To the Moon [fragment]

- 1792-1822
   Art thou pale for weariness
Of climbing Heaven, and gazing on the earth,
   Wandering companionless
Among the stars that have a different birth,--
And ever changing, like a joyless eye
That finds no object worth its constancy?

More by Percy Bysshe Shelley

Adonais, 49-52, [Go thou to Rome]

                  49

    Go thou to Rome,—at once the Paradise,
    The grave, the city, and the wilderness;
    And where its wrecks like shattered mountains rise,
    And flowering weeds, and fragrant copses dress
    The bones of Desolation's nakedness
    Pass, till the spirit of the spot shall lead
    Thy footsteps to a slope of green access
    Where, like an infant's smile, over the dead
A light of laughing flowers along the grass is spread;

                  50
				  
    And gray walls moulder round, on which dull Time
    Feeds, like slow fire upon a hoary brand;
    And one keen pyramid with wedge sublime,
    Pavilioning the dust of him who planned
    This refuge for his memory, doth stand
    Like flame transformed to marble; and beneath,
    A field is spread, on which a newer band
    Have pitched in Heaven's smile their camp of death,
Welcoming him we lose with scarce extinguished breath.

                  51
				  
    Here pause: these graves are all too young as yet
    To have outgrown the sorrow which consigned
    Its charge to each; and if the seal is set,
    Here, on one fountain of a mourning mind,
    Break it not thou! too surely shalt thou find
    Thine own well full, if thou returnest home,
    Of tears and gall. From the world's bitter wind
    Seek shelter in the shadow of the tomb.
What Adonais is, why fear we to become?

                  52
				  
    The One remains, the many change and pass;
    Heaven's light forever shines, Earth's shadows fly;
    Life, like a dome of many-coloured glass,
    Stains the white radiance of Eternity,
    Until Death tramples it to fragments.—Die,
    If thou wouldst be with that which thou dost seek!
    Follow where all is fled!—Rome's azure sky,
    Flowers, ruins, statues, music, words, are weak
The glory they transfuse with fitting truth to speak.

On the Medusa of Leonardo Da Vinci in the Florentine Gallery

It lieth, gazing on the midnight sky, 
  Upon the cloudy mountain peak supine;  
Below, far lands are seen tremblingly; 
  Its horror and its beauty are divine. 
Upon its lips and eyelids seems to lie 
  Loveliness like a shadow, from which shrine,  
Fiery and lurid, struggling underneath,  
The agonies of anguish and of death. 
 
Yet it is less the horror than the grace  
  Which turns the gazer's spirit into stone;
Whereon the lineaments of that dead face  
  Are graven, till the characters be grown  
Into itself, and thought no more can trace; 
  'Tis the melodious hue of beauty thrown  
Athwart the darkness and the glare of pain,
Which humanize and harmonize the strain. 
 
And from its head as from one body grow, 
  As [   ] grass out of a watery rock, 
Hairs which are vipers, and they curl and flow  
  And their long tangles in each other lock,
And with unending involutions shew  
  Their mailed radiance, as it were to mock  
The torture and the death within, and saw  
The solid air with many a ragged jaw. 
 
And from a stone beside, a poisonous eft
  Peeps idly into those Gorgonian eyes; 
Whilst in the air a ghastly bat, bereft  
  Of sense, has flitted with a mad surprise  
Out of the cave this hideous light had cleft, 
  And he comes hastening like a moth that hies
After a taper; and the midnight sky  
Flares, a light more dread than obscurity. 
 
'Tis the tempestuous loveliness of terror;  
  For from the serpents gleams a brazen glare  
Kindled by that inextricable error,
  Which makes a thrilling vapour of the air  
Become a [ ] and ever-shifting mirror  
  Of all the beauty and the terror there— 
A woman's countenance, with serpent locks, 
Gazing in death on heaven from those wet rocks. 

The Mask of Anarchy [Excerpt]

         LXXIX
"Stand ye calm and resolute, 
Like a forest close and mute,
With folded arms and looks which are
Weapons of unvanquished war, 

         LXXX
"And let Panic, who outspeeds
The career of armèd steeds
Pass, a disregarded shade
Through your phalanx undismayed.

         LXXXI
"Let the laws of your own land, 
Good or ill, between ye stand
Hand to hand, and foot to foot, 
Arbiters of the dispute,

         LXXXII
"The old laws of England—they
Whose reverend heads with age are gray, 
Children of a wiser day;
And whose solemn voice must be
Thine own echo—Liberty!

         LXXXIII
"On those who first should violate
Such sacred heralds in their state
Rest the blood that must ensue, 
And it will not rest on you.

         LXXXIV
"And if then the tyrants dare
Let them ride among you there, 
Slash, and stab, and maim, and hew,—
What they like, that let them do.

         LXXXV
"With folded arms and steady eyes, 
And little fear, and less surprise, 
Look upon them as they slay
Till their rage has died away.

         LXXXVI
"Then they will return with shame
To the place from which they came, 
And the blood thus shed will speak
In hot blushes on their cheek.

         LXXXVII
"Every woman in the land
Will point at them as they stand—
They will hardly dare to greet
Their acquaintance on the street.

         LXXXVIII
"And the bold, true warriors
Who have hugged Danger in wars
Will turn to those who would be free, 
Ashamed of such base company.

         LXXXIX
"And that slaughter to the Nation
Shall steam up like inspiration, 
Eloquent, oracular;
A volcano heard afar.

         XC
"And these words shall then become
Like Oppression's thundered doom
Ringing through each heart and brain, 
Heard again—again—again—

         XCI
"Rise like Lions after slumber
In unvanquishable number—
Shake your chains to earth like dew
Which in sleep had fallen on you—
Ye are many—they are few."