In 1974 Daniel Borzutzky was born in Pittsburgh, Pennsylvania, to Chilean parents. He received a BA from the University of Pittsburgh in 1997 and an MFA from the School of the Art Institute of Chicago in 2000.
He is the author of The Performance of Becoming Human (Brooklyn Arts Press, 2016), which won the 2016 National Book Award in poetry; In the Murmurs of the Rotten Carcass Economy (Nightboat, 2015); The Book of Interfering Bodies (Nightboat, 2011); and The Ecstasy of Capitulation (BlazeVOX Books, 2006).
Borzutzky is also known for his work as a translator, and he received a PEN/Heim Translation Fund Grant for his translation of The Country of Planks (Action Books, 2015) by the Chilean poet Raúl Zurita. He is also the author of a collection of short stories, Arbitrary Tales (Ravenna Press, 2007).
Borzutzky’s work is known for its portrayal of various kinds of political violence. The poet Carmen Giménez Smith has said, “Daniel Borzutzky has been the fabulist we most need because he’s unafraid to detail the truth of our oligarchy, without pedantry. In his figurative world our bodies are forced through privatized meat grinders, but funnily in the way that all dark horror stories trigger our gallows humor.”
In an interview with Stephen de Jesús Frías, Borzutzky says, “I write about economic violence, police violence and torture, violence towards immigrants, corporate barbarism, racism, the destruction of unions and the neglect of the poor, among other things.”
Borzutzky has received fellowships from the Illinois Arts Council and the National Endowment for the Arts. He teaches at Wright College of the City Colleges of Chicago and lives in Chicago, Illinois.
The Performance of Becoming Human (Brooklyn Arts Press, 2016)
In the Murmurs of the Rotten Carcass Economy (Nightboat, 2015)
The Book of Interfering Bodies(Nightboat, 2011)
The Ecstasy of Capitulation (BlazeVOX Books, 2006)
Arbitrary Tales (Ravenna Press, 2007)