I, too, sing America.
I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.
Tomorrow,
I’ll be at the table
When company comes.
Nobody’ll dare
Say to me,
“Eat in the kitchen,”
Then.
Besides,
They’ll see how beautiful I am
And be ashamed—
I, too, am America.
From The Collected Poems of Langston Hughes, published by Knopf and Vintage Books. Copyright © 1994 by the Estate of Langston Hughes. All rights reserved. Used by permission of Harold Ober Associates Incorporated.
Outside the grocery store
laden with the sweat
of tanned field workers
we stand little girls in winter coats
our hands hold signs leaflets
our dark long hair waist length
one straight, one curly
we say to the people
who walk up to the glass door
don’t buy the lettuce here—
they aren’t good to their workers
I don’t recall anyone
said anything back
or who stood with us
I remember my sister
next to me, us
in our Sunday velvet best
she beret and red plaid jacket
me white rabbit skin muff
little brown girls with picket signs
rosy cheeks, big black eyes
legions of ghosts
above behind
angels wing over us
ancestor feathers beat
in the invisible breeze
each time someone enters
or exits the building—
with a bag
full of groceries
oranges and eggs
celery and grapes.
Copyright © 2021 by Angela C. Trudell Vasquez. Originally published in Poem-a-Day on November 18, 2021, by the Academy of American Poets.
we are not that kind of country.
We are sanctuary for the hungry,
the homeless, the huddled,
held together by an idea
our immigrant fathers believed in.
Rendered, it meant independence.
Pursued, it kindled war, ordinance,
a fighting chance. Forty thousand
musket balls, by themselves, did not
shape the boundaries on which we
map our days. To draw our borders,
we needed more than firecakes.
More than a pound of meat
with bone and gristle,
or salt fish and a gill of peas.
We needed the faith and grit of people
who were not yet Americans.
To be an American is to
recognize the sacrifice
of the widow and the orphan;
it is to understand the weft of tent
cities expecting caravans,
and the heft of a child in a camp
not meant for children, or sitting
before a judge awaiting judgement.
What do we say to the native
whose lands we now inhabit?
What do we say to our immigrant
fathers who held certain truths
to be self-evident?
Do we now still pledge to each
other our lives, our fortunes,
our sacred honor.
There are no kings in America.
Only gilded men we can topple
again and again.
Copyright © Aileen Cassinetto. This poem originally appeared in Vox Populi (July 4, 2020). Used with permission of the author.
won’t you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.
Lucille Clifton, “won’t you celebrate with me” from Collected Poems of Lucille Clifton. Copyright © 1991 by Lucille Clifton. Reprinted with the permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd., boaeditions.org.