Like a spittle of aluminum, a crest of fear
in a long-faced mirror, like water rushing over a box,
like a dried sentence flying in the air,
like being shown a picture of a perforated wave,
like a mark that appears on each moment,
like knowing a man is in the box,
ingot of man, and the water is shiny, highly intuitive.
Like a mote dripping with silver,
a cataract painted with lead, a sentence of gleam,
and the sky speed up, cloudy, obscure, occluded, unheard of
using a cat’s eye for a planet,
like the water now almost reaching
the help desk across the marble floor
of the enormous lobby of the hospital.
The sculpture, a prototype, donated by the major
auto-pharmaceutical industries, Spanish moss fills the ceiling
in the car port, vaults rush past picking up no one
and souls like aphids stream the stalk of the escalator.
In this gift—a sheen, a shining—wrapped around
a grid of major research hospitals in one block,
on an acre with a drop-away floor,
the mesh bow, car-sized, is heavier than it looks.
Shreds of people, the day torn off, and the incinerator is working.
Oh, dollop of man. Replica of Rodin’s thinker from the gift shop,
I spot that, neon yellow teddy bear inside leaves of cellophane
for the sick child, I spot that. A man is inside the box
of cascading water. He is always wrapped in the present
moment. By now, the silvery water runs over the lines /
of this poem. I feel like shaking for the jet, the cross inside the box.
We are all headed home.
From Lid to the Shadow (Slope Editions, 2011). Copyright © 2011 by Alexandria Peary. Used with permission of the author.