A girl on the stairs listens to her father Beat up her mother. Doors bang. She comes down in her nightgown. The piano stands there in the dark Like a boy with an orchid. She plays what she can Then she turns the lamp on. Her mother's music is spread out On the floor like brochures. She hears her father Running through the leaves. The last black key She presses stays down, makes no sound Someone putting their tongue where their tooth had been.
Obscurity and Selfhood
from a college.
living by himself
kept his fighting cocks in plain sight. Each had its own tether and
miniature shed and dish with embossed sobriquet. Their domestication
reserved for battle before the table. Gallus gallus domesticus. A young
male, a cockerel, my husband's patronymic before the adoption. Some hens
are disposed to poach another's egg. Once there were teeth. Given certain
conditions they could come back. If not a full set. Even now a breathing hole
has to be pipped for the offspring to break out. This is done with an egg tooth.
Not a true tooth. Love among the chickens involves a circle dance. He is
a wonderful dancer. It goes straight to her brain. Before and after they prefer
to wash off in dust. Ashes will work if no dust. If they aren't forced into shedding
one another's blood, they can live until their heart gives out.
My question is this:
Would you describe yourself
as a wanderer, a friend of the court, amicus curiae, falsely construed as a snitch, a blue yodeler,
an apostate, a lost cause, a bird in the house, a biter, a common blogger, a contender, a purse
snatcher, a false witness, a palterer, a silkie, a backyarder, channeler
for malevolent spirits, girt in the loins, figure on a shard of black pottery, moderately active, a fog
machine, a visionary miserabilist, a chook or a cuckold, a roundhead, a little seditious, a slow-wave
sleeper, a dead mule, a gongorist, honey on the comb, half goat half god, a white throwback, crossed
with a mongrel, a genesis, a retired fighting