Dissidence

^{in memoriam Thelonious Monk}

You have to be able to hear past the pain, the obvious
minor-thirds and major-sevenths, the merely beautiful

ninths; you have to grow deaf to what you imagine
are the sounds of loneliness; you have to learn indifference

to static, and welcome noise like rain, acclimate
to another kind of silence; you have to be able to sleep

in the city, taxis and trucks careening through your dreams
and back again, hearing the whines and sirens and shrieks

as music; you must be a mathematician, a magician
of algebra, overtone and acoustics, mapping the splintered

intervals of time, tempo, harmony, stalking or sluicing blues
scales; you have to be unafraid of redundance, and aware

that dissonance-driven explorations of dissonance
may circle back to the crowded room of resolution;

you have to disagree with everything except the piano, black
and white keys marking the path you must climb step

by half-step with no compass but the blues, no company
but your distrust of the journey, of all that you hear, of arrival.