time, let me circle
the island of my fears only once then
live like a raging waterfall and grow
a magnificent mustache. Let me not ever be
the birdcage or the serrated blade or
the empty season. Dear Glacier, Dear Sea
of Stars, Dear Leopards disintegrating
at the outer limits of our greed; soon we will
encounter you only in motivational tweets.
Reader, I should have married you sooner.
This time, let me not sleep like the prophet who
believes he’s seen infinity. Let me run
at break-neck speeds toward sceneries
of doubt. I have no more dress rehearsals
to attend. Look closer: I am licking my lips.

Copyright © 2021 by Major Jackson. Originally published in Poem-a-Day on April 26, 2021, by the Academy of American Poets.

The neon burns a hole in the night
and the Freon burns a hole in the sky
            —Dessa

All night darkness
constructs its unquestioning citadel
of intrusive thoughts

*

if you listen closely
you can hear
the rising waters whispers

if you cover your ears
you’ll hear it too

*

trapped in the seashell of night

*

chase the echo
to its origin

*

a useless lullaby
a rythme replacing
the unticking
digital clocks
counting my sleeplessness
in silence

*

the shapelessness of waves
a watery sleep paralysis
gripping the city

*

the high water mark
is reaching for the sky
and getting there

*

new high rises rise
every day like shark teeth

a fire sale

get it while it’s hot
get that land
while it’s still land

*

the world is burning you know

*

all night you can hear them
building another goddamn stadium
while tearing down the house
around you as you sleep

*

enough empty seats
for the displaced

an uncheering home crowd
longing for home

*

enough hollow condos
for everyone
but it’s important
that they stay empty
they won’t say why

*

hurricanes come through
like tourists
and suddenly
there are less homeless people

their names lost
to the larger one
of christened chaos

*

night is a rosary of unanswered hours

*

count them
count them
count them

*

sometimes I’m grateful
for the light pollution

the smug stars
think they know everything

but their slow knowledge
is always late with its light

*

still

I consult the disdainful
horoscope to see what
they promise to promise

*

Miami is obviously
a leo
(look it up)

*

a drowning fire sign

pride pretending everything
is fine

I mean come on

*

a backwards place

you can’t blame everything
on the Bermuda Triangle
but you can try

*

swimming birds
and flying fish
burrowing owls

night sky
reflected in the water

becoming confused

a broth of clouds and corals

*

octopus conspire against us
limbed-brains learning
from our mistakes

our heirs
come too soon

*

certainly
they’ll do better
with this city
than we did

*

this city
with its history of hurricanes
and fraud

*

one day
the neon
will burn out

and then what

*

sun rises
like rent

*

sun rises
like a flag

*

sun rises
like the ocean

*

I can’t sleep
but the city I love
can’t wake up

Copyright © 2021 by Ariel Francisco. Originally published in Poem-a-Day on April 24, 2021, by the Academy of American Poets.

My grandmother kisses
as if bombs are bursting in the backyard,
where mint and jasmine lace their perfumes
through the kitchen window,
as if somewhere, a body is falling apart
and flames are making their way back
through the intricacies of a young boy’s thigh,
as if to walk out the door, your torso
would dance from exit wounds.
When my grandmother kisses, there would be
no flashy smooching, no western music
of pursed lips, she kisses as if to breathe
you inside her, nose pressed to cheek
so that your scent is relearned
and your sweat pearls into drops of gold
inside her lungs, as if while she holds you
death also, is clutching your wrist.
My grandmother kisses as if history
never ended, as if somewhere
a body is still
falling apart.

Copyright © 2014 by Ocean Vuong. Reprinted from Split This Rock’s The Quarry: A Social Justice Poetry Database