Cezanne

- 1883-1966
Our door was shut to the noon-day heat.
We could not see him.
We might not have heard him either—
Resting, dozing, dreaming pleasantly.
But his step was tremendous—
Are mountains on the march?

He was no man who passed;
But a great faithful horse
Dragging a load
Up the hill.

More by Alfred Kreymborg

The Tree

I am four monkeys.
One hangs from a limb,
tail-wise,
chattering at the earth;
another is cramming his belly with cocoanut;
the third is up in the top branches,
quizzing the sky,
and the fourth—
he's chasing another monkey.
How many monkeys are you?

Crocus

When trees have lost remembrance of the leaves
that spring bequeaths to summer, autumn weaves
and loosens mournfully — this dirge, to whom
does it belong — who treads the hidden loom?

When peaks are overwhelmed with snow and ice,
and clouds with crepe bedeck and shroud the skies — 
nor any sun or moon or star, it seems,
can wedge a path of light through such black dreams — 

All motion cold, and dead all traces thereof:
What sudden shock below, or spark above,
starts torrents raging down till rivers surge — 
that aid the first small crocus to emerge?

The earth will turn and spin and fairly soar,
that couldn't move a tortoise-foot before — 
and planets permeate the atmosphere
till misery depart and mystery clear! — 

And yet, so insignificant a hearse? — 
who gave it the endurance so to brave
such elements? — shove winter down a grave? — 
and then lead on again the universe?

To W.C.W. M.D.

There has been
Another death.
This time
I bring it to you.
You are kind,
Brutal,
You know
How to lower 
Bodies.
I ask only
That the rope
Isn't silk,
(Silk doesn't break)
Nor thread,
(Thread does.)
If it lifts
And lowers
Common things,
It will do.

Related Poems

Why I Am Not a Painter

I am not a painter, I am a poet.
Why? I think I would rather be
a painter, but I am not. Well,

for instance, Mike Goldberg
is starting a painting. I drop in.
"Sit down and have a drink" he
says. I drink; we drink. I look
up. "You have SARDINES in it."
"Yes, it needed something there."
"Oh." I go and the days go by
and I drop in again. The painting
is going on, and I go, and the days
go by. I drop in. The painting is
finished. "Where's SARDINES?"
All that's left is just
letters, "It was too much," Mike says.

But me? One day I am thinking of
a color: orange. I write a line
about orange. Pretty soon it is a
whole page of words, not lines.
Then another page. There should be
so much more, not of orange, of
words, of how terrible orange is
and life. Days go by. It is even in
prose, I am a real poet. My poem
is finished and I haven't mentioned
orange yet. It's twelve poems, I call
it ORANGES. And one day in a gallery
I see Mike's painting, called SARDINES.