The Good Light

Aaron Fagan

There were always such beautiful shadows in your work,
Though many now dodge their taxes with your art. Rarely
As it seems, life involves death with every decision, which is
Why I miss the non-Euclidean idiom we used to argue over
Everything in the dictionary of what not to do. Somewhere
In a mix between Beaches and Häxan I have these weird
Memories of you sleeping when there’s no way I was there
To see you sleeping—a crystal ball above your bed lets
Tensors, in a tension of tenses, tongue-tie time and divine
Your urge to fearlessly abandon yourself to love as you
Understand love, where paradox gives way to paradox
And awareness is congratulated with awareness of how
This multiverse, in vast tribulation, ushers us on in unison
As one of many big bangs begins again to light the way.

More by Aaron Fagan

Harmony

Sisyphus punches in, each morning,
At a mountain he must face all day,
In hell, for eternity, and at night,
Having not reached the summit
Again, he walks down slow, where
The rock rushed by, careful to see,
With new eyes, where it all went
Wrong, again, and then later,
At the bar in town, sits cooling his
Bleeding hands against a whiskey,
On the rocks, and maps new paths,
On a napkin, inside the wet ring
His tumbler made, again and again,
The routes running on to absurd
Lengths, hands shaking, and if it
Wasn’t a map, you might think
It was the history of history
Or parts of a nude in repose,
Patient with death and belonging.

Related Poems

from Please Bury Me in This [I am writing to you...]

I am writing to you as an act of ending.

Cutting faces out of paper and folding them in envelopes like thoughts.

Am I a monster, Clarice Lispector asked in The Hour of the Star, or is this what it means to be human?

To be alive, I think as I cut another face.

What makes the shape become visible, and breathe, is the angle and variation of absence.

Sugar skull, I whisper, what I have known all along.

I am you gone.