Self-Portrait in the Bathroom Mirror
From A Doll for Throwing by Mary Jo Bang. Copyright © 2017 by Mary Jo Bang. Used by permission of The Permissions Company, Inc., on behalf of Graywolf Press, www.graywolfpress.org.
From A Doll for Throwing by Mary Jo Bang. Copyright © 2017 by Mary Jo Bang. Used by permission of The Permissions Company, Inc., on behalf of Graywolf Press, www.graywolfpress.org.
is saying, someday this day will be over.
A moon will presumably still be above:
a bone quiet, an inflatable in the scene
—the cool blue swimming pool
it finds itself in. And I will want to be.
My mother, the Queen, will want only
Here we are, on top of the utopian arc. The water is shallow. An oil spill shimmers on the surface like a lens catches light and folds it in front of a mirror. If someone stands next to you, they are there, even when outside the picture. Which makes total obscurity relative to luck and such. Unlike the law, architecture lasts. A façade, like an ideal, can be oppressive unless balanced by a balcony on which you can stand and call down to those in the street, Come over here and look up at us. Aren’t we exactly what you wanted to believe in?
Being a cult figure is the essence of being
a paradox in which someone
has managed to get themselves linked
to the theoretically real while
simultaneously getting themselves tied
to conventional assumptions about being