i.m. Scott David Campbell (1982–2012)

Streetlights were our stars,
hanging from the midnight    
                                  in a planetary arc
above each empty ShopRite    
parking lot—spreading     
                                  steam-bright
through the neon dark—
buzzing like ghost locusts,
                                  trembling in the chrome
trance of an electrical charge
nested in each exoskeleton—
                                  pulling, pooling
a single syllable of light
from the long braid      
                                  of the powerlines
sighing above us as we climbed    
through bedroom windows
                                  with our hair combed
and our high-tops carefully untied—
as we clung to vinyl siding,
                                  as we crawled
crablike across rooftops, edging
toe-first toward the gutters
                                  so as not to rouse
the dogs—as we crept down    
onto cold drainpipes     
                                  through the lightning
in our lungs, leaping at last
into our shadows and at last
                                  onto the lawn,
landing as if in genuflection
to the afterhours fog—
                                  fluorescent
as the breath we left
beside us on the train tracks
                                  as we walked
each toward the others,
toward the barebulb
                                  glow of stardust
on the dumpsters
in the vacant late-night, lost

              10

maggie and milly and molly and may
went down to the beach(to play one day)

and maggie discovered a shell that sang
so sweetly she couldn’t remember her troubles,and

milly befriended a stranded star
whose rays five languid fingers were;

and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and

may came home with a smooth round stone
as small as a world and as large as alone.

For whatever we lose(like a you or a me)
it’s always ourselves we find in the sea

somewhere i have never travelled, gladly beyond
any experience, your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skillfully, mysteriously) her first rose

or if your wish be to close me, i and
my life will shut very beautifully, suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility: whose texture
compels me with the colour of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens; only something in me understands
the voice of your eyes is deeper than all roses)
nobody, not even the rain, has such small hands

anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn’t he danced his did.

Women and men(both little and small)
cared for anyone not at all
they sowed their isn’t they reaped their same
sun moon stars rain

children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more

when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone’s any was all to her

someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream

stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)

one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was

all by all and deep by deep
and more by more they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes.

Women and men(both dong and ding)
summer autumn winter spring
reaped their sowing and went their came
sun moon stars rain

Buffalo Bill ’s
defunct
               who used to
               ride a watersmooth-silver
                                                              stallion
and break onetwothreefourfive pigeonsjustlikethat
                                                                                              Jesus
he was a handsome man
                                            and what i want to know is
how do you like your blueeyed boy
Mister Death

there are so many tictoc
clocks everywhere telling people
what toctic time it is for
tictic instance five toc minutes toc
past six tic

Spring is not regulated and does
not get out of order nor do
its hands a little jerking move
over numbers slowly

			we do not
wind it up it has no weights
springs wheels inside of
its slender self no indeed dear
nothing of the kind.

(So,when kiss Spring comes
we'll kiss each kiss other on kiss the kiss
lips because tic clocks toc don't make
a toctic difference
to kisskiss you and to 
kiss me)

I

Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair, 
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice. 
She dreams a little, and she feels the dark
Encroachment of that old catastrophe, 
As a calm darkens among water-lights. 
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound,
Stilled for the passing of her dreaming feet
Over the seas, to silent Palestine, 
Dominion of the blood and sepulchre.

II

Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in comforts of the sun, 
In pungent fruit and bright, green wings, or else
In any balm or beauty of the earth, 
Things to be cherished like the thought of heaven?
Divinity must live within herself: 
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights; 
All pleasures and all pains, remembering 
The bough of summer and the winter branch. 
These are the measures destined for her soul. 

III

Jove in the clouds had his inhuman birth. 
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind
He moved among us, as a muttering king,
Magnificent, would move among his hinds, 
Until our blood, commingling, virginal, 
With heaven, brought such requital to desire
The very hinds discerned it, in a star. 
Shall our blood fail? Or shall it come to be 
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now, 
A part of labor and a part of pain, 
And next in glory to enduring love, 
Not this dividing and indifferent blue.

IV

She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?"
There is not any haunt of prophecy, 
Nor any old chimera of the grave, 
Neither the golden underground, nor isle
Melodious, where spirits gat them home, 
Nor visionary south, nor cloudy palm
Remote on heaven's hill, that has endured
As April's green endures; or will endure
Like her remembrance of awakened birds, 
Or her desire for June and evening, tipped
By the consummation of the swallow's wings.

V

She says, "But in contentment I still feel
The need of some imperishable bliss."
Death is the mother of beauty; hence from her, 
Alone, shall come fulfilment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths, 
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness, 
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.

VI

Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky, 
Unchanging, yet so like our perishing earth, 
With rivers like our own that seek for seas
They never find, the same receding shores
That never touch with inarticulate pang?
Why set the pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there, 
The silken weavings of our afternoons, 
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical, 
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.

VII

Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be, 
Naked among them, like a savage source.
Their chant shall be a chant of paradise, 
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice, 
The windy lake wherein their lord delights, 
The trees, like serafin, and echoing hills, 
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feet shall manifest.

VIII

She hears, upon that water without sound, 
A voice that cries, "The tomb in Palestine
Is not the porch of spirits lingering. 
It is the grave of Jesus, where he lay."
We live in an old chaos of the sun, 
Or old dependency of day and night, 
Or island solitude, unsponsored, free, 
Of that wide water, inescapable. 
Deer walk upon our mountains, and the quail 
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky, 
At evening, casual flocks of pigeons make
Ambiguous undulations as they sink, 
Downward to darkness, on extended wings.