We Never Stop Talking About Our Mothers
Renee and I, hers—in the urn by her desk  
and mine—alive in an apartment forty minutes  
from here, probably watching a telenovela, frying  
plantains, texting me goodnight. Renee’s mother isn’t 
really in the urn. She’s in the blue wall,  
the beach landscape painting, the dog  
barking at the unexpected, the jangle of silver bracelets.  
We are all carrying our mothers, and we are all better  
daughters with the dead. She tells me I am wise,  
and all I can think about are the moments of my unwiseness: driving  
and sipping margaritas from a water bottle, the bruise  
on my arm and taking him back. Her husband  
is away at the family cabin, and she is glad  
for the space. My husband doesn’t exist, and I am  
sad for the space I make my home in. I buy sunflowers  
and goat cheese, throw a dinner party for the ghosts.  
I don’t know Renee’s mother’s name to send a proper invitation. 
I don’t know the names of the women in my family  
past my great grandmother. How will I call upon them 
when it’s time? Will I call them Mary or Venus  
or Yemaya? I’ve yet to burn the palo santo, the sage.  
I want to leave behind a legacy of light.  
I want to leave someone better.  
Copyright © 2022 by Diannely Antigua. This poem appeared in Narrative Magazine, 2022. Used with permission of the author.
