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The cousin from Maine, knowing
about her diverticulitis, let out the nuts,
so the cookies weren’t entirely to my taste,
but they were good enough; yes, good enough.
Each time I emptied a drawer or shelf
I permitted myself to eat one.
I cleared the closet of silk caftans
that slipped easily from clattering hangers,
and from the bureau I took her nightgowns
and sweaters, financial documents
neatly cinctured in long gray envelopes,
and the hairnets and peppermints she’d tucked among
Lucite frames abounding with great-grandchildren,
solemn in their Christmas finery.
Finally the drawers were empty,
the bags full, and the largest cookie,
which I had saved for last, lay
solitary in the tin with a nimbus
of crumbs around it. There would be no more
parcels from Portland. I took it up
and sniffed it, and before eating it,
pressed it against my forehead, because
it seemed like the next thing to do.
I divested myself of despair and fear when I came here. Now there is no more catching one's own eye in the mirror, there are no bad books, no plastic, no insurance premiums, and of course no illness. Contrition does not exist, nor gnashing of teeth. No one howls as the first clod of earth hits the casket. The poor we no longer have with us. Our calm hearts strike only the hour, and God, as promised, proves to be mercy clothed in light.
If many remedies are prescribed
for an illness, you may be certain
that the illness has no cure.
A. P. CHEKHOV
The Cherry Orchard
1 FROM THE NURSERY When I was born, you waited behind a pile of linen in the nursery, and when we were alone, you lay down on top of me, pressing the bile of desolation into every pore. And from that day on everything under the sun and moon made me sad—even the yellow wooden beads that slid and spun along a spindle on my crib. You taught me to exist without gratitude. You ruined my manners toward God: "We're here simply to wait for death; the pleasures of earth are overrated." I only appeared to belong to my mother, to live among blocks and cotton undershirts with snaps; among red tin lunch boxes and report cards in ugly brown slipcases. I was already yours—the anti-urge, the mutilator of souls. 2 BOTTLES Elavil, Ludiomil, Doxepin, Norpramin, Prozac, Lithium, Xanax, Wellbutrin, Parnate, Nardil, Zoloft. The coated ones smell sweet or have no smell; the powdery ones smell like the chemistry lab at school that made me hold my breath. 3 SUGGESTION FROM A FRIEND You wouldn't be so depressed if you really believed in God. 4 OFTEN Often I go to bed as soon after dinner as seems adult (I mean I try to wait for dark) in order to push away from the massive pain in sleep's frail wicker coracle. 5 ONCE THERE WAS LIGHT Once, in my early thirties, I saw that I was a speck of light in the great river of light that undulates through time. I was floating with the whole human family. We were all colors—those who are living now, those who have died, those who are not yet born. For a few moments I floated, completely calm, and I no longer hated having to exist. Like a crow who smells hot blood you came flying to pull me out of the glowing stream. "I'll hold you up. I never let my dear ones drown!" After that, I wept for days. 6 IN AND OUT The dog searches until he finds me upstairs, lies down with a clatter of elbows, puts his head on my foot. Sometimes the sound of his breathing saves my life—in and out, in and out; a pause, a long sigh. . . . 7 PARDON A piece of burned meat wears my clothes, speaks in my voice, dispatches obligations haltingly, or not at all. It is tired of trying to be stouthearted, tired beyond measure. We move on to the monoamine oxidase inhibitors. Day and night I feel as if I had drunk six cups of coffee, but the pain stops abruptly. With the wonder and bitterness of someone pardoned for a crime she did not commit I come back to marriage and friends, to pink fringed hollyhocks; come back to my desk, books, and chair. 8 CREDO Pharmaceutical wonders are at work but I believe only in this moment of well-being. Unholy ghost, you are certain to come again. Coarse, mean, you'll put your feet on the coffee table, lean back, and turn me into someone who can't take the trouble to speak; someone who can't sleep, or who does nothing but sleep; can't read, or call for an appointment for help. There is nothing I can do against your coming. When I awake, I am still with thee. 9 WOOD THRUSH High on Nardil and June light I wake at four, waiting greedily for the first note of the wood thrush. Easeful air presses through the screen with the wild, complex song of the bird, and I am overcome by ordinary contentment. What hurt me so terribly all my life until this moment? How I love the small, swiftly beating heart of the bird singing in the great maples; its bright, unequivocal eye.
A volunteer, a Daughter of the Confederacy,
receives my admission and points the way.
Here are gray jackets with holes in them,
red sashes with individual flourishes,
things soft as flesh. Someone sewed
the gold silk cord onto that gray sleeve
as if embellishments
could keep a man alive.
I have been reading War and Peace,
and so the particulars of combat
are on my mind—the shouts and groans
of men and boys, and the horses' cries
as they fall, astonished at what
has happened to them.
Blood on leaves,
blood on grass, on snow; extravagant
beauty of red. Smoke, dust of disturbed
earth; parch and burn.
Who would choose this for himself?
And yet the terrible machinery
waited in place. With psalters
in their breast pockets, and gloves
knitted by their sisters and sweethearts,
the men in gray hurled themselves
out of the trenches, and rushed against
blue. It was what both sides
agreed to do.