It's a jazz affair, drum crashes and cornet razzes. The trombone pony neighs and the tuba jackass snorts. The banjo tickles and titters too awful. The chippies talk about the funnies in the papers. The cartoonists weep in their beer. Ship riveters talk with their feet To the feet of floozies under the tables. A quartet of white hopes mourn with interspersed snickers: "I got the blues. I got the blues. I got the blues." And . . . as we said earlier: The cartoonists weep in their beer.
The Lawyers Know Too Much
The lawyers, Bob, know too much.
They are chums of the books of the old John Marshall.
They know it all, what a dead hand wrote,
A stiff dead hand and its knuckles crumbling,
The bones of the fingers a thin white ash.
The lawyers know
a dead man’s thoughts too well.
In the heels of the higgling lawyers, Bob,
Too many slippery ifs and buts and howevers,
Too much hereinbefore provided whereas,
Too many doors to go in and out of.
When the lawyers are through
What is there left, Bob?
Can a mouse nibble at it
And find enough to fasten a tooth in?
Why is there always a secret singing
When a lawyer cashes in?
Why does a hearse horse snicker
Hauling a lawyer away?
The work of a bricklayer goes to the blue.
The knack of a mason outlasts a moon.
The hands of a plasterer hold a room together.
The land of a farmer wishes him back again.
Singers of songs and dreamers of plays
Build a house no wind blows over.
The lawyers—tell me why a hearse horse snickers
hauling a lawyer’s bones.