I want to die while you love me,
While yet you hold me fair,
While laughter lies upon my lips
And lights are in my hair.
I want to die while you love me,
And bear to that still bed,
Your kisses turbulent, unspent
To warm me when I’m dead.
I want to die while you love me
Oh, who would care to live
Till love has nothing more to ask
And nothing more to give?
I want to die while you love me
And never, never see
The glory of this perfect day
Grow dim or cease to be!
This poem is in the public domain.
How again today our patron star
whose ancient vista is the long view
turns its wide brightness now and here:
Below, we loll outdoors, sing & make fire.
We build no henge
but after our swim, linger
by the pond. Dapples flicker
pine trunks by the water.
Buzz & hum & wing & song combine.
Light builds a monument to its passing.
Frogs content themselves in bullish chirps,
hoopskirt blossoms
on thimbleberries fall, peeper toads
hop, lazy—
Apex. The throaty world sings ripen.
Our grove slips past the sun’s long kiss.
We dress.
We head home in other starlight.
Our earthly time is sweetening from this.
Copyright © 2015 by Tess Taylor. Originally published in Poem-a-Day on June 19, 2015, by the Academy of American Poets.
I didn’t mean to stay so late
or lie there in the grass
all summer afternoon and thoughtless
as the kite of sun caught in the tree-limbs
and the crimson field began to burn,
then tilt way.
I hung on
handily as night lit up the sky’s black skull
and star-flakes fell as if forever—
fat white petals of a far-off flower
like manna on the plains.
A ripe moon lifted in the east,
its eye so focused,
knowing what I knew but had forgotten
of the only death I’ll ever really need
to keep me going.
Did I sleep to wake or wake to sleep?
I slipped in seams through many layers,
soil and subsoil, rooting
in the loamy depths of my creation,
where at last I almost felt at home.
But rose at dawn in rosy light,
beginning in the dew-sop long-haired grass,
having been taken, tossed,
having gone down, a blackened tooth
in sugary old gums, that ground
where innocence is found, unfound,
making my way toward the barn,
its beams alight,
its rafters blazing in the red-ball sun.
From New and Collected Poems: 1975-2015 by Jay Parini (Beacon Press, 2016). Reprinted with permission from Beacon Press.
It’s true I never loved my country
in the abstract sense: red, white, or blue.
I have only this black waving flag,
my disposition.
Stars, bold stripes,
remind me of a million dead young men
in far-off ditches,
remind me of the innocents who fell,
collaterally damaged,
wild-eyed, blazing: each of them
a universe unmade.
I say that I have never loved my country,
but I’d surely die
for several good friends, my wife and sons.
I’d sacrifice a number of pink toes
and fingers, too (my own)
for Emerson, for Whitman and Thoreau.
I’d give an eye for one deep lake,
for several good streams,
at least one waterfall,
a lovely stand of Norway pines
just east of here, not far away.
From New and Collected Poems: 1975-2015 by Jay Parini (Beacon Press, 2016). Reprinted with permission from Beacon Press.
Without syntax there is no immortality,
says my friend,
who has counted beads along a string
and understood that time is
water in a brook
or words in passage,
caravans amid the whitest dunes,
a team of horses in the mountain trace.
There is always movement, muttering,
in flight to wisdom,
which cannot be fixed. The kingdom
comes but gradually,
breaking word by wing or day by dream.
We proceed on insufficient knowledge,
trusting in what comes, in what comes down
in winding corridors,
in clamorous big rooms,
above a gorge on windy cliffs.
In places where discovered sounds make sense,
where subjects run through verbs
to matter in the end, a natural completion
in the holy object of affections
as our sentence circles round again:
This grammar holds us, makes us shine.
From New and Collected Poems: 1975-2015 by Jay Parini (Beacon Press, 2016). Reprinted with permission from Beacon Press.
Days come and go:
this bird by minute, hour by leaf,
a calendar of loss.
I shift through woods, sifting
the air for August cadences
and walk beyond the boundaries I’ve kept
for months, past loose stone walls,
the fences breaking into sticks,
the poems always spilling into prose.
A low sweet meadow full of stars
beyond the margin
fills with big-boned, steaming mares.
The skies above are bruised like fruit,
their juices running,
black-veined marble of regret.
The road gusts sideways:
sassafras and rue.
A warbler warbles.
Did I wake the night through?
Walk through sleeping?
Shuffle for another way to mourn?
Dawn pinks up.
In sparking grass I find beginnings.
I was cradled here.
I gabbled and I spun.
And gradually the many men inside me
found their names,
acquired definition, points of view.
There was much to say,
not all of it untrue.
As the faithful seasons fell away,
I followed till my thoughts
inhabited a tree of thorns
that grew in muck of my own making.
Yet I was lifted and laid bare.
I hung there weakly: crossed, crossed-out.
At first I didn’t know
a voice inside me speaking low.
I stumbled in my way.
But now these hours that can’t be counted
find me fresh, this ordinary time
like kingdom come.
In clarity of dawn,
I fill my lungs, a summer-full of breaths.
The great field holds the wind, and sways.
From New and Collected Poems: 1975–2015 by Jay Parini (Beacon Press, 2016). Reprinted with permission from Beacon Press.
A man crosses the street in rain,
stepping gently, looking two times north and south,
because his son is asleep on his shoulder.
No car must splash him.
No car drive too near to his shadow.
This man carries the world’s most sensitive cargo
but he’s not marked.
Nowhere does his jacket say FRAGILE,
HANDLE WITH CARE.
His ear fills up with breathing.
He hears the hum of a boy’s dream
deep inside him.
We’re not going to be able
to live in this world
if we’re not willing to do what he’s doing
with one another.
The road will only be wide.
The rain will never stop falling.
Naomi Shihab Nye, “Shoulders” from Red Suitcase. Copyright © 1994 by Naomi Shihab Nye. Reprinted with the permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd., www.boaeditions.org.
Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.
Before you learn the tender gravity of kindness
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.
Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to gaze at bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.
From Words Under the Words: Selected Poems. Copyright © 1995 by Naomi Shihab Nye. Reprinted with the permission of the author.